I'm standing in the street about ten metres from the base of the tower.
I used the rear 120 setting on the Zoom, mics pointing towards the
church and away from the street. I rather like the starlings, but not
so keen on the traffic.
Martin
Michael Gillespie wrote:
Oh!, such a clear
On Tue, 2008-09-23 at 09:11 +0100, Martin Shepherd wrote:
I'm standing in the street about ten metres from the base of the tower.
I used the rear 120 setting on the Zoom, mics pointing towards the
church and away from the street. I rather like the starlings, but not
so keen on the
Dear Michael,
I can send an MP3 to anyone who's interested. I only discovered after
doing the recording (at 9am) that the carillon at 12 noon plays the same
tune, then follows it with 4 or 5 other tunes, so I must record the
whole thing when I go back there again - which will be (probably)
Dear Damian,
Sorry I'm a late arrival to this discussion - and I agree with what has
been said already. It was Rob who got me started on this recording
business: his MP3s of Fuenllana sounded as though they must have been
produced expensively, but it turned out he had just plugged a cheap
Martin, such quality is something special to French churches, didn't you notice
? ;-
Jean-Marie ( no kidding I agree 100% with what you wrote about recording and I
also own a H2 Zoom : wonderful little machine !)
Just an aside - the small size and built-in mics of the Zoom make it
Is this recording of the carillon going to be available?!
On Sat, Sep 20, 2008 at 5:22 AM, Jean-Marie Poirier
[EMAIL PROTECTED] wrote:
Martin, such quality is something special to French churches, didn't
you notice ? ;-
Jean-Marie ( no kidding I agree 100% with what
On Fri, Sep 19, 2008 at 9:08 AM, damian dlugolecki [EMAIL PROTECTED] wrote:
I recently bought a ZOOM digital recorder.[..]
There's a lot of information about equipment out there, but
not much on the
creative asplects of recording.
Good question.
I use recording in two different ways
Hi Damian,
I don't use the recorder as a practice aid, but I can definitely see
the advantage of doing so. I record when I want an mp3 for my website.
So, that being the case, I have probably got the performance pretty
good but never note-perfect. I've never played a piece without
When I was starting to play recital (think 70s) I used the recorder
(in this case, tape) occasionally as a reality check--horrible as it may be--
and also as a way to learn pieces for concerts.
I would memorize the piece, which is absolutely essential as a
paradigm--that is, you need to know
Thank you very much for sharing your experience and know-how.
How interesting the analogy to the mirror and the idea of
recording
phrases.
I use a number of practice techniques that I have picked up
over the years.
Difficult pieces I practice backwards; isolating the cadences
and playing
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