> On Dec 23, 2017, at 3:23 AM, Albert Reyerman
> wrote:
>
> - alice
> dedicated to Alice Parkinson,
Interesting piece, based on the tablature characters A L I C E. I haven’t
looked at it in a long time (indeed, since Alice was still with us, which must
be 30 years now), but do I recall
ailto:lute-...@cs.dartmouth.edu] On Behalf
Of Ron Andrico
Sent: 23 January, 2017 09:07
To: David van Ooijen; lutelist Net
Subject: [LUTE] Re: lute music for Candlemas
I suggest the Cantique de Simeon in Vallet's _Regia Pietas_, p. 166.
It's in F mode and actually quite satisf
If you are looking for something easy to arrange Johannes Eccard's
"When Mary to the temple came" might be suitable. It's German title is
Maria wallt zum Heiligtum. It is chorale like and hugely popular over
here. Every choir sings it on the appropriate day.
Monica
Original Message
F
I think you can see the listings here:
[1]http://www.ebay.com/usr/deryck5?_trksid=p2047675.l2559
2014-09-23 10:46 GMT-04:00 David Morales
<[2]dmorale...@cuerdaspulsadas.com>:
A A Could you please send the link for each book?
A A Thanks.
A A 2014-09-23 15:47 GMT+02:00
Could you please send the link for each book?
Thanks.
2014-09-23 15:47 GMT+02:00 Deryck Harnett <[1]deryckharn...@gmail.com>:
Good morning,
I wanted to let the list members know that I have put the following
books of lute or early music on eBay, ending SeptemberA 29th.
Thanks, David
I had a look at it, too, but opted for Gesualdo's Galliarda instead. In
the canzone too much of the counterpoint was lost, in my playing/for my
ears anyway.
David
***
David van Ooijen
[1]davidvanooi...@gmail.com
[2]www.davidvanoo
I played his one keyboard piece once on archlute (with octave jumps and maybe I
left out the hard notes), and I have also seen it on harp, an unusual piece (on
IMSLP) but ultimately maybe not the best music.
http://conquest.imslp.info/files/imglnks/usimg/b/b9/IMSLP259617-PMLP421018-Canzon_fra
Thank you all for the many suggestions. I had a pleasant afternoon
playing through some known and unknown (Gostena) music.
David
--
***
David van Ooijen
[1]davidvanooi...@gmail.com
[2]www.davidvanooijen.nl
***
--
-
On Tue, 8/27/13, WALSH STUART wrote:
Subject: [LUTE] Re: lute music for a Gesualdo programme
To: "David van Ooijen"
Cc: "lutelist Net"
Date: Tuesday, August 27, 2013, 7:55 AM
On 27/08/2013 09:29, David van Ooijen
wrote:
> I'm to play some 15 minute
On 27/08/2013 09:29, David van Ooijen wrote:
I'm to play some 15 minutes of lute music in a concert with music by
Gesualdo. Are there any clues to lute music connected to him, his music
or his circle?
David
What about Gostena? I could be miles out on this, and I don't know if
Kapsberger's third book contains an intabulation IIRC
Hth. Ralf Mattes
David van Ooijen schrieb:
I'm to play some 15 minutes of lute music in a concert with music by
Gesualdo. Are there any clues to lute music connected to him, his music
or his circle?
David
--
**
On 15 August 2011 08:07, David van Ooijen wrote:
>> Well, it is also quite easy just do a screen shot, which would give you the
>> same editing possibilities.
>
> Win7 has sinpping tool for that.
Snipping Tool
David - too early ...
>
> David
> --
> ***
> David van
Tom,
Well, it is also quite easy just do a screen shot, which would give you the
same editing possibilities. Unfortunately, this would be very time-intensive
with large files.
