Dear Lutists,
I know I have been bothering many of you with my premature findings
which were hard to consume and did not convince everone.
I thank everyone who considered the possibility that I could be onto
something.
Now forget everything I posted. This was only lab work compared to this.
Thank you Markus! This is good information to have! I appreciate it
very much, and I hope all is well.
Ed
On Fri, Mar 30, 2018 at 11:25 AM, Markus Lutz <[1]mar...@gmlutz.de>
wrote:
Am 30.03.2018 um 18:09 schrieb Edward Martin:
Dear Ones,
Thank you for the
Am 30.03.2018 um 18:09 schrieb Edward Martin:
Dear Ones,
Thank you for the fascinating discussion particularly in the area of
Jacques de Saint Luc. Anna, thank you for including mentioning me in
the discussion, as I authored an article about St. Luc in a recent Lute
Society
Dear Ones,
Thank you for the fascinating discussion particularly in the area of
Jacques de Saint Luc. Anna, thank you for including mentioning me in
the discussion, as I authored an article about St. Luc in a recent Lute
Society of America Quarterly.
I am a performer, not a
It has been a while ago since "Der dritt gstraifft danntz" (Munich Ms.
1512, fol. 42v) was discussed here, but Otto Gombosi (1935, p.53)
found it also in a Vienna manuscript (Nat.Bibl.Ms. 18688 fol.18v).
This, of course, still does not answer Tristan's original question
about the provenance of
Dear Anna, yes, I'm sure Tim has his reasons, however, in this case the
relevant book is from when, 1710? ;-)
Maybe someone on the list could ask Manuel Couvreur for a more
elaborate article... Although he already goes into much detail in the
booklet, including depiction of
Thank you all for the list and off-list answers!
Dear Martin,
yes, I'm going to work only on Dm lute works (with a small exception of
Kremberg's "Arien", where there is also an angelique & guitar
required).
And yes, I had to make a timeline limit - Weichenberger is the latest
