http://www.vimeo.com/3337270
And -- as usual -- also the pdf is in page
http://www.cs.helsinki.fi/u/wikla/mus/Tiorba/
in case you wish to play the piece yourself.
And now I finally have defined that the the tuning in my Saizenay-Land
is a'=329.63Hz, and so my double re-entrant French theorbo
'' of the first string is 415Hz.
You can use my string calculator
http://www.cs.helsinki.fi/u/wikla/mus/NewScalc/
also this way; you can calculate the Hz's of the a' in Your-Land, where
your theorbo is not a toy! ;-)
Arto
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http
. - is there; in case you want to try
it by yourself, see page
http://www.cs.helsinki.fi/u/wikla/mus/Tiorba/
and play it better! :-)
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- as facsimile ms. - is there; in case you want to try
it by yourself, see page
http://www.cs.helsinki.fi/u/wikla/mus/Tiorba/
and play it better! :-)
All the best,
Arto
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Dear Alonso et al.
On 2/15/2009, Alfonso Marin luten...@gmail.com wrote:
[...]
I know that Arto did not want to suggest that my theorbo was too
expensive but in an indirect way he actually did. For that reason I
feel compelled to defend myself and demonstrate the fairness of my
asking
On 2/13/2009, Alfonso Marin luten...@gmail.com wrote:
I am offering my Theorbo by NIco van der Waals for sale.
..
Selling price is 7900 .
The instrument really looks very beautiful!
But is this really the price level of today? 7800 euros for a quality
theorbo?
In that case I am a rich
Daniel Winheld wrote:
Thanks Arto! -Truly moving beautiful. I said he was one of the great
post 18th century lefty lutenists. I think I heard cordes avaleés in
there, too.
Yes, the tuning is (1st to 6th): c,g,eb,bb,f,c.
Actually I found the notated music and guitar tab to this piece (and
Hey gang,
I just found out that I have in a way or another - and more or less -
tubed all my 8 instruments! :-)
And I still do not touch d-minor tuned instruments, baroque guitars,
medieval lutes, vihuelas, mandoras, callichons, ceteras ,
Sor/Guiliani-guitars,...,etc... ;-)
All the best, I
Sorry, I forgot the links! Here:
http://www.cs.helsinki.fi/u/wikla/mus/own/videos.html
Arto
On 2/8/2009, wi...@cs.helsinki.fi wi...@cs.helsinki.fi wrote:
Hey gang,
I just found out that I have in a way or another - and more or less -
tubed all my 8 instruments! :-)
And I still do
Hi gang,
if someone doesn't know, there are two sample chapters of the very
interesting book by Haynes, see
http://www.oup.com/us/companion.websites/9780195189872/?view=usa
Arto
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it is interesting to see the facsimile-pages and what I
do with all those funny markings, lines and dots and commas, you find in
the original writing?
You find links to the facsimiles and to the tubes in page
http://www.cs.helsinki.fi/u/wikla/mus/Tiorba/
Arto
To get on or off this list
Hi collective wisdom(?),
what are the contemporary opinions of the tempos (=tempi) of French
baroque dances at the end of the 17th century and at the very beginnings
of the 18th? Allemande, courante, sarabande, gigue, gavotte, menuet,
passagalia, etc.? As far as I know, there has been very
Well, perhaps some kind soul could make an index manually? To his/her own
pages? Anyone volunteering? ;-)
Arto
On 1/24/2009, Rob MacKillop luteplay...@googlemail.com wrote:
No. I can't see any way to do it in the vimeo settings preferences.
Rob
2009/1/24 Ed Durbrow
On 1/18/2009, Rob MacKillop luteplay...@googlemail.com wrote:
Oh, they are all the same...lutes, guitars, vihuelas, ukuleles - just
put your fingers where the tab tells you to, and hope for the best. I
can't play any wind instruments (I faint) and I can't for the life of
me
On 1/5/2009, howard posner howardpos...@ca.rr.com wrote:
If you're doing Vivaldi in E major, A tuning makes life easier.