Chris
--- On Sun, 8/14/11, T Knowling wrote:
> From: T Knowling
> Subject: [LUTE] Re: Lute Music
ot;Nancy Carlin" ; "lute"
Sent: Monday, August 15, 2011 7:28 AM
Subject: [LUTE] Re: Lute Music Online
> Hello Nancy,
>
> And thanks, Sean, for the information on using Firefox. I perhaps should
> download it. I used it years ago.
>
> I've not tried to download fro
use Howard Mayer Brown, Instrumental Music
printed before 1600. Some prints have the individual titles spelled out in
the desriptive paragraphs.
- Original Message -
From: "Nancy Carlin"
To: "lute"
Sent: Sunday, August 14, 2011 4:04 PM
Subject: [LUTE] Re: Lute
Nancy,
What I do is copy each individual leaf into one big pdf file using preview (on
my mac) and then print to a pdf file selecting layout "2 per page" on A4. Then
I take it to the print shop and have it printed double sided on think paper
with a ring binder. That way you end up with a nice ed
Lauri Niskanan on the Lute-Ning page kindly gave a very nice little
tutorial for batch-downloading a book and w/ his permission (and
addendum at 7b) I reprent it here.
If you use Firefox (and if you don't, um... I dunno what plug-in to
use for other browsers)
-
1. G
Yes, thank you. It's a wonderful resource. I have not tried to print
anything from the British Museum but ran into a problem with the things
on the Folger Shakespeare Library site that was mentioned a few days
ago. I don't know if I was not doing the right thing or if they did
not w
Arthur,
Thanks for the link. There's some really interesting stuff there! I didn't
see a way to download files, though. Can one only view them?
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
> -Original Message-
> From: lute-...@cs.dartmouth.edu
Likewise "vihuela" brings up Cabezon. Unfortuanely "cittern" comes up
empty.
Chris.
On Sun, Aug 14, 2011 at 11:10 AM, Sean Smith <[1]lutesm...@mac.com>
wrote:
Searching under "guitar" will bring up the 4 Adrian LeRoy / Gregoire
Brayssing renaissance guitar books.
Searching under "guitar" will bring up the 4 Adrian LeRoy / Gregoire
Brayssing renaissance guitar books.
Thank you, Arthur and Kakinami-san, for this great source!
Sean
On Aug 14, 2011, at 5:54 AM, T.Kakinami wrote:
Many thanks.
There are 32 lute related materials.
Kakinami.
-Orig
Many thanks.
There are 32 lute related materials.
Kakinami.
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of A. J. Ness
Sent: Saturday, August 13, 2011 7:10 AM
To: Lute List
Subject: [LUTE] Lute Music Online
In Progress. Search on "l
Wow! Thanks, Arthur. Again, I'm reminded of the hours I spent in
Paine Music Library copying music by hand. What a time we live in.
Best to all, and keep playing,
Chris.
On Fri, Aug 12, 2011 at 6:17 PM, A. J. Ness
<[1]arthurjn...@verizon.net> wrote:
Go here to search:
Go here to search:
http://digirep.rhul.ac.uk/access/home.do
- Original Message -
From: "A. J. Ness"
To: "Lute List"
Sent: Friday, August 12, 2011 6:10 PM
Subject: [LUTE] Lute Music Online
In Progress. Search on "lute"
[1]http://www.earlymusiconline.org/
And thanks to
I could not find any bandora on the Tudors that I saw on YouTube. can
anyone give me a link to look at?
Nancy
At 06:07 PM 5/25/2010, Oskar De Mari wrote:
Does anyone have any info on the amount/pieces of lute/bandora
music in
the Showtime show 'the Tudors'? i've se
e mentioned earlier). Of course this was possible since both
instruments had reverted to many fewer courses than the early 18thC
lute and archlute.
regards
MH
--- On Tue, 18/5/10, Eugene C. Braig IV wrote:
From: Eugene C. Braig IV
Subject: [LUTE] Re: lute music and play
ot;mandora."
