Thanks for this Luke. I heard José Luis Pastor perform in 2011 in Gijon, and he
was absolutely amazing.
Ed
Sent from my iPhone
> On Apr 25, 2019, at 12:10 PM, Luke Emmet wrote:
>
> Perhaps slightly earlier than you had in mind, but not so long ago at the UK
> Lute Society we had a presentat
Great playing indeed - though none of these pieces have any obligatory
polyphony :)
It would be interesting to hear a plectrum player tackle the Pesaro
Manuscript, which seems to employ the old plectrum style but has many
full chords in between.
On 25.04.19 19:10, Luke Emmet wrote:
Perhaps
Thank you David,
this was an interesting read!
I might add that the intabulations could also be made