And it will still be difficult! ;-)
Arto
PS I recommend theorbo in A; many more manageable keys than in G. But
some that are easy in G are horrible in A! The more flats
Hi Stuart and all,
On 12/30/2008, Stuart Walsh s.wa...@ntlworld.com wrote:
As it's the time of year
Here's an online version from Serge Garbode's site
http://www.gerbode.net/ft2/composers/Holborne/pdf/galliard_new_years_gift.pdf
I haven't looked at this in years...It's a tricky one, I
! And in 11
different languages!
Merry Christmas!
Arto
PS And of course you are also allowed to play my arrangements found in
http://www.cs.helsinki.fi/u/wikla/mus/10_courseLute/Carols/ ;-)
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version was published already in 1602 by Hemminki
Maskulainen.
You'll find all the tabulatures and links to the tubes in page
http://www.cs.helsinki.fi/u/wikla/mus/10_courseLute/Carols/
Direct tube links to these two new are:
YouTube:
http://www.youtube.com/watch?v=feudmiG4HlA
http
Well, about difference in what you hear and what there is:
How many notes you must chance in the 5th of Beethoven before you do not
any more hear The Symphony of Destiny? Quite a few you may! ;-)
Arto
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Sorry, now I found it! I tried the French version first!
Many thanks!
Arto
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Andreas Schlegel wrote:
www.accordsnouveaux.ch
Very interesting, but when I click the only link in that page, I get
--
Object not found!
The requested URL was not found on this server. The link on the
referring page
to Schönster Herr Jesu)
* Heinillä härkien kaukalon (related to Entre le boeuf et l'âne gris)
* Kuului laulu enkelten (related to Gloria in excelsis deo)
The arrangements and links to YouTube and Vimeo are in page
http://www.cs.helsinki.fi/u/wikla/mus/10_courseLute/Carols/
Now there is still time
hear, was also the norm in the times of lute
intabulations: When a song is well known to you, you hear it also in an
intabulation that does not repeat it all!
To me for example my carols
http://www.cs.helsinki.fi/u/wikla/mus/10_courseLute/Carols/
and why not also Paint it black
http
David Tayler wrote:
Beautiful playing; the glowing eyes in 2434865 gives it a king of
Lutestar Galactica look.
Thanks David! I appreciate.
The eyes: They are images of my computer screen. I thought it gives some
extra light to the northern winter darkness, but perhaps that was not so
good
Some time ago (half a year) I published this piece as a soprano lute
solo - intabulation and an unpolished video play - see
http://www.cs.helsinki.fi/u/wikla/mus/own/Intabs/
http://www.youtube.com/watch?v=4kFxMnbZJsQ
Some days ago I played also a version for the 10-course real lute
http
Lutenists,
some time ago I made a soprano lute arr. of Monteverdi's great song. I
actually had also a very old (=1980's) version for 10-course lute.
Today I had soe extra time, and recorded it. If you are interested, it
is in
YouTube: http://www.youtube.com/watch?v=Zg5JTrR1uwM
Vimeo:
Hey Gang,
There are lots of talks about different branches of gut strings and
different ways of making those, lots of talks about different
electronics, mikes and recording gears, many talks about different
computer programs to record or print music.
These subjects are important, I agree. Those
and Vimeo) and the music (my own mss. in
pdf) can be be found in page
http://www.cs.helsinki.fi/u/wikla/mus/10_courseLute/
As usual, just unpolished performances, but I had fun! :-)
And Ballard writes his style brisé very cleverly.
I generally tend to play quite loudly, and perhaps not always
Peedu Timo wrote:
Dear collected wisdom,
This is slightly OT, but I wonder if anybody would have music (or link)
for Schmelzer's wonderful Chaconne (in A major I believe)?
