Hi Wayne,
sad to hear the lute list retires.
It is not too much to say: the lute list has been quite a big part of my
life so far. Over a very long period I had the pleasure to correspond
about my faourite topic with very educated people from around the world.
Many friendships developed. Some on
There is already a very well done adaption for the lute available (by
Andi Schlegel)
https://lutecorner.ch/
Bst wishes
Thomas
Am 13.02.2019 um 18:43 schrieb Alain Veylit:
eing one octave down from what one might expect. Without that
transposition, none of the lute's diapasons would be used...
Hi all,
I just listened to Lutz and Martina Kirchhof's new CD Chipass and
wanted to report that I am pretty enthusiastic about it. The early CDs
of Lutz lack a proper lute sound IMHO. But his recent CDs capture the
sound very well. Among the best lute sounds on recordings I have heard
up to
://www.youtube.com/watch?v=bUXlKB1H8e0#t5
3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Thomas Schall, Dörflistrasse 2, 6078 Lungern, 041 678 00 79
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Hi all
Could anybody please point me to the Folia in a minor by Gallot?
It's such a fantastic piece! And I would like to try my fingers on it ...
Best wishes
Thomas
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/chilesotti8.pdf
http://lautenist.de/chilesotti9.pdf
Am 17.12.2013 17:50, schrieb Alain Veylit:
Thomas Schall kindly provided his own intabulations of the Chilesotti
pieces in three PDF volumes -- See:
* [1]http://lute.musickshandmade.com/collections/view/105
* [2]http
the finest of the late baroque lute
repertoire:
[1]http://www.youtube.com/watch?v,8rtmq3DAYfeature=endscreen
Best wishes
Thomas
--
Thomas Schall Doerflistrasse 2 CH-6078 Lungern
--
References
1. http://www.youtube.com/watch?v,8rtmq3DAYfeature=endscreen
To get on or off
Sorry - its me again:
I've sent the wrong link. a working link is
[1]http://www.youtube.com/watch?v=xHobBD7FR1Qfeature=plcp
Best wishes
Thomas
Am 01.11.2012 18:20, schrieb Thomas Schall:
Hi all,
My friend Lutz about the lute as a romantic instrument.
Some of his ideas
lutes and their music.
Thank you, Tho
--
Thomas Schall Doerflistrasse 2 CH-6078 Lungern
--
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have the facsimile, but my tame language
expert
is out of action!
Many thanks
Martin
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--
Thomas Schall
Doerflistrasse 2
CH
--
Thomas Schall
Doerflistrasse 2
CH-6078 Lungern
+41 41 678 00 79
lauten...@lautenist.de
--
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it from memory ...
So I would be pleased if someone would have the passage at hand.
Thank you very much and all the best
--
Thomas Schall
Doerflistrasse 2
CH-6078 Lungern
+41 41 678 00 79
lauten...@lautenist.de
--
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of the nice
surrounding of Gruyeres) can be found on http://lautenist.de/gruyeres/
--
Thomas Schall
Doerflistrasse 2
CH-6078 Lungern
+41 41 678 00 79
lauten...@lautenist.de
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://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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Thomas Schall
Doerflistrasse 2
CH-6078 Lungern
+41 41 678 00 79
lauten...@lautenist.de
--
lute?
Best wishes
Chris Pearcy
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--
Thomas Schall
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--
Thomas Schall
Doerflistrasse 2
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+41 41 678 00 79
lauten...@lautenist.de
-
--
Thomas Schall
photos from Poland in Kazimierz Dolny,
Pulawy
and surroundings. I love it this place! You are lucky man that you
did
play in these interiors.
Bests
Grzegorz
Dnia 19-03-2011 o godz. 23:03 Thomas Schall napisa^3(a):
Hi all,
I've redisigned
+0100 Thomas Schall
lauten...@lautenist.de
writes:
Hi all,
I've redisigned my homepage (http://www.lautenist.de) and would
like to
ask if some of you know poems related to the lute which are not
listed
on my page
Hi all,
I've redisigned my homepage (http://www.lautenist.de) and would like to
ask if some of you know poems related to the lute which are not listed
on my page.