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Susanne Herre
> Sent: Tuesday, May 18, 2010 4:45 AM
> To: Martyn Hodgson; Lute List
> Subject: [LUTE] Re: lute music and playing technique in italy 18th
Sent: Tuesday, May 18, 2010 2:39 PM
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
Thank you for this.
The information on dates and sizes of mandoras from the source you
quote is incorrect: you may care to look at the various papers on the
mandora (gallic
n the Handel
House in London. I have examined it and a small mandora would
certainly fit with the instrument represented in the depiction.
regards
MH
--- On Tue, 18/5/10, Susanne Herre wrote:
From: Susanne Herre
Subject: [LUTE] Re: lute music and playing technique in italy
rom: "Martyn Hodgson"
To: "Susanne Herre" ; "Lute Dmth"
Sent: Tuesday, May 18, 2010 9:39 AM
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
Thank you for this
Mandoras came in a variety of sizes (and varying numbers of courses):
the
composed a mandolin concerto it should
mean that his wife played the mandolin. Do we know the dedicatee of the
concerto - was it Faustina?
regards
MH
--- On Mon, 17/5/10, Susanne Herre wrote:
From: Susanne Herre
Subject: Re: [LUTE] Re: lute music and playing techniqu
e"
Sent: Monday, May 17, 2010 2:26 PM
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
Many thanks again for this latest. I hope you won't mind if I continue
the discussion in this interesting area.
What comes out of all this is that, leaving to
ginal Message -
From: [1]Martyn Hodgson
To: [2]Lute List ; [3]Susanne Herre
Sent: Monday, May 17, 2010 3:26 PM
Subject: Re: [LUTE] Re: lute music and playing technique in italy 18th
century
Many thanks again for this latest. I hope you won't mind if I continue
the
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Martyn Hodgson
> Sent: Sunday, May 16, 2010 5:50 AM
> To: Lute Dmth; Susanne Herre
> Subject: [LUTE] Re: lute music and playing technique in italy 18th centu
we commonly try to practice
nowadays.
rgds
MH
--- On Mon, 17/5/10, Susanne Herre wrote:
From: Susanne Herre
Subject: [LUTE] Re: lute music and playing technique in italy 18th
century
To: "Martyn Hodgson" , "Lute List"
Date: Monday, 17
Lelio Colista played the baroque guitar and composed some music for it.
Monica
- Original Message -
From: "Susanne Herre"
To: "Martyn Hodgson" ; "Lute List"
Sent: Sunday, May 16, 2010 11:51 AM
Subject: [LUTE] Re: lute music and playing technique in it
h
Sent: Sunday, May 16, 2010 2:53 PM
Subject: Re: [LUTE] Re: lute music and playing technique in italy 18th
century
Many thanks for this. It as an interesting and largely unexplored area
which I think we both feel needs much more good research.
Regarding the names you list,
ly. I'd be delighted if we can identify
closer recorded links between the two but, in the absence of clear
evidence, I think the question, whether theorbo players 'often' played
the mandolin, remains open.
regards to you
MH
--- On Sun, 16/5/10, Susanne Herre
g about Italy...
I have the Dalla Casa and the Tyler, thanks!
All the best,
Susanne
- Original Message -
From: "Martyn Hodgson"
To: "Lute Dmth" ; "Susanne Herre"
Sent: Sunday, May 16, 2010 11:50 AM
Subject: [LUTE] Re: lute music and playing techn
I'm not sure it's quite right to say that lute and theorbo players were
the ones who 'often' played mandolin because a few may be recorded.
What's the evidence for this? What named players ('court musicians') do
you have in mind? Did not violinists play the mandolin, especially the
Dear Davide,
Thanks!
About the use of the quill: I think we can't be sure if they didn't use it
before the neapolitan mandolin became popular. The lute in middle ages was
also played with a quill as well as the mandore in the renaissance. The
quill could have been very useful in chamber music a
Dear Martyn,
Thank you, that is interesting indeed!
