From: Stuart Walsh [EMAIL PROTECTED]
Date: Sun, 19 Mar 2006 20:02:15 +0100
To: Sean Smith [EMAIL PROTECTED], lute@cs.dartmouth.edu
Subject: [LUTE] Re: Tinctoris
The music in Banks' book would sound very different with the veiled,
smokey sounds of viols compared to the ethereal plink of
- Original Message -
From: Antonio Corona [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Monday, December 05, 2005 9:01 PM
Subject: [LUTE] Re: For Bill -- Small bodied vihuela-viola-guitars come
charango?
Out of curiosity, do you (or anyone here) know approximately when the
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; bill kilpatrick
[EMAIL PROTECTED]; Antonio Corona [EMAIL PROTECTED]; Lute
Net lute@cs.dartmouth.edu
Sent: Tuesday, December 06, 2005 4:01 AM
Subject: [LUTE] Re: For Bill -- Small bodied
- Original Message -
From: Garry Bryan [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Cc: Roman Turovsky [EMAIL PROTECTED]
Sent: Tuesday, December 06, 2005 5:13 AM
Subject: [LUTE] Re: For Bill -- Small bodied vihuela-viola-guitars come
charango?
That very well may be, but Bill's
- Original Message -
From: Antonio Corona [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Tuesday, December 06, 2005 12:08 PM
Subject: [LUTE] Re: For Bill -- Small bodied vihuela-viola-guitars come
charango?
Dear Roger,
Since you
- Original Message -
From: Eugene C. Braig IV [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Tuesday, December 06, 2005 3:18 PM
Subject: Re: [LUTE] Re: For Bill -- Small bodied vihuela-viola-guitars come
charango?
At 06:12 PM 12/6
- Original Message -
From: EUGENE BRAIG IV [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]
Cc: bill kilpatrick [EMAIL PROTECTED]; LUTELIST
lute@cs.dartmouth.edu
Sent: Saturday, December 03, 2005 1:32 PM
Subject: [LUTE] Re: For Bill -- Small bodied vihuela-viola-guitars come
- Original Message -
From: Sean Smith [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Saturday, December 03, 2005 12:48 PM
Subject: [LUTE] Re: For Bill -- Small bodied vihuela-viola-guitars come
charango? -- was Re: Bad translation
Hi Bruno,
Thanks for the note! I had no
- Original Message -
From: EUGENE BRAIG IV [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]
Cc: bill kilpatrick [EMAIL PROTECTED]; LUTELIST
lute@cs.dartmouth.edu
Sent: Sunday, December 04, 2005 6:58 AM
Subject: [LUTE] Re: For Bill -- Small bodied vihuela-viola-guitars come
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; Antonio Corona
[EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Friday, December 02, 2005 3:02 PM
Subject: [LUTE] Re: Bad translation of the first of 11 short
stories.(who
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; Antonio Corona
[EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Friday, December 02, 2005 3:02 PM
Subject: [LUTE] Re: Bad translation of the first of 11 short
stories.(who
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; Antonio Corona
[EMAIL PROTECTED]; LUTELIST lute@cs.dartmouth.edu
Sent: Saturday, December 03, 2005 9:44 AM
Subject: Re: [LUTE] For Bill -- Small bodied vihuela-viola-guitars come
charango
- Original Message -
From: Sean Smith [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Saturday, December 03, 2005 11:05 AM
Subject: [LUTE] Re: For Bill -- Small bodied vihuela-viola-guitars come
charango? -- was Re: Bad translation
Roger,
Thanks for putting these out for
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; lute@cs.dartmouth.edu;
Cinque Cento [EMAIL PROTECTED]
Sent: Friday, December 02, 2005 12:10 AM
Subject: [LUTE] Re: Bad translation of the first of 11 short
stories.(who volunteers
- Original Message -
From: Manolo Laguillo [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; LUTELIST
lute@cs.dartmouth.edu
Sent: Friday, December 02, 2005 2:18 AM
Subject: [LUTE] Re: Bad translation of the first of 11 short
stories.(who volunteers the next?)
Diego Ortiz
- Original Message -
From: Manolo Laguillo [EMAIL PROTECTED]
To: LUTELIST lute@cs.dartmouth.edu
Sent: Friday, December 02, 2005 2:55 AM
Subject: [LUTE] Re: Bad translation of the first of 11 short
stories.(who volunteers the next?)