Thanks for your help and all the best
--
Thomas Schall
Doerflistrasse 2
CH-6078 Lungern
+41 41 678
The Telemann-Transcriptions have some if I recall correctly.
I remember Kropfganss and Blohm ...
Am 29.01.2011 10:48, schrieb Stuart Walsh:
What lute polonaises do we have, aside from Baron, Weiss-Moscow, and
To get on or off this list see list information at
Hi
I would recommend a student lute by Renatus Lechner
http://www.renatus-lechner.de/
or a second hand lute
best wishes
thomas
Am 22.11.2010 12:41, schrieb Lex van Sante:
Hi Andrew,
I for one wouldn't go for EMS. The initial purchase price would be within
anybody's reach but there are
I guess this would count as performance and clearly is an infringement
of copyright law.
IMHO copyright (in the US) has very good intensions but it's a law that
is hard to follow and is contradictional to common sense and habits.
I'm lucky not to live in the US but in switzerland with a more
*LOL*
Sending messages to ASCAP and Time Warner each time you hear someone
singing Happy Birthday surely will be a good way to show your respect
for the copyright.
I have dealt with GEMA before - I organized a recital for a visiting
american lute player. Although not one single protected
Take a look at the examples: http://www.copyright.ch/?sub_id=72leng=0
Cheers
Thomas
Am 21.10.2010 14:49, schrieb R. Mattes:
On Thu, 21 Oct 2010 14:31:17 +0200, Thomas Schall wrote
I guess this would count as performance and clearly is an
infringement of copyright law. IMHO copyright
There is more music available at Trekel.de
well done! thank you!
Thomas
Am 20.10.2010 20:30, schrieb t...@heartistrymusic.com:
Here is a link to my website where I have posted my transcription of
In My Life by John Lennon in PDF, MIDI, and Fronimo 3
Enjoy,
Tom
Tom Draughon
Heartistry Music
to us, though ... but of course we should at
least know we are playing something which is not intended by the composer.
Thomas
Am 19.10.2010 00:49, schrieb howard posner:
On Oct 18, 2010, at 1:54 PM, Thomas Schall wrote:
Hoppy plays it p-i-m-i-a-i-m-i (if I recall correctly)
I hope not. I
cool :-)
Am 19.10.2010 20:38, schrieb David van Ooijen:
Someone on this list kindly suggested Sony Vegas. There is a 30-day
trial period. I gave it a try with a little something for my guitar
kids:
http://www.youtube.com/watch?v=uLEJXWEjH3s
Choreography inspired by Hank Marvin c.s.
I don't know about historical evidence for what Torelli says.
I am playing it (like most others I guess) p-i-m-a
I also tried different fingerings of the right hand - and there are some
which could work well. For instance I liked the p-i-m-a-m-i version. I
wouldn't change the right hand
Hi Arto,
I enjoyed playing Stefan's music.
I especially enjoyed the choral-settings, the Bellmann-Suites and some
of his studies.
There are also few pieces by Meinhardt Gerlach and Rüdiger Giess for
Baroque Lute - Meinhardt mainly composed songs but the one or other
piece for solo baroque
You surely mean Meinhardt Gerlach.
best wishes
Thomas
Am 09.10.2010 09:03, schrieb Stephan Olbertz:
http://www.modernlutemusic.com/
I don't remember if there is something for d-minor lute on this site,
but interesting anyway.
There is a german guy who writes beautiful resonant modern
BWV 999 is also available in Tablature.
There has been an edition out by the Zentralantiquariat der DDR which I
once wanted to republish for the german lute society (they lacked
interest). I think one of the publishers for lute music (Tree?)
republished these transcriptions (by Falckenhagen,
http://www.lautenist.de/Christmas.pdf
It's for flute and B-Lute but the melody should be clear and the lyrics
easy to add. I've just been a bit lazy back when I made those
transcriptions.
Thomas
Am 29.09.2010 09:15, schrieb lute...@aol.com:
More players are playing continuo on baroque
I would have a few pieces on http://lautenist.de/downloads#kammermusik
plus
http://www.lautenist.de/LiutoD.pdf (Daube)
and http://www.lautenist.de/LiutoH.pdf (Haydn)
Best wishes
Thomas
Bruno Correia schrieb:
I'm interested on this site too!
