Rest strokes tended to lock up my wrist way back when I played Classical
Guitar. In fact, the Segovia technique I was schooled in locked up a lot of
psycho/physical components. It took the Renaissance lute w/ thumb-inside right
hand approach to unlock most of the physical components. I still
Bernd,
This is a tricky thing. Usually, I try to find a pattern written
out in some other lute solo. Karl-Ernst Schroeder did a very good
survey of the ones found in Weiss sonatas. (I don't remember the source
off the top of my head.) I find a strict pattern to be
Hello,
The papers of Charlie (Karl-Ernst Schröder) are:
http://www.rimab.ch/content/bibliographie/SCB-Bib-2002-01-454
and:
Generalbass-Aussetzungen für Laute zu Arien aus Johann Adolf Hasses Oper
Cleofilde, in Basler Jahrbuch für historische Musikpraxis XIX 1995, S. 159-187
All the best,
as it seems this didn't reach the list..
Original-Nachricht
Betreff: Arpeggio question
Datum: Thu, 17 May 2012 11:17:09 +0200
Von: Bernd Haegemann [1]b...@symbol4.de
Kopie (CC): lute-cs.dartmouth.edu List [2]lute@cs.dartmouth.edu,
baroque Lutelist
Interesting RH problems arise in the harp style of one-note-per string
playing so common in chordal tuned lutes playing 18th century music. (i.e.,
Weiss, Bach, d-minor lute.)
I have had to do a lot of RH retraining to cope. Background has been
Renaissance lute and much earlier, classical
Haegemann
Cc: lute list
Subject: [LUTE] Re: Arpeggio question
Interesting RH problems arise in the harp style of one-note-per string
playing so common in chordal tuned lutes playing 18th century music.
(i.e., Weiss, Bach, d-minor lute.)
I have had to do a lot of RH retraining to cope. Background has been