I send this message again, because I forgot
- Original Message -
From: Antonio Corona [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Friday, December 02, 2005 7:29 AM
Subject: [LUTE] Re: Bad translation of the first of 11 short
stories.(who volunteers the next?)
Dear Roger
- Original Message -
From: Antonio Corona [EMAIL PROTECTED]
To: bill kilpatrick [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Sent: Friday, December 02, 2005 11:29 AM
Subject: [LUTE] Re: Bad translation of the first of 11 short
stories.(who volunteers the next?)
Dear Bill,
- Original Message -
From: Cinque Cento [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Thursday, December 01, 2005 2:43 PM
Subject: [LUTE] Bad translation of the first of 11 short stories.(who
volunteers the next?)
Ortiz the musician
by Nestor Guestrin, winner of the Concurso
- Original Message -
From: Shaun Ng [EMAIL PROTECTED]
To: Lute net lute@cs.dartmouth.edu
Sent: Thursday, November 24, 2005 7:02 AM
Subject: [LUTE] Roses
Hi all,
I was wondering how many triple roses on theorbos are actually
depicted in existing iconography. I can't find any yet,
- Original Message -
From: Arthur Ness [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; LUTE-LIST
lute@cs.dartmouth.edu
Sent: Thursday, June 30, 2005 12:00 PM
Subject: Re: one more cool picture
I tried this link and it didn't work. My request to Mr. Blumberg was
retuned
This one seems too rare to let it slip between the cracks.
This is colonial Chile, South America, 1660-70, with plucked guitar, bowed
guitar, and lute (sopranno? or maybe mandolino?) in one picture.
Franciscan order Convent, Santiago Chile. Alegoría, painted by Taller de
Basilio de Santa Cruz.
Greetings -- Keepers of the early Fretted-Fourths Legacy
After two months of hunting (the web only), I can report that the catch
has been very good, much better than I would have imagined -- the net is
full.
It's turns out that nearly all 16th century viols smaller that bass sized,
were, and
- Original Message -
From: [EMAIL PROTECTED]
To: Mathias Rösel [EMAIL PROTECTED]; LUTELIST
lute@cs.dartmouth.edu
Sent: Thursday, May 19, 2005 5:11 AM
Subject: Re: cement
Manolo Laguillo [EMAIL PROTECTED] schrieb:
Could it be that Vihuela relates with viola? I would say yes,
- Original Message -
From: [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Sunday, May 01, 2005 11:40 AM
Subject: early viols, four-strings
Ian Woodfield, The History of the Early Viol, ISBN 0-521-35743-8
(paperback).
PP 99-101 discuss the early printed works, including Virdung
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Cc: Roger E. Blumberg [EMAIL PROTECTED]
Sent: Wednesday, April 27, 2005 6:03 AM
Subject: Re: Widening the net -- Viola da Braccio
Thanks very much for placing the whole picture. That's
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Cc: Roger E. Blumberg [EMAIL PROTECTED]
Sent: Tuesday, April 26, 2005 4:53 AM
Subject: Re: Widening the net -- Viola da Braccio
There is a brilliant book (if you read German) on the early
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Cc: Roger E. Blumberg [EMAIL PROTECTED]
Sent: Tuesday, April 26, 2005 4:53 AM
Subject: Re: Widening the net -- Viola da Braccio
By the way, the picture on the page
http://www.thecipher.com
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Sent: Saturday, April 23, 2005 4:16 AM
Subject: the cipher
roger:
your site is up and running and radiant with wisdom.
i realize this is not the forum to publicly compliment
someone
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: bill kilpatrick [EMAIL PROTECTED]; lute list
lute@cs.dartmouth.edu
Sent: Saturday, April 23, 2005 6:22 AM
Subject: Re: the cipher
your site is up and running and radiant with wisdom.
i realize this is not the forum to
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: LUTE-LIST lute@cs.dartmouth.edu
Sent: Saturday, April 23, 2005 7:20 AM
Subject: Torbany
Our (and mine) friend Sasha Batov (valentuomo fatto e finito) has recently
returned from St.Petersburg, where he photographed all 14
Hi Bill;
Sorry about this. It turns out it's Register.com. Their processing dept is
appearently at least 3 weeks behind. I thought expiration dates meant
something, i.e. you pay before the expire date is up and all's well. Silly
me. g So my domain got put on a hold and they notified the name
From: bill kilpatrick [EMAIL PROTECTED]
Date: Wed, 20 Apr 2005 13:47:15 +0100 (BST)
To: lute list lute@cs.dartmouth.edu
Subject: cipher
in trying to access the following:
www.thecipher.com
.. i get a message from my server saying it can not
be found. anyone else have this problem?