Yes, in fact I wanted to understand how the "common
lutenists/theorbists" played etc. because it was often them who played
the mandolin. Often we find that e.g. theorbo players of a court also
played mandolin.
It was
I could have a look on several opera parts. But
>right, on the paintings we see mostly finger technique.
>
>But we can't know defenitely from the sources...
>
>Best wishes,
>
>Susanne
>
>
>
>
>- Original Message - From: "Stuart Walsh"
>To:
t;Stuart Walsh"
To: "Eugene C. Braig IV"
Cc: "'Nancy Carlin'" ; "'Lute List'"
Sent: Friday, May 14, 2010 12:02 AM
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
Eugene C. Braig IV wrote:
It was made by the s
Thank you also, Martyn!
I will answer you soon as well.
Kind regards,
Susanne
- Original Message -
From: "Martyn Hodgson"
To: "Lute List" ; "Susanne Herre"
Sent: Friday, May 14, 2010 11:00 AM
Subject: [LUTE] Re: lute music and playing technique in
Thank you very much for your comments and links, Eugene!
I will answer you soon.
Kind regards,
Susanne
- Original Message -
From: "Eugene C. Braig IV"
To: "'Susanne Herre'" ; "'Lute List'"
Sent: Thursday, May 13, 2010 4:24 PM
Subject: RE: [LUTE] lute music and playing technique i
If you mean the lute proper, rather than instruments like the mandolin,
there is no significant music in tablature after Zamboni (1718). There
are, of course, the Vivaldi pieces with 'liuto' in staff notation which
seem to require the old G (or A) lute which, as outlined below, seems
> -Original Message-
> From: Stuart Walsh [mailto:s.wa...@ntlworld.com]
> Sent: Thursday, May 13, 2010 6:02 PM
> To: Eugene C. Braig IV
> Cc: 'Nancy Carlin'; 'Lute List'
> Subject: Re: [LUTE] Re: lute music and playing technique in italy 18th
&
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Nancy Carlin
Sent: Thursday, May 13, 2010 1:46 PM
To: 'Lute List'
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
That looks like a nice mandolin i
7;; 'Lute List'
> Subject: [LUTE] Re: lute music and playing technique in italy 18th century
>
> It was made by the semi-infamous Luciano Faria. Feel free to contact me
> directly if you'd like details of the instrument itself.
>
> I play the dedicated repertoire fo
nt is probably the little three-movement sonata by G.B.
Sammartini.
Best,
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Nancy Carlin
> Sent: Thursday, May 13, 2010 1:46 PM
> To: 'Lute List'
> S
That looks like a nice mandolin in the picture. Who made it and what
kind of music do you play on it?
Nancy
At 07:24 AM 5/13/2010, Eugene C. Braig IV wrote:
Almost nothing is documented on playing technique of 4th-tuned
mandolin/o
other than iconography, and techniques s
Almost nothing is documented on playing technique of 4th-tuned mandolin/o
other than iconography, and techniques so portrayed can pretty diverse
looking. One of the clearest and most performance-ready painting from the
mid 1700s is Longhi's "Little concert." It shows a pair of ladies playing
5-c
> Only the pianists are stuck with what they get from the tuners.
ah, but what you didnt notice was the half-our conversation between the
artist and the tuner where they hammered out what the artist expected.
In many cases the artist is familiar with the rental instruments available
at each venue
On Sat, Sep 26, 2009 at 1:50 PM, Roman Turovsky wrote:
>
> Exactly.
> RT
>
Exactly what? I'm afraid I'm not getting Chris's point, nor seeing it
as a change from what I said.
By the way: when have professional string players ever not tuned in
perfect fifths? In the 60's, we were taught to tune
From:
In fact, modern players of orchestral instruments do this all the time.
