Hi Gang,
I just noticed that all the jackets of these CDs are mini reproductions of the
original LP covers including the notes on the back. What an amazing
collection and a truly amazing player.
Allan
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Hi gong,
I am too young to understand how important he was once upon a time,
and his recordings do not fit into what I like to hear,
say Hopkinson Smith and alumni.
But then, we will all fade away over time...
Ernesto Ett
11-99 242120 4
11-28376692
Em 06.12.2013, às 12:19, Allan Alexander
On 06/12/13 11:20 AM, erne...@aquila.mus.br wrote:
I am too young to understand how important he was once upon a time,
and his recordings do not fit into what I like to hear,
say Hopkinson Smith and alumni.
For a whole generation of lutenists, the first person we ever heard play
the lute was
On Dec 6, 2013, at 8:20 AM, erne...@aquila.mus.br wrote:
his recordings do not fit into what I like to hear,
say Hopkinson Smith and alumni.
If you can direct me to Hopkinson Smith and Alumni play Britten and
Villa-Lobos, I'd love to hear it.
--
To get on or off this list see list
On Dec 6, 2013, at 10:06 AM, Geoff Gaherty ge...@gaherty.ca wrote:
I feel the same way about Wanda Landowska and the harpsichord. Even if the
Pleyel harpsichords she used were well on their way to evolving into the piano
The harpsichord had evolved into the piano a century or two earlier.
. . . And The Julian Bream Consort's Fantasies Ayres and Dances, I believe
originally released in 1988 on RCA, was just plain good . . . although I'm also
biased by a bit of starry-eyed nostalgia when it comes to Bream.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu
Those of us who are members of the (British) Lute Society will have
read Tony Bailes' delightful tribute to Bream. It's great to know that
one of our finest HIP lutenists still enjoys listening to his
collection of Bream's recordings.
Bill
[1]Sent from Yahoo Mail on Android
This is a lute-talk, correct?
I did not know Britten and Villa-Lobos composed for the lute, they are
certainly not known for it.
I know Bream played the lute, but his complete works collection is not too
meaningfull for the lute today besides the historical (meaning the 1900-2000
period)
This helps me understand your feelings and reactions...
I feel the same about Leonhart, Hantai and Hopki.
It is quite difficult for me to hear Landowska, Gould or Bream for the music
itself.
Ernesto Ett
11-99 242120 4
11-28376692
Em 06.12.2013, às 16:06, Geoff Gaherty ge...@gaherty.ca
Howard,
Come over to my place sometime (I will NEVER perform this in public!)
and I will play the Villa-Lobos Etude No. 1 on my 8 course. I can do
it w/ 3rd course at a or b-flat. Kick ass workout for thumb-index
technique; either thumb inside or out. And I have had a few master
classes with
I don't think I would dare to be so prescriptive of the musical activities of
anybody who doesn't happen to be me.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
erne...@aquila.mus.br
Sent: Friday, December 06, 2013 2:35 PM
On 06/12/13 2:43 PM, Braig, Eugene wrote:
I don't think I would dare to be so prescriptive of the musical
activities of anybody who doesn't happen to be me.
I remember fondly a lecture by the late Howard Mayer Brown in which he
planted his tongue firmly in his cheek and speculated on whether
I have to admit to not understanding the idea that the purpose of the
list or of lutenists should be to try to force people's direction one
way or the other. If someone is interested in guitar, or even
interested in hearing guitar music on lute, great...but is there
something wrong
On Dec 6, 2013, at 12:52 PM, William Brohinsky tiorbin...@gmail.com wrote:
I have to admit to not understanding the idea that the purpose of the list or
of lutenists should be to try to force people's direction one way or the
other.
I don't think anyone has actually expressed that idea.
--
I did not know Britten and Villa-Lobos composed for the lute,
Britten wrote a lute song for Peter Pears and Julian Bream. It was for
Orianna. Bream decided to play it on guitar, however. I've played it on
lute in a concert with Tom Sol (bas) in a programme of opera arias
Ernesto said:
Generally speaking, we want to get more guitarists into the lute, not
the other way around, isn't it?
yes, someone expressed that idea.
On Fri, Dec 6, 2013 at 4:09 PM, howard posner
[1]howardpos...@ca.rr.com wrote:
On Dec 6, 2013, at 12:52 PM, William Brohinsky
I think you're veering a bit far from the definition of force, but OK.
On Dec 6, 2013, at 2:00 PM, William Brohinsky tiorbin...@gmail.com wrote:
Ernesto said:
Generally speaking, we want to get more guitarists into the lute, not the
other way around, isn't it?
yes, someone expressed that
My most recent lute student originally came to me for lessons on how to
play lute music in his beautiful Taylor steel-string guitar. Fine with
me, I have a 7 string, steel string guitar on which I rarely play
anything but lute music (a cheap Orpharion substitute). However, he fell
so in love
Some of you will have heard from me on this topic in previous Decembers,
so this note is aimed at anyone who is new to the list. I have some
leftover copies of the LSA Quarterly (November 2004) which has 4)+
pages of standard Christmas carols in lute tablature. If you would like
a copy of
There is much to learn about lute songs in this video:
http://www.youtube.com/watch?feature=player_detailpagev=ZzMRwBIzLJA
Just a passing comment...
Alain
On 12/06/2013 02:23 PM, Dan Winheld wrote:
My most recent lute student originally came to me for lessons on how
to play lute music in his
Iâve received a bunch of Polish songs from a singer and wonder if there are
any online tab versions available for any of these. Iâve chased down a few
midi files, but turning them into tab could be quite time consuming.
Już siÄ zmierzcha - WacÅaw z SzamotuÅ.pdf
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