Difficult choices; volume is the number one issue in performance.
Archlute in A is nice, I always add chords since some of Handel's
lute parts are figured.
Octave up in places that are drowned out if you must..
Archlute is G is OK
Theorbo if you play the high bits solo and chord up the rest,
At 12:52 PM 3/2/2008, LGS-Europe wrote:
Are wrote:
Mozart added a lute part to the flute ad libitum in the end: more broken
chords.
I guess this is Mozart's collected output of lute music!?
Three songs with mandolin. Does that qualify?
..Or, more specifically, the canzonetta from Don Giovanni
Original lute music by Handel and Mozart on the same day! What a thrill!
How disappointing to look at the Neue Mozart Ausgabe (
http://dme.mozarteum.at/DME/nma/start.php?l=) and discover that the Mozart
lute cadenza is crossed out in the manuscript and that 'it remains uncertain
whether it is by
Mozart added a lute part to the flute ad libitum in the end: more broken
chords.
I guess this is Mozart's collected output of lute music!?
Are
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Measures 5-8 (first solo) I'd feel kinda nude if I was supposed to play
the solo notes only. I wonder which instrument I'd choose. With regard
to the accidentals, the chitarrone would be my instrument of choice.
Then, however, the first entry is too high for adding chord notes. At
least if played
Are wrote:
Mozart added a lute part to the flute ad libitum in the end: more broken
chords.
I guess this is Mozart's collected output of lute music!?
Three songs with mandolin. Does that qualify?
The LGS (that's us!) has publishged a collection of 21 songs with
accompaniments for 10-course
Mathias wrote:
Measures 5-8 (first solo) I'd feel kinda nude if I was supposed to play
the solo notes only.
[...]
The same applies to measure 10. Okay, I
give in, but then I'd REALLY have to play as LOUD as I can.
Why? The lute is solo but for the soft complaining flute. But, sure,
continuo