2010/8/29 Fabio Rizza
There has been one in one of the journals of the lute society.
Take a look at their website
Thomas
Sam Chapman schrieb:
Does anybody know if there is a translation of Bermudo's treatise into
English or German? Or at least bits of it?
Thanks!
Sam
--
To get on or off this
you'll find some of the music on http://lautenist.de/downloads.html
I guess the Fronimo-Page will have some other material, too.
Regards
Thomas
Oskar De Mari schrieb:
dear luters
I'm searching for Reusner the Younger's music in either tablature
and/or notation to help with my thesis
I really enjoyed listening your performance and I liked the setting, too.
What has been the recoding setup? I never seem to get the lute sounding
so natural on my (home) recordings *sigh*
And Anton a big thanks for producing and making this settings available.
All the best
Thomas
Stuart
You'll find mine plus some impressions of Paris on
http://www.flickr.com/photos/lautenist
Best wishes
Thomas
T.Kakinami schrieb:
Some pitures of Les Journees du Luth a Paris 2010, Societe Francaise de
Luth.
Have a fun.
Hi Ralf,
thanks for sharing!
Thomas
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I know the story of young boy Reusner being sent to france to study with
the great french masters returning (due to homesickness) with the new
instrument and a lot of music for it ...
Thomas
Roman Turovsky schrieb:
From: Max Helder max.heldermax.hel...@gmail.com
Frederick the Great's
your surely right - if both activities should happen at the same time ...
Thomas
chriswi...@yahoo.com schrieb:
Fortunately for the soul, playing early music and being sexually active are
often entirely mutually exclusive pursuits. ;-)
Chris
--- On Fri, 2/12/10, Monica Hall
wonders what this would mean to the role of the government on earth ...
*curious*
Thomas
Ron Fletcher schrieb:
If we are seen to enjoy such wasteful pursuits, the government would put a
tax on it!
'Tis but folly... I prefer to remain oblivious.
Ron (UK)
To get on or off this list see
Nancy Carlin schrieb:
One more point - the interpretations of Dowland by Hoppy and Paul
O'Dette are very, very different, but you can enjoy listening to both
of them. Listening is a different thing than picking aspects of the
performances that you can borrow for your own performances
I'm not sure if someone already mentioned the edition published by
Minkoff (MINKOFF 0888-6, ISBN 2-8266-0888-6)
All the best
Thomas
Christopher Stetson schrieb:
Thanks, Stewart, Bernd, Karl, et al.
To get on or off this list see list information at
I wonder what is the reason why many feel they would be capable to
criticise on whatever is published.
I really appreciate even harsh critics on my playing if it helps to
develop (although sometimes it's hard to accept if someone criticises
very basic features of my playing. But if there are
I think Schäffer's CD is re-issued on CD
(http://www.amazon.com/French-Baroque-Suites-Reusner-Conradi/dp/B029VU)
A great recordung which I would like to recommend wholeheartedly
Thomas
Daniel Winheld schrieb:
And of course the fine rendition by the late Michael Schaffer of the
A major
for those interested I have found a document on the internet describing
the instruments in the Germanisches Nationalmuseum:
http://forschung.gnm.de/ressourcen/musikinstrumente/PDF/Lauteninstr_Dok.pdf
( in german)
All the best
Thomas
To get on or off this list see list information at
There has been an edition of the Berlin copy with the handwritten pieces
included by the Zentralantiquartiat der DDR.
And a modern edition by Peters with some selected pieces by Reusner
which also includes this pieces. I would have both,
Regards
Thomas
Daniel Shoskes schrieb:
Does anyone have
I wholeheartedly second Stephen's opinion.
All the best
Thomas
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yes - there are different arrangements. Most prominent the one by Gusta
Goldschmidt. It should be available from TREE editions or any other of the
usual sources for lute music.
Thomas
- Original Message -
From: Duncan Midwinter duncan.midwin...@googlemail.com
To:
Isn't it published by Alamire?
Have a look at their website:
http://64.78.63.10/web/musica/alamire/eng/index.htm
BEst wishes
Thomas
- Original Message -
From: damian dlugolecki dam...@damianstrings.com
To: lute@cs.dartmouth.edu
Sent: Friday, August 14, 2009 9:01 PM
Subject: [LUTE]
As far as I know one can tell the approximate pitch by observing the pitch
of old organs (surviving flutes etc.). Which would lead to a standard pitch
of a=392-415 for the germany of the baroque.