From: Michael Thames [EMAIL PROTECTED]
Date: Sun, 10 Apr 2005 23:37:32 -0600
To: lute@cs.dartmouth.edu, Stuart LeBlanc [EMAIL PROTECTED]
Subject: Re: Blind players and memory
Performance from memory, and improvisation are two completely
different things
not entirely. Improvisation
From: Bernd Haegemann [EMAIL PROTECTED]
Date: Wed, 16 Mar 2005 00:03:44 +0100
To: Lutelist lute@cs.dartmouth.edu
Subject: viola da gamba [OT]
dear lutenetters,
on sunday I visited a little castle in Westfalia where surprisingly I found a
a small exposition room with musical
From: Robert Barto [EMAIL PROTECTED]
Date: Fri, 11 Mar 2005 16:46:32 +0100
To: lute@cs.dartmouth.edu
Cc: baroque-lute@cs.dartmouth.edu, [EMAIL PROTECTED]
Subject: Mistake on Weiss Naxos vol. 6
Dear lute friends,
I've just received my copy of Naxos Weiss vol.6.
There was apparently
From: Roman Turovsky [EMAIL PROTECTED]
Date: Tue, 08 Mar 2005 12:38:53 -0500
To: LUTE-LIST lute@cs.dartmouth.edu
Subject: OT: Mar'jana Sadovska in NYC
For those Lute-Netters in the NYC and the vicinity:
Mar'jana Sadovska
http://www.mo-productions.com/eng/marframe.html
will sing tomorrow
From: Roman Turovsky [EMAIL PROTECTED]
Date: Fri, 11 Mar 2005 14:13:14 -0500
To: LUTE-LIST lute@cs.dartmouth.edu
Subject: Re: OT: Mar'jana Sadovska in NYC
I assume you went (lucky devil), and she was great, yes?
In fact. Hairraisingly so.
now I really _am_ jealous -- goose-bumps are
From: rosinfiorini [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Sat, 29 Jan 2005 04:22:21 +0100 (CET)
To: lute@cs.dartmouth.edu
Subject: Iconographie Musicale
On this site there are quite a few instruments depicted, from several
centuries:
- Original Message -
From: Jon Murphy [EMAIL PROTECTED]
To: Howard Posner [EMAIL PROTECTED]; LUTE-LIST
lute@cs.dartmouth.edu; Roman Turovsky [EMAIL PROTECTED]
Sent: Tuesday, December 28, 2004 2:44 AM
Subject: Re: Vio-print
Roman, again we meet in agreement. My bible of historical
Some more interesting viols, carved in the Organ case panels at Eglise
Notre-Dame church , Andely, France, case carved c.1573. The bodies of these
viols are very Baroque and what we'd call violinesque (if we didn't know
better), f-holes too.