Modern >bowed string players tune their open strings to perfect (i.e. not
equal) 5ths. They >do their darnedest to play any fingered fourth or
fifth as a perfect fifth as well, >but this doesn't mean that they play
Ray,
--- On Sat, 9/26/09, William Brohinsky wrote:
>
> On instruments, like and especially the lute, where the
> performer's
> fingers are on the strings and corrections can be made
> on-the-fly,
> nothing that fits the definition of temperament is really
> necessary.
> Instead, there are adjust
It has long been my opinion that temperament is only necessary and
workable on fixed-pitch instruments of limited resources.
Specifically, it is a great work-around for a specific problem. For
the rest of us, it is not a temperament that will be important to us
(except where a specific composer adh
009 10:43 AM
Subject: [LUTE] Re: lute music, ET, etc
It has long been my opinion that temperament is only necessary and
workable on fixed-pitch instruments of limited resources.
Specifically, it is a great work-around for a specific problem. For
the rest of us, it is not a temperament that wil
Not quite Bologna (or baloney), I think. Though I appreciate Sean's point, the
timbral variations present (or possible) on a lute are in fact quite limited.
Also, course-to-course variation, being independent of voice-leading (that is,
one often cannot choose which course one will use for whic
Personally, they sound different to me, each having its own
character. For example the difference between an open G on the first
course or fifth fret of the 2nd, often has not only the difference in
timbre of open vs fretted, but one vs two strings; likewise with
octave stringing on lower courses.
On Tue, May 26, 2009, Herbert Ward said:
>
> The strings of a lute all have approximately the same
> timbre, so that lute music is polyphonic and monotimbral.
, not exactly true I think, tho we disagree over a matter of degree; I
do understand your point.
The need for octave stringing poin
Not sure about music theory but MRI scan can perhaps reveal some clues.
Quite possibly the result will be not that different as from
MULTItimbral sound or some other 'addictions'.
I'd feel quite sceptical if any, however advanced, detection method that
is available today can pick up such subtlet
Do you mean like how a good lute player can bring out certain notes to
make the polyphony more clear? A good reference would be the columns
of Ronn McFarlane in the LSA's quarterlys for the last year or two.
Ronn is a master at nuances of touch and expression.
Suzanne
--
On May 26, 2009, at 1:24 PM, Herbert Ward wrote:
The strings of a lute all have approximately the same
timbre, so that lute music is polyphonic and monotimbral.
Bologna. Various courses have different timbres. Furthermore we can
vary those timbres according to how we wish to interpret the
I am forwarding a note from Julia Craig McFeeley. Her dissertation
should be available by now, if anyone was looking for it.
Nancy
Delivered-To:
lila-nancycarlinassociates:com-na...@nancycarlinassociates.com
X-Envelope-To: na...@nancycarlinassociates.com
X-Virus-Check
Ed, many of those links do not work any more!
On Fri, 2 Nov 2007 18:29:05 +0900
Ed Durbrow wrote:
> Here are some URLs to get you started:
> http://www9.plala.or.jp/edurbrow/webtab.html
>
> On Nov 1, 2007, at 8:21 PM, Joshua E. Horn wrote:
>> Scratch that, where is some lut
Here are some URLs to get you started:
http://www9.plala.or.jp/edurbrow/webtab.html
On Nov 1, 2007, at 8:21 PM, Joshua E. Horn wrote:
> Scratch that, where is some lute tablature on the internet?
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
--
To get on or off
LOTS of places. Wayne's, Alain's, Sarge's.
Mine: http://torban.org/sarmaticae
http://torban.org/ruthenicae
http://torban.org/balli
RT
- Original Message -
From: "Joshua E. Horn" <[EMAIL PROTECTED]>
To: "LuteNet"
Sent: Thursday, November 01, 20
Scratch that, where is some lute tablature on the internet?
--
Joshua E. Horn
[EMAIL PROTECTED]
--
http://www.fastmail.fm - Email service worth paying for. Try it for free
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