I don't know how the situation may have been in other countries.
Thomas
To get on or off this
Dear collective wisdom,
a friend of mine will have her qualifying examination at the school of arts
in Lucerne and is terribly nervous about it because she has no plan what she
expects.
Could someone possibly provide information what she will have to expect?
Sorry for being off topic
Also Goethe mentions his father playing the lute (which can be seen in the
Goethehaus in Frankfurt).
He would spent most of the time tuning and the rest would play on a badly tuned
instrument ;-)
Happy new year
Thomas
-Ursprüngliche Nachricht-
Von: Reinier de Valk
I'm not sure if this is already commonly known, so:
Ronn McFarlane Nominated for 2009 Grammy Award
Winchester, VA Dorian / Sono Luminus is very proud to announce that
world renowned American lute player Ronn McFarlane has been nominated
for a Grammy Award as announced by the
There should be some transcriptions for renaissance tuning on my web site
http://www.lautenist.de
try http://www.lautenist.de/BWV997_10ch.pdf
and http://www.lautenist.de/BWV1007.pdf
and try http://www.lautenist.de/Basti10ch.pdf
Hope this helps
Thomas
- Original Message -
From: Marcelo
Falckenhagen for example, we played Baron's duet in d-Minor - some of the
violin works by Baron work well, too. Rust sounds perfect in this
combination ...
Hagen is to much idiomatic for the violin.
There ist some more - I could check some old programs
Thomas
- Original Message -
I've read it's the 20th century and german version of what we know as style
brisé (just in case nobody else has already mentioned).
Thomas
- Original Message -
From: David Tayler [EMAIL PROTECTED]
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Thursday, October 02, 2008 4:58
Hi all,
if you should be interested you will find a small report with many
pictures about the trip of the swiss lute players to the Ticino on
[1]http://apps.new.facebook.com/wildfire_slates/6118840
35?tablet_id=48362mode=0
If this report should raise interest to join us -
I would call reduction the keyword.
Eliminating everything not absolutely necessary but on the other hand highly
elaborate - especially in terms of rhetoric
Best wishes
Thomas
- Original Message -
From: David Rastall [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Thursday, June
Please not Depardieu again as a musician - his Marais was ridiculous
(although I *love* the movie!)
- Original Message -
From: Rob MacKillop [EMAIL PROTECTED]
To: Monica Hall [EMAIL PROTECTED]
Cc: Vihuelalist [EMAIL PROTECTED]
Sent: Tuesday, May 13, 2008 11:21 PM
Subject: [VIHUELA]
Hi all,
in case someone should be interested in that stuff: I've put some results of
today's rehearsal online.
Fugga pur chi vol Amore (my arrangement): http://www.lautenist.de/Fugga.mp3 (me
on Vihuela)
Romance di Moriana: http://www.lautenist.de/Romance.mp3 (me on Vihuela)
Over the Rainbow
, April 26, 2008 9:46 PM
Subject: Re: [LUTE] trip of the swiss lute player to the ticino
On 4/26/2008, thomas schall [EMAIL PROTECTED] wrote:
Hi all,
I wrote a small report of our trip to the ticino (actually I rather
commented some photos) which you'll find on
http://apps.facebook.com
It already is - teh text comes with english translation.
Thomas
- Original Message -
From: Rob MacKillop [EMAIL PROTECTED]
To: Mathias Rösel [EMAIL PROTECTED]
Cc: rodrigo demetrio [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Thursday, April 17, 2008 8:05 PM
Subject: [LUTE] Re:
Here the report is formatted (and with a few pictures attached):
http://apps.facebook.com/wildfire_slates/611884035?tablet_id=35413mode=0;
Thomas
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You'll find many of his music (and a lot of unpublished and unknown music)
in Frankfurt
http://telemann.info/
http://www.stadtgeschichte-ffm.de/artikel/telemann.html
I regret I don't know if the Cantata in question is in the Frankfurt
collection. Anyway a good source to dig into unknown
There is an edition available frm antiqua editions:
http://www.antiqua-edition.de/lautenmusik/barocklaute/0095a30982042.html
highly recommended!