Interesting is comparing the two viols seen on the
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; LUTE-LIST
lute@cs.dartmouth.edu
Sent: Wednesday, December 22, 2004 8:43 PM
Subject: Re: gittern lute sighting c.1375 -- obscure fresco, Italian,
private dealer sale
interesting
- Original Message -
From: Howard Posner [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; bill kilpatrick
[EMAIL PROTECTED]; LUTE-LIST lute@cs.dartmouth.edu
Sent: Thursday, December 23, 2004 11:01 AM
Subject: Re: gittern lute sighting c.1375 -- obscure fresco, Italian,private
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: lute list lute@cs.dartmouth.edu
Sent: Thursday, December 23, 2004 1:11 PM
Subject: odd fret pattern
there's an old instrument - bulgarian perhaps - up for
auction on german ebay with an unusual fret
arrangement. anyone
iconography alert;
gittern or lute c.1375 -- obscure fresco, Italian, private dealer sale
http://bigli.com/english/mostraquadro.asp?QuadroID=193N=affresco#
click image to enlarge
instrument is similar to one by SIMONE MARTINI (died 1344), Italian painter,
Sienese school
stumbled upon it, passing it on . . .=20
Special Collections, University of Glasgow
http://special.lib.gla.ac.uk/exhibns/treasures/subject.html##music
http://special.lib.gla.ac.uk/exhibns/treasures/lute.html plate online
http://special.lib.gla.ac.uk/manuscripts/search/detaild.cfm?DID=3D5897 =
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: Daniel F Heiman [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Tuesday, December 14, 2004 8:13 AM
Subject: Re: Key discovery -- two bridge early viola da gamba, pluck and bow
c.1500, Timoteo Viti painting
- Original
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: lute list [EMAIL PROTECTED]
Sent: Monday, December 06, 2004 6:39 AM
Subject: FW: Key discovery -- two bridge early viola da gamba, pluck andbow
On Wed, 01 December 2004 16:46 Roger Blumberg wrote:
I do agree that the
From: Roman Turovsky [EMAIL PROTECTED]
Date: 2004/12/01 Wed AM 09:30:40 EST
To: LUTE-LIST [EMAIL PROTECTED]
Subject: FW: Key discovery -- two bridge early viola da gamba, pluck and
bow c.1500, Timoteo Viti painting
From: Roger E. Blumberg [EMAIL PROTECTED]
Newsgroups
.
With best wishes,
Antonio
--- Roger E. Blumberg [EMAIL PROTECTED] wrote:
Hi all;
Just an update. To the greater viola-vihuela-guitar
story (to viola da gamba
ulitmately), I've just add this instrument:
http://www.thecipher.com/Viola_sine_arculo_OLDEST-01.jpg
Plucked vihuela
http://www.arteguias.com/artesaniamedieval.htm
if you click the little info icons you'll get to the respective plates, in
color, very pretty -- musical instruments or not.
Most of us have probably seen the Cantigas plates, but little else.
(about as close to sunday morning worship as I'm gonna
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: LUTE-LIST [EMAIL PROTECTED]
Sent: Sunday, December 12, 2004 5:35 AM
Subject: OT -- medieval Spanish Illuminated MS plates
http://www.arteguias.com/artesaniamedieval.htm
if you click the little info icons you'll get
Hi all;
Just an update. To the greater viola-vihuela-guitar story (to viola da gamba
ulitmately), I've just add this instrument:
http://www.thecipher.com/Viola_sine_arculo_OLDEST-01.jpg
Plucked vihuela/viola (Vihuela de penola or Viola sine arculo), 1300s.
Salamanca, Spain, Old Cathedral,
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; LUTE-LIST
[EMAIL PROTECTED]
Sent: Saturday, December 11, 2004 4:40 AM
Subject: Re: Oldest known viola bodied vihuela guitar, 1300's, Spain
is the figure holding a plectrum?
yes
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: LUTE-LIST [EMAIL PROTECTED]
Sent: Saturday, December 11, 2004 4:14 AM
Subject: Oldest known viola bodied vihuela guitar, 1300's, Spain
Hi all;
Just an update. To the greater viola-vihuela-guitar story (to viola da
- Original Message -
From: Stephan Olbertz [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, December 08, 2004 1:38 AM
Subject: Re: oldest viola picture
Normally people like you give away free bibles. How
about a free viol? :-)
Stephan
Am 7 Dec 2004 um 22:16 hat Roger E
- Original Message -
From: bill kilpatrick [EMAIL PROTECTED]
To: Stephan Olbertz [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Wednesday, December 08, 2004 3:24 AM
Subject: Re: oldest viola picture (puerto rican cuatro)
Plucked viola, like this one
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; [EMAIL PROTECTED];
Sent: Wednesday, December 08, 2004 4:29 AM
Subject: Re: oldest viola picture (puerto rican cuatro)
Hispaniola, where columbus landed (and he named) is now called
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Tuesday, December 07, 2004 10:16 PM
Subject: Re: oldest viola picture
Plucked viola, like this one
http://www.thecipher.com/viola-guitar-angels.jpg were lutes (for all
- Original Message -
From: rosinfiorini [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, December 08, 2004 3:52 PM
