Should be in the supplement to the newsletter December 1997.
Unfortunately I can't find it. Perhaps on separate pages which I have lost?
Rainer
On 22.02.2017 12:58, Matthew Daillie wrote:
On 22/02/2017 12:08, Ron Andrico wrote:
Sterling:
The piece is available in tablature from the
Genealogy
I just hear that:
The Lady Hunsdon of âPuffe' fame was the wife of George Carey, who was
the son of Henry Carey, who is possibly the illegitimate son of Henry
the 8th and Mary Carey (nee Boleyn).
G.
On Thu, Feb 23, 2017 at 4:45 AM, John Mardinly
On 23/02/2017 18:58, Ron Andrico wrote:
Here is a list of pieces titled
"dump" from John Ward,"The "Dolfull Domps", Journal of the American
Musicological Society, Vol. 4, No. 2 (Summer, 1951), pp. 111-121.
Are there not copyright issues involved here?
:-J
Matthew
To get on or off
Also (24 dompes) Michael Fink, ed., _*Down in the Dompes: The Collected
English Lute Dumpes*_
(Westminster: LVG Publications, 2008). 109 pp. French tablature with
commentary.
On 02/23/17, Ron Andrico wrote:
No, the Lady Carey of the eponymous dump
The "Puffy Hunton" piece is another gem.
And dates of Roy. App. 58 being ~1530. First quarter, almost :)
Many thanks for the exqc. info on dumps Ron :)
G.
On Thu, Feb 23, 2017 at 6:58 PM, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
No, the Lady Carey of the eponymous
Yes, I'm unfortunately most probably mistaken with that fast and
unchecked remark, as my only source was:
[1]https://www.youtube.com/watch?v=mh-xLdCy_-Q
and we all know how trustworthy that media is. Silly of me. Checked
McFeely and found a few unspesified dumps in Marsh but none
@ G.C.
I have tried to find it in Marsh a long time ago but to no avail.
On which page can I find it?
Lex
> Op 22 feb. 2017, om 12:08 heeft Ron Andrico het
> volgende geschreven:
>
> Sterling:
>
> The piece is available in tablature from the Lute Society in a
>
No idea, really. Lady Carey married Hunsdon, but if it is the same
lady, heaven knows. I've got the feeling that dumps belong to an
earlier age, more first than 4th quarter of 16th c. But the treble in
this one is rather sophisticated.
[cleardot.gif] G.
John Mardinly wrote:
So
I know a number of you play guitar, and most of you probably have
friends or acquaintances who do. If you or they like acoustic
fingerstyle blues, I invite you to listen to a little collection I have
put together and to pass it on to anyone who might be
Too much pizza. the Neapolitan lutenists/violists did not want to see
reminders in their tab.
Dan
On 2/23/2017 12:53 AM, David van Ooijen wrote:
I remember playing through the book the first time. So difficult! But
strangely familiar. And no open strings ... only then I realised.
I remember playing through the book the first time. So difficult! But
strangely familiar. And no open strings ... only then I realised.
David
***
David van Ooijen
[1]davidvanooi...@gmail.com
[2]www.davidvanooijen.nl
Hi Dan,
I shall send you a list of concordances of the Libro Secondo. You are in luck,
all of the pieces appear in Ness.
The facsimile and its notorious Neapolitan tablature would demand an enormous
amount of retraining of the brain to play from directly (at least for someone
with an indolent
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