And for all those who still don't know: The editions of this small editors
are very well done.
All the best
Thomas
- Original Message -
The german mandora is a development of the late baroque period and it's home
was northern italy, austria, bohemia and the southern parts of germany.
Known composers are Brescianello, Schiffelhotz and others.
You'll get an image when watching David van Edwards site:
Just in case somebody doesn't already know about this:
http://www.shipbrook.com/jeff/bookshelf/index.html?sort=byauthor
You'll find Hume, Barley, Variety of Lute Lessons, a very nice description
of a mask by Campian (including some songs), Robinson and other interesting
period readings.
All
Canaries?
very entertaining - I love the sound of the zynk. The players look so funny
when they play *grin*
Thank you for directing us to this video.
Best wishes
Thomas
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Sunday,
Funny that this piece seems to be well known.
I never heard of it until the swiss lutenists on their regular trip to the
lago maggiore found the year of spinancino's first print to be passing
without recognisable resonance. So we decided to plan a 500 years of ...
series of recitals as some
Nice pictures!
I wished I could have been there
I've heard about that event years ago but never made it to Berlin the right
time.
How about announcing the event here a bit in advance?
All the best
Thomas
- Original Message -
From: wolfgang wiehe [EMAIL PROTECTED]
To:
I wonder if artistic education needs comparision. What else should be the
sense of developing formal criteria.
I don't see any practical advantage of putting education into a more or less
fixed schema. Except comparision of the educating institutes. Actually the
institutes are on a very high
That's true
My point wasn't to show a extra quality - just that a lute (or in that case
a liuto forte) could do anything. And I personally like jazz being played on
lutes (or other non-electronic settings).
There were settings done of some ragtime standards (Grizzly Bear for
instance) and we
Actually I was impressed by the effort put into the production of the video.
Karamazov is an impressing player but - 'nuff said - this video is taken
from the Sting-DVD and there ways to many show elements within it for my
taste.
I like the Duo performing Police and Sting songs though - which
yes - I think it is a great idea and the result is great. in no means
comparable to Doug Smith's book but a colorful overview with many
interesting hints and plenty of information presented in an entertaining
way.
And fianally I got it managed to adjust the program so it can be ordered
online
sorry - i wrote my note before watching the video - of course it's a
baroque guitar
Am Freitag, den 29.12.2006, 19:31 + schrieb Mathias R=C3=B6sel:
There are other links to Paul O'Dette playing vihuela (I never heard him
play vihuela before) for example
Hi Bernd,
Do you have the Vogel-Edition?
He only lists the sources in general not which is taken from which
source. Possibly it's berlin 40068, 40620, 40627 which are now in
krakow?
Best wishes
Thomas
-Ursprüngliche Nachricht-
Von: Bernd Haegemann [mailto:[EMAIL PROTECTED]
Gesendet:
Hi all,
Thanks to all who helped.
Ronn's playing in mind I feel as if his music would loose pretty much
when played on a guitar. But who knows?
It's also good to know the music is recorded. Something to add on my
wishlist for christmas.
Thanks again.
This is a great community!
Thomas
, especially when Misao's
speaking or singing).
I guess I will be there later and place the order when I find time.
All the best
Thomas
-Ursprüngliche Nachricht-
Von: LGS-Europe [mailto:[EMAIL PROTECTED]
Gesendet: Donnerstag, 23. November 2006 10:14
An: Thomas Schall; lute
Dear Stewart,
Thank you very much.
Capability to read helps ...
As I have read your message and opened the booklet again I found the
passages which I somehow have overlooked for the past two rehearsals.
Let's see if Paul wants to share his work or if he would rather keep it.
Thanks again and
the
duet. It sounds so marvelous on his CD! Any help would be appreciated.
The second duet has a second part in the facsimile which is 10 bars
longer and not in the fronimo file:Chi fara fede. Again any help would
be appreciated.
Thanks very much!
Thomas Schall
Wiesentalstrasse 41
CH-8355 Aadorf
A good person to ask would be Joachim Domning.
mailto:[EMAIL PROTECTED]
Or Matthias Schneider [EMAIL PROTECTED]
Regards
Thomas
-Ursprüngliche Nachricht-
Von: Arthur Ness [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 20. Oktober 2006 23:34
An: Jorge Torres; Lutelist
Betreff: [LUTE] Re:
I would doubt.
The only reason Sting might get more attention is his popularity = his
name as pop/rock performer.
I've seen Pantagruel and their performance is IMHO ways above Sting's
Thomas
Am Samstag, den 14.10.2006, 18:34 -0400 schrieb Roman Turovsky:
And also totally lacking any
Possibly this is of interest to you?
Best regards
Thomas
-Ursprungliche Nachricht-
Von: Ralf Jarchow [mailto:[EMAIL PROTECTED]
Gesendet: Sonntag, 8. Oktober 2006 17:08
An: Ralf Jarchow
Betreff: Hove Lautenmanuskript: Faksimile-Neuerscheinung
Liebe Lautenfreunde,
ich freue mich auf
Hi Mark,
Except the quoted remark I would share everything Sting said in that
interview.
Possibly someone can translate it?
Best wishes
Thomas
-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Gesendet: Dienstag, 26. September 2006 22:07
An:
Ed wrote:
I'm already preparing a sign for my next gig: As sung by
Sting ha, ha.
That's exactly what I was thinking about when driving back to
switzerland this afternoon. I was also toying with the idea of a webpage
more or less advertizing sting and setting some links to some of my own
In the meantime the Early Music Movement seem to have changed the
direction. More and more players don't even try to play historical
informed but just play period instruments. I am not sure what to think
about this phenomenon ...
Best wishes
Thomas
-Ursprüngliche Nachricht-
Von: [EMAIL
Dowland's lute parts should be read as realised continuo?
Are you sure? I would doubt that ...
-Ursprüngliche Nachricht-
Von: Ed Durbrow [mailto:[EMAIL PROTECTED]
Gesendet: Montag, 25. September 2006 19:09
An: David Rastall; LuteNet list
Betreff: [LUTE] Re: Were theorbos used to
Isn't it some kind of soothing to play better than a professional. To
give better performances than pressed on CD on a well known label like
DG?
So hey! Lute players of the world: Come out and play!
After some disappointment and annoyment thinking the Sting-Dowland is
rather funny than annoying
Wasn't it Andreas Scholl telling Dowland's music Folk?
Andreas Scholl has a great voice but felt into the traps of those thinking
music would start with Bach ...
Speaking about playing with modern orchestras:
If you should ever be asked to do so: Leave it!
I am playing these eve with a modern
giving their success in football/soccer this is not a compliment *smile*
I guess a CD like that of Sting with Karamasov should not be taken too
seriously. It was/is a chance to raise interest for composer and instrument
and now we should make something out of it.
The only thing I am afraid of
That's what my family said (all rather on pop than on classical music).
Anyhow nice to hear that my performances would be much better - from a
family which closes all doors when I am rehearsing ...
I assume there is a quality which shines through unless questions of taste
(have a reading of
Hi Mark,
now I understand your point and agree.
Anyhow it is impossible to leave centuries of musical history aside. What
Pantagruel is doing is an interpetation of what could have been close to a
period performance. A good approach in my oppinion because most recitals are
player in front of
I'll have a problem with that strange kind of costume tomorrow because I'll
play with a modern ensemble and have no suitable costume.
I simply forgot that one has to wear tuxedo on orchestra performances. So
apart from the usual couldn't the lute play a bit louder the clothes are
the biggest
Hi all,
you find the files which are already contributed to celebrate Francescos
birthday on
http://www.esnips.com/web/FrancescoDaMilano
Would be great to get some more music! It's still time!
All the best
Thomas Schall
Wiesentalstrasse 41
CH-8355 Aadorf
Tel.: 052 365 00 04
email
: Thomas Schall [mailto:[EMAIL PROTECTED]
Gesendet: Freitag, 11. August 2006 00:01
An: 'lute@cs.dartmouth.edu'
Betreff: [LUTE] Francesco - celebrating his birthday with a MP3
Dear all,
whoever wants to share their performance of a piece by Francesco da
Milano:
To celebrate his birthday I would
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