Coming to the party late. I have just one word for this performance
and that word is . . . . . . . . . "BRAVO!!"
Bill
From: Christopher Wilke
To: lutelist
Sent: Wednesday, 13 February 2013, 19:03
Subject: [LUTE] Baroque Guitar Video
Hello all,
I've posted a
13 8:13 AM, Monica Hall wrote:
No - it's called "horse sense".
M
- Original Message - From:
To: "Monica Hall"
Cc: "Lutelist"
Sent: Thursday, February 14, 2013 1:01 PM
Subject: [LUTE] Re: Baroque Guitar Video
Sounds like a lot of donkey-tartare to me.
More like horse-feathers.
RT
On 2/14/2013 8:13 AM, Monica Hall wrote:
No - it's called "horse sense".
M
- Original Message - From:
To: "Monica Hall"
Cc: "Lutelist"
Sent: Thursday, February 14, 2013 1:01 PM
Subject: [LUTE] Re: Baroque Guitar V
On Feb 14, 2013, at 11:44 AM, Christopher Wilke wrote:
>> There were one or two places where (dare I say it) some of the lower
> notes
>> sounded twangy...
> Yes, that is a actually special type of ornament that I have mastered
> it to perfection. I call it a "mistake." ;-) For what it
On Feb 14, 2013, at 12:33 PM, Monica Hall wrote:
> I listened to it twice with the music in front
> of me and I know the piece quite well.
>
> As far as the stringing was concerned it was impossible to tell what you had
> chosen to do, but a high octave string does create this abrasive quality
- Original Message -
From: "Christopher Wilke"
To: "Monica Hall"
Cc: "Lutelist"
Sent: Thursday, February 14, 2013 7:44 PM
Subject: [LUTE] Re: Baroque Guitar Video
Monica,
Thank you for your thoughts. You clearly have strong ideas of how you
want this music t
Monica,
Thank you for your thoughts. You clearly have strong ideas of how you
want this music to sound - as do I. I believe our differences are
primarily aesthetic rather than historical, however.
> Well - my two pennyworth. The piece does start off with three
strummed
> va
No - it's called "horse sense".
M
- Original Message -
From:
To: "Monica Hall"
Cc: "Lutelist"
Sent: Thursday, February 14, 2013 1:01 PM
Subject: [LUTE] Re: Baroque Guitar Video
Sounds like a lot of donkey-tartare to me.
RT
On 2/14/2013 7:46 A
Sounds like a lot of donkey-tartare to me.
RT
On 2/14/2013 7:46 AM, Monica Hall wrote:
It's all that horse meat we have apparently been consuming unawares
over here. It gives us insights not vouchsafed to lesser mortals.
M
On 2/14/2013 5:25 AM, Monica Hall wrote:
But as Murcia is concern
4, 2013 12:08 PM
Subject: Re: [LUTE] Re: Baroque Guitar Video
On 2/14/2013 5:25 AM, Monica Hall wrote:
But as Murcia is concerned I don't think such a "in your face"
performance is what
he had in mind.
I'm sure you've had it from the horse's mouth.
Chris,
Do your own thing, that way you'll always be authentic.
And don't ever ask the people on this list what they think of your playing! Are
you insane?
:-)
Rob
www.robmackillop.net
On 14 Feb 2013, at 12:08, "r.turov...@gmail.com" wrote:
> On 2/14/2013 5:25 AM, Monica Hall wrote:
>> B
On 2/14/2013 5:25 AM, Monica Hall wrote:
But as Murcia is concerned I don't think such a "in your face"
performance is what
he had in mind.
I'm sure you've had it from the horse's mouth.
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.
ngo it doesn't have to be played as if it some
sort of wild orgy.
Monica
- Original Message -
From: "howard posner"
To: "lutelist Net"
Sent: Thursday, February 14, 2013 1:37 AM
Subject: [LUTE] Re: Baroque Guitar Video
I enjoyed the contrast between the s
Dear Christopher,
You asked for observations on yr performance, and you are certainly
brave to ask for comments, here are mine:
You clearly have the necessary technical ability and virtuosity to play
plucked instruments (as we know from your lute recordings). However, I
really
Splendid job. I really appreciated the steady tempo and dynamic, exciting
performance.
On Feb 14, 2013, at 4:03 AM, Christopher Wilke wrote:
>
> Hello all,
> I've posted a new video of a live performance of me playing
> Santiago de Murcia's "Fandango" on baroque guitar. I've incorpor
I enjoyed the contrast between the strummed parts and the punteado parts. As
it went on, I found myself wanting more dynamic contrast within the strummed
parts.
>>> Your thoughts are most welcome.
>>>The link is:
>>>http://www.youtube.com/watch?v=g3v56-03ajU
>>>Chris
>
>> Well I
Meant contraSt.
RT
On 2/13/2013 6:57 PM, Roman Turovsky wrote:
I for one appreciate high contract, especially on an instrument not
known for dynamic range.
I believe this is probably the right way to do a fandango, a la
plancha, rather that a souffle.
RT
On 2/13/2013 5:06 PM, WALSH STUART w
I for one appreciate high contract, especially on an instrument not
known for dynamic range.
I believe this is probably the right way to do a fandango, a la plancha,
rather that a souffle.
RT
On 2/13/2013 5:06 PM, WALSH STUART wrote:
On 13/02/2013 19:03, Christopher Wilke wrote:
Hello al
On 13/02/2013 19:03, Christopher Wilke wrote:
Hello all,
I've posted a new video of a live performance of me playing
Santiago de Murcia's "Fandango" on baroque guitar. I've incorporated
some improvisation into the piece. This represents the first time
I've
been able to mus
On 13/02/2013 19:03, Christopher Wilke wrote:
Hello all,
I've posted a new video of a live performance of me playing
Santiago de Murcia's "Fandango" on baroque guitar. I've incorporated
some improvisation into the piece. This represents the first time I've
been able to mus
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