[LUTE] Re: (1 of 2) Judentanz (was) Re: What's the point to 'historical sound'

2011-07-30 Thread A. J. Ness
Dear Andreas, Thank you very much for the citations in the AMZ. It would have taken me a week to find them. At my age, I remember information, but cannot recall where I found it, or where I've filed it away.g You wrote: There's a last sentence after your citation: unn die Ebrer quint saitten

[LUTE] Re: (1 of 2) Judentanz (was) Re: What's the point to 'historical sound'

2011-07-29 Thread Andreas Schlegel
Dear Arthur, Thanks very much for your reply! And sorry for the corrections - the Trafficante system is neither made for splitted octave strings nor for octave transpositions... and I realized my mistake too late... Thank you very much for your comments. I have a vague recollection that

[LUTE] Re: (1 of 2) Judentanz (was) Re: What's the point to 'historical sound'

2011-07-27 Thread Andreas Schlegel
Sorry - I have to make two corrections: In tablature equivalent notation, this is ffh(e/a)h, in a-tuning: Correct: ff(d/h)ah a1 e1 e1 b1 b1 (g#1 e) ee Correct e1 e aA (not used, only supposed). Andreas -- To get on or off this list see list information at

[LUTE] Re: (1 of 2) Judentanz (was) Re: What's the point to 'historical sound'

2011-07-27 Thread A. J. Ness
Dear Andreas, Thank you very much for your comments. I have a vague recollection that German tablature was discussed somewhere in the Allgemeine musikalische Zeitung early in the 19th century, but exactly when, I cannot recall. And of course Baron mentions German tablature, apparently the

[LUTE] Re: (1 of 2) Judentanz (was) Re: What's the point to 'historical sound'

2011-07-26 Thread Andreas Schlegel
The oldest transcriptions from German tablature I know date from 1848 to 1852 and were probably made by Robert (de) Pearsall. He transcribed D-Bds 40588 from German tablature to old fashioned guitar notation. This original manuscript was then in the library of the Wildegg castle 25 km from my