Subject: Re: Re: oldest viola picture
I for sure would have liked to test bowing but this thing was there
waiting for its owner (who must have the bow). The
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Wednesday, December 08, 2004 7:47 PM
Subject: Re: Re: oldest viola picture
Viol consorts were the dance band of the arostocracy at
least. All of the lute dances were played
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Wednesday, December 08, 2004 7:47 PM
Subject: Re: Re: oldest viola picture
ah! but you _can_ bow chords, and they _did_ bow chords. The radius of a 6
string viol's bridge
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: lute list [EMAIL PROTECTED]
Sent: Tuesday, December 07, 2004 7:40 AM
Subject: Re: Key discovery -- two bridge early viola da gamba, pluck andbow
- Original Message -=20
From: Roger E. Blumberg [EMAIL PROTECTED
- Original Message -
From: rosinfiorini [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, December 07, 2004 5:20 PM
Subject: oldest viola picture
Here, this they say is the oldest painting where they portray viola (its
from quatro cento towards end i think). Link:
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: lute list [EMAIL PROTECTED]
Sent: Monday, December 06, 2004 6:39 AM
Subject: FW: Key discovery -- two bridge early viola da gamba, pluck andbow
On Wed, 01 December 2004 16:46 Roger Blumberg wrote:
I do agree that the
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: lute list [EMAIL PROTECTED]
Sent: Monday, December 06, 2004 8:32 AM
Subject: Re: Key discovery -- two bridge early viola da gamba, pluck andbow
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: lute list [EMAIL PROTECTED]
Sent: Monday, December 06, 2004 8:32 AM
Subject: Re: Key discovery -- two bridge early viola da gamba, pluck andbow
What do you think about Raphaels' viol of 1514. Does it strike you as
being
- Original Message -
From: Alexander Batov [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; Roger E. Blumberg [EMAIL PROTECTED]
Sent: Monday, December 06, 2004 4:04 PM
Subject: Re: Key discovery -- two bridge early viola da gamba, pluck andbow
- Original Message -
From: Roger E
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; Roger E. Blumberg
[EMAIL PROTECTED]
Sent: Thursday, December 02, 2004 10:28 PM
Subject: Re: also Viola picture
Hi Rosinfiorini;
let me just clearify that the problem
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; [EMAIL PROTECTED];
[EMAIL PROTECTED]
Sent: Friday, December 03, 2004 3:32 AM
Subject: Re: pegbox drawing
maybe the Viti is a fresco up high on a wall, perhaps even curved
surface
- Original Message -
From: rosinfiorini [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, December 01, 2004 7:59 PM
Subject: also Viola picture
actually, i made the image paler and enlarges and it becomes apparent that
it is simply the way the bridge is drawn (its shadow) that
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Thursday, December 02, 2004 6:27 PM
Subject: Re: also Viola picture
- Original Message -
From: rosinfiorini [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday
- Original Message -
From: rosinfiorini [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, December 02, 2004 6:50 PM
Subject: Viola perspective
Hi Roger, i just got home now late and will read your messages
tomorrow--sorry for the delay.
Now i only red the last one and will
- Original Message -
From: rosinfiorini [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, December 02, 2004 7:59 PM
Subject: pegbox drawing
If I were to draw Viti's pegbox in a correct perspective, I'd draw it
like this:
http://perso.wanadoo.fr/raydimitry/imagini/Violapeg.jpg
- Original Message -
From: Roger E. Blumberg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Thursday, December 02, 2004 6:27 PM
Subject: Re: also Viola picture
- Original Message -
From: rosinfiorini [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday
On Wed, 01 Dec 2004 06:32:35 -0800 Daniel F Heiman writes:
Re: FW: Key discovery -- two bridge early viola da gamba, pluck and bow
c.1500, Timoteo Viti painting
Daniel F Heiman
Wed, 01 Dec 2004 06:32:35 -0800
The layout of the instrument is screwed up. The purpose of the bouts is
to allow
viola da gamba, pluck and
bow c.1500, Timoteo Viti painting
From: Roger E. Blumberg [EMAIL PROTECTED]
Newsgroups: rec.music.early
Hi all;
I've been scouring the available viol and vihuela iconography, mostly
online, looking for the best connections between viols and guitars
(plucked
- Original Message -
From: rosinfiorini [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, December 01, 2004 7:59 PM
Subject: also Viola picture
actually, i made the image paler and enlarges and it becomes apparent that
it is simply the way the bridge is drawn (its shadow) that
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