On Wed, Oct 21, 2009 at 5:50 AM, David Tayler vidan...@sbcglobal.net wrote:
I found it really interesting to view three versions of the same
Nigra Sum from the 1610 Vespers. I deliberately did not look at any
If I had to do it over again I would borrow mucho! (with permission, of
course)
David,
Thanks for this. Very interesting. You've certainly borrowed a lot from
that last guy. But keep practicing: you'll eventually get the hang of playing
properly left-handed ;-).
I'm curious about the cello, though. My understanding of the present
consensus of scholarly
: chriswi...@yahoo.com chriswi...@yahoo.com
Subject: [LUTE] Re: A Tale of Three Vespers
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu, David Tayler
vidan...@sbcglobal.net
Date: Wednesday, 21 October, 2009, 13:16
David,
Thanks for this. Very interesting. You've
We all recognize David and David in the first and third videos, but
who is the theorbist in the 2nd one? As it is a British production,
could it be Elizabeth Kinney? All are very well done!
ed
At 10:50 PM 10/20/2009, David Tayler wrote:
I found it really interesting to view three versions of
Hi Chris--
Very interesting question! I hope this very question will be
revisited in Monteverdi's anniversary year. I'm sure there is a lot
to be discovered, when I started playing 40 years ago (41 I guess)
there was no lirone and now it has become a big part of continuo.
One scholarly opinion
was not the violoncello (tuned from C up) but the Bass
violin tuned from Bb up.
MH
- On Wed, 21/10/09, chriswi...@yahoo.com chriswi...@yahoo.com wrote:
From: chriswi...@yahoo.com chriswi...@yahoo.com
Subject: [LUTE] Re: A Tale of Three Vespers
To: lute
That is Liz Kenny, showing a sparkling technique and keen ensemble skills.
dt
At 06:58 AM 10/21/2009, you wrote:
We all recognize David and David in the first and third videos, but
who is the theorbist in the 2nd one? As it is a British production,
could it be Elizabeth Kinney? All are very