Well, I am not sure, if that Chaconne is to be found in his Sonatæ
Unarum Fidium for violin and continuo, but you can
On 11/14/2008, G. Crona [EMAIL PROTECTED] wrote:
http://gallica.bnf.fr/scripts/ConsultationTout.exe?E=0O=N058217
There was a way to download the whole in one go in PDF, don't remember
how to do it, perhaps somebody else will know? Arto?
Yes, I knew it, but definitely I have forgotten...
are in
http://www.cs.helsinki.fi/u/wikla/mus/Arciliuto/
As you perhaps have found out, I have a couple principles:
1) The performances are not meant to be polished for the ethernity,
They are just pieces I like. And in acceptable level (to me) to
show, what it is all about.
2) In nearly all cases
On 11/7/2008, igor . [EMAIL PROTECTED] wrote:
Dog and Donatella are probably deaf !
I've tried to work on that Igor. Don't still get the idea. I suppose
Donatella as a musician cannot be deaf. And our dogs certainly are not
deaf considering their eager when somebody goes to eat
Hi Steve
I just heard a fellow playing a baroque guitar solo on the radio. It
was something called Arpegiatt and Canarios, by Kapsberger. The
Canarios sounded rather similar to the modern piano piece, Farewell to
Stromness, which we may know as a guitar piece. I've thought for a
Hi Steve,
yes it is in pdf, the original Italian tabulature. See my page
http://www.cs.helsinki.fi/u/wikla/mus/Tiorba/
Happy playing!
Arto
On 10/28/2008, Steve Ramey [EMAIL PROTECTED] wrote:
Arto,
That's exactly it. Thank you! Is it available in a PDF file?
Best regards
, neither practiced much... You'll find the links in
http://www.cs.helsinki.fi/u/wikla/mus/Arciliuto/
I guess this is all of my affair with Santino's music. It is very ok,
but... ;-)
Best,
Arto
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Hi lutenists,
I played the famous (ba?)rock song Dipingi nera quella porta by even
more famous Pietre Rotolanti. My version is partly improvised.
In YouTube: http://www.youtube.com/watch?v=Tuyf4uha8fs
In Vimeo: http://www.vimeo.com/2070422
Arto
To get on or off this list see list
that one as a
guide, or use IT as a basic source. It's a better version, imho.
Very good advice! For common interest(?) I added also this facsimile to
the page http://www.cs.helsinki.fi/u/wikla/mus/Arciliuto/
AJN By the way, the Contessa [Marchessa] di Sala was the beautiful
Barbara Sanvitale
. So make your arrangements. You'll never lack material!
:-)
Happy arranging,
Arto
On 10/22/2008, Arto Wikla [EMAIL PROTECTED] wrote:
Dear lutenists,
I have published my editions of five archlute pieces by Santino Garsi
da Parma. The pieces are from the Dusiacki Lute Book (Berlin/Cracow
On 10/21/2008, Rob MacKillop [EMAIL PROTECTED] wrote:
I've added these excellent videos to the Lutes and Early Guitars video
collection [1]http://www.vimeo.com/francesco which now has 227 videos.
Very nice Rob (and Alfonso), great work!
By the way, is there any possibility in
Hi,
Mathias wrote:
But this was your Berr baroque lute, no? Tuned in ton vieil?
Yes, a true 10 course renaissance lute. Stephen and Sandy describe
the idea:
Although this instrument was built much later than the golden period of
the 10-course repertoire, it is a beautiful shape (the body
versions in
my page
http://www.cs.helsinki.fi/u/wikla/mus/own/deVisee/
All the best,
Arto
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Dear lutenists,
in a way I have found that the aim to tone production among lutenists
could perhaps be divided to two extremes: there are those very gentle
players, who hardly touch their strings, and then there are those, who
nearly beat the strings. Esoteric and worldly players - do these
On 9/17/2008, Roman Turovsky [EMAIL PROTECTED] wrote:
Dear collective wisdom,
What carbonfiber guages would be appropriate in your opinion for octaves A
and B at 97cm, and C, D and E at 87.5cm?
Well, using my calculator
http://www.cs.helsinki.fi/u/wikla/mus/NewScalc/
I could suggest
Oops, this was 440:
970 mm
A: 0.58, 0.655
B: 0.517, 0.583
875 mm
c: 0.541, 0.61
d: 0.482, 0.544
e: 0.425, 0.485
Here also in 415:
970 mm
A: 0.615, 0.694
B: 0.548, 0.619
875 mm
c: 0.574, 0.647
d: 0.511, 0.577
e: 0.455, 0.514
Arto
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Palviainen 1993.
Also written manuscript facsimiles are included:
* Mauritio Cazzati: Balletto sesto
* Gasparo Zannetti: La Mantovana
* Gregoire Brayssing: Fantasie
* Gasparo Zannetti: La Bella Pedrina
You'll find the stuff in page
http://www.cs.helsinki.fi/u/wikla/mus/own/Chitarrino
Hi gang,
I made another HD Vimeo test, Corrente settima by Girolamo Kapsberger
from his Libro quarto d'intavolatura di chitarone, Roma 1640. The
little piece is quite fun and very chromatic, but still feels natural.
My not so very small chitarrone is model Magno Dieffopruchar 1608,
Venezia
Hi again folks
I adveritised my raw and unpolished version a Ricercar by Francesco da
Milano (Ness #16) in
http://www.vimeo.com/1515877
When I took a look and hear to Valery's interpretation of the same piece
in
http://www.vimeo.com/1106024
I became nearly embarrashed; his playing is so
That was also my idea to Neil! I'd prefer pdf. And also a clearing to
the who is accompanying, and who is solo, lute or flute. But
perhaps David will do the job? :-)
Arto
On 7/15/2008, David Tayler [EMAIL PROTECTED] wrote:
If you email a pdf, or better yet a fronimo or midi file of the music
Hi Rob and all,
I just put my Biber to vimeo. But how do I put/move it to your Francesco?
Arto
On 7/11/2008, Rob MacKillop [EMAIL PROTECTED] wrote:
I'm also happy to report that the Vimeo site for lute video performances now
has 101 videos!
http://www.vimeo.com/Francesco
You don't
Hi folks,
I just glued (actually loktited) a tastino under two courses of my
soprano lute in d. And now I have wonderful G# and C# in the 5th and 4th
courses, 1st fret. And that is great. Tastini strongly recommended!
The difference of sharp and flat frets in 44 cm string length is actually
Hi lutenists
Perhaps someone still remembers my arrangements for 6-course lute and for
archlute of the famous violin Passagalia by Biber. The pdf's are in my
page
http://www.cs.helsinki.fi/u/wikla/mus/Biber/Passagalia/
Today I recorded the archlute version and sent it to YouTube:
http
Hi baroque lutenists
Perhaps someone still remembers my arrangements for 6-course lute and for
archlute of the famous violin Passagalia by Biber. The pdf's are in my
page
http://www.cs.helsinki.fi/u/wikla/mus/Biber/Passagalia/
Today I recorded the archlute version and sent it to YouTube:
http
http://www.cs.helsinki.fi/u/wikla/mus/own/Intabs/
A couple of new (soprano) solo lute intabulations of Dowland's lute
songs (pdf, midi, youtube): Awake sweet love, Shall I sue.
Arto
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http://www.cs.helsinki.fi/u/wikla/mus/own/Intabs/
And another Dowland now there
Arto
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http://www.cs.helsinki.fi/u/wikla/mus/own/Intabs/
One Monteverdi added... :)
And now a tiny little Frescobaldi :-)
And another, Se l'aura spira.
Arto
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http://www.cs.helsinki.fi/u/wikla/mus/own/Intabs/
One Monteverdi added... :)
And now a tiny little Frescobaldi :-)
Arto
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http://www.cs.helsinki.fi/u/wikla/mus/own/Intabs/
One Monteverdi added... :)
And now a tiny little Frescobaldi :-)
Many readers, no comments. So it is. Rule of life?
Arto
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I would suggest underlights are the planets and perhaps also the Moon
(and Sun?). In the world picture of those days all the stars were
attached to the same, uppermost chrystal sphere, each planet had its own
chrystal sphere, which were also lower, nearer to the center of the
universe, our
Hi lutenists,
just in case someone thinks I am a madman, when writing about the world
picture of the composers of our lute music, as I did (see below), I
would like to add something. My list of heavens (should it be
spheres?) is taken from the preface of one edition of Dante's
Divina Comedia,
On 5/31/2008, LGS-Europe [EMAIL PROTECTED] wrote:
The Elizabehan World Picture
by E.M.W. Tillyard (I happen to have a Pelican from 1943, but there must be
more modern editions)
Yep, mine is reprint of 1984, at least 14th reprint, ISBN 0-14-021484-4.
Arto
To get on or off this list see
On 5/24/2008, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
I remember reading in some message here about on-line calculators, but looking
over my saved messages I can't seem to find that one.
Couple of my calculators:
http://www.cs.helsinki.fi/u/wikla/mus/Calcs/wwwscalc.html
http
On 5/24/2008, Martin Shepherd [EMAIL PROTECTED] wrote:
I note with interest that Arto's calculator allows us to work out the
stringing for a 10m theorbo - what shall we say for the fingerboard
strings, only 5m? How many lute players does it take to play a Finnish
theorbo?
Well, you can tune
Sauvage Valéry wrote:
For Arto, there is this one on Youtube :
http://www.youtube.com/watch?v=RS6iuo5lvzI
Hey, this is fun! ;-)
Thanks!
Arto
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the midi's are in C-major.
[...]
http://www.cs.helsinki.fi/u/wikla/mus/Vivaldi/
By the way, is it known, in which pitch Vivaldi's orchestra was using? I
would imagine quite a lot is known/studied about V's practices.
Arto
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http
On 5/9/2008, Bruno Correia [EMAIL PROTECTED] wrote:
I think I need more experience in order to double fret it properly.
Meanwhile I was wondering about the diameters, for example: 1 mm, 0.9, 0.8,
0.7 and following through with the last? Does anybody do it differently?
Sounds ok to me. My
G. wrote:
obvious mistake in tablature. He must have had problems with his tablature
program. Does not look like Fronimo or Django.
Well, in that case it is not good for the thesis, because It happens
throughout the transcriptions...
Arto
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Dear lutenists,
the eve of 1st May is kind of party day here north. My mails about the
torture by the US of A. was affected by that fact. I do really know that
the possible crimes of the US government really have nothing to do with
the lute list! So my sincere apologies for my mis-use of the
On 5/1/2008, G. Crona [EMAIL PROTECTED] wrote:
Dear Arto,
kindly contribute instead at:
http://www.politicalforum.com/
Best Wishes
Dear Goran (and the dear List),
thanks for the idea, but here in the Lute List I am talking with my
friends, many of them are friends for nearly 20
Dear musicians,
someone from the US PS-talked me lately:
PS You have been a good boy and refrained from posting inflammatory
political comments.
Not any more a good boy...
There are countries that use torture as normal means of interrogation
- and today the USA is included with a nice company
just testing... A
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On 5/1/2008, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
just testing... A
And just testing, why the following did not get through, while this test
went...
Dear musicians,
someone from the US PS-talked me lately:
PS You have been a good boy and refrained from posting inflammatory
On 5/1/2008, Gernot Hilger [EMAIL PROTECTED] wrote:
that was remarkably long since you posted something which is again
true but not at all appropiate for the lutenet. Please don't! The only
outcome is just another flame war.
I can stand 1000 or more flame wars, if one act of torture is
On 4/26/2008, Roman Turovsky [EMAIL PROTECTED] wrote:
In good English it might go something like:
As logarhythms are Greek to most musicians, they are rarely considered, and
are never used, so IMHO, it would be easier to speak in arithmetical terms.
ET is, unconditionally, a totally
On 4/26/2008, thomas schall [EMAIL PROTECTED] wrote:
Hi all,
I wrote a small report of our trip to the ticino (actually I rather commented
some photos) which you'll find on
http://apps.facebook.com/wildfire_slates/611884035?tablet_id=37831mode=0;
Dalza with so many courses?! ;-)
Nice
( ? :-) project is
http://www.cs.helsinki.fi/u/wikla/mus/own/videos.html
all the best,
Arto
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my tiny soprano lute in d?
The link is
http://video.google.com/videoplay?docid=7671253244517331248
The text says:
Arto Wikla plays Tarantella in primus, secundus et tertius modus by
Athanasius Kircher, 1641. Recorded in April 2008. The lute intabulation
is mine and can be found in my page
http
. Recording by
laptop and Windows' MovieMaker... My official text says:
Arto Wikla plays Antidotum Tarantulae by Athanasius Kircher, 1641.
This low quality webcam video is a direct shot, April 2008, of my
own lute intabulation of the pieece. You'll find the tab in my page
http://www.cs.helsinki.fi/u
at least the
video quality is not up to date - it looks like it was videoed in
Kircher's times in 17th century... ;-)
The mikes are little better, Soundman studio OMK-II K. Recording by
laptop and Windows' MovieMaker... My official text says:
Arto Wikla plays Antidotum Tarantulae by Athanasius
On 3/23/2008, Roman Turovsky [EMAIL PROTECTED] wrote:
http://www.youtube.com/watch?v=gtnSb3aJz0o
Nice performance, thanks for the tip!
Arto
PS The modern capo, the certain igor found, did not bother me at all,
well actually I did not even notice... ;-)
BTW, my old guitar capo is very useful
On 3/24/2008, igor . [EMAIL PROTECTED] wrote:
dear mr. giuliani
professional lutenist should have more different sized lutes ( guitars )
instead of cheap bluegrass capo ! orlearn to transpose ( maybe )
Could you, Mr., Mrs, Ms. or perhaps Miss igor, work out your
Guiliani
On 3/24/2008, igor . [EMAIL PROTECTED] wrote:
Dear Arto,
i apologise if nickname Giuliani bothers you.
will never call you Giuliani again.
Igor
Doesn't bother at all. I just cannot get your (possible) message, if
there is any? So what is your (great?) story to the lute list? So far I
On 3/24/2008, igor . [EMAIL PROTECTED] wrote:
lute list is open to everybody a r t o .even for an idiot like me !
just like youtube is open to many idiot lute players to share their fails
with the others.
i have no message, i have no story, nothing.
just lute amateur like all of us
Roman Turovsky wrote:
Part 2:
Andante con Variazioni for Torban and Orchestra.
http://torban.org/audio/torban-dumka.mp3
Beautiful piece, thanks. But a little bit more info wouldn't be bad. If
I had to analyze the piece wihout any info I would say it is ethnic
music, a modern arragement of a
On 3/15/2008, igor . [EMAIL PROTECTED] wrote:
i agree !
please do that, record your version and show to the italians you can do
better and historically more accurate.
I am kind of allergic only of two points in this longish essay:
1) show to the italians you can do better: To me this sounds
On 3/16/2008, igor . [EMAIL PROTECTED] wrote:
They are Italians indeed ! What's wrong with that ?
Except for lute player who is as bad as my dead dog !
One should play lute with no nails and double strung ! No other way !
Barto, Valery , O'Dette , Shoskes,Tyler , Schall, Wikla use no nails
On 3/16/2008, igor . [EMAIL PROTECTED] wrote:
Banchieri is fail because your continuo sounds much alla Mauro Giuliani.
that's what i think Arto.
And what is your comment of me using only the synthetic string
materials? Nylgut, carbon, even nylon and even sometimes old Pyramid
wounds?
On 3/16/2008, igor . [EMAIL PROTECTED] wrote:
Well, apart from your Giuliani style continuo, i can see you distaste for
good, quality instruments : so , any stringing you use fits your poor
technique and bad instruments you play.
Well, tell that to Stephen Barber... :-)
Arto
To get on
Dear lutensits,
I have corrected some errors in the 6-course version: one flag was wrong
and worse still, two bars had too many notes... Now it should be ok.
Today I got ready(?) also the archlute version. Now my page says:
Ooops, I forget the address:
http://www.cs.helsinki.fi/u/wikla/mus/Biber/Passagalia/
Arto
I wrote:
Dear lutensits,
I have corrected some errors in the 6-course version: one flag was wrong
and worse still, two bars had too many notes... Now it should be ok.
Today I got ready(?) also
://www.cs.helsinki.fi/u/wikla/mus/Biber/Passagalia/
Let me know, if there still are problems! Other than the fast runs in the
piece... ;-)
All the best,
Arto
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On 3/7/2008, G. Crona [EMAIL PROTECTED] wrote:
Very nice and Spanish sounding Arto. Fun to play!
Thanks Goran! The spanishness was a kind of worry to me, actually,
but then I re- and re-checked Biber´s score; and he really wrote this
piece very spanish, much more I could believe... And also to
are of course in Italian. The archlute Arto Wikla is playing is
made by Stephen Barber 1987.
All the best,
Arto
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Dear lutenists,
when transforming some old videocam tapes to dvd's, I happened to find
my practising for a recorging project already in 1992. Oh my hair was
dark then... ;-)
Anyhow the pieces are just direct takes... And the lute I play is model
Andreas Berr, Vienna, 1699, made by Stephen
On 2/7/2008, Martyn Hodgson [EMAIL PROTECTED] wrote:
Oh dear - not again. This is,of course, very speculative and the weight of
evidence is against a high octave on the second course (mainly because it'd
break on anything approaching a decent sized continuo theorbo).
Well, inspired by this
Dear collective knowledge,
as some may know, I happen to have kind of relation to some tarantula
spiders, see my page (or don't if you happen to have araknofobia!)
http://www.cs.helsinki.fi/u/wikla/Tarantula/
I would like to gather a collection of Tarantella dances to a web page.
And especially
On 2/5/2008, Herbert Ward [EMAIL PROTECTED] wrote:
Is there a continuous range of technique from thumb-in to thumb-out?
Or is there a no-man's land between the two where it is difficult to
play?
Been there. Fun. ;-)
I think there is not so huge difference between t-out and t-in as many
Dear Donatella and the List,
yeah! Just as you describe! And perhaps also some green (Marsian?) stuff
pouring underneath, trying to eat K's lute. And K. is fighting back by
the disharmonies of the piece. And at the end winning the Alien stuff by
the unexpected minor third at the final... [green
Diego wrote:
..
From my homepage (under 'docs tab') you can download a pdf copy of my
dissertation about the chitarrone and the continuo in Italy.
..
Here's the link:
www.diegocantalupi.it/tesi.pdf
Mille grazie Diego! Molto interessante!
Ciao,
Arto
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On 1/4/2008, Daniel Winheld [EMAIL PROTECTED] wrote:
...if the ministers and priests were preaching against something,
you can be pretty sure a lot of people were doing it.
AHA! Mean tempered frets! Tastini! Where does the degeneracy and
perversion end?
That was good one! I enjoyed,
. ;-)
8-course lute is enough, if you feel natural to finger the basses.
10-course or an archlute is better. I have written the tabulature so
that I finger the 7th chord to get the f sharp. If you do not like that,
tune the 7th to f sharp.
You'll find it in page
http://www.cs.helsinki.fi/u/wikla/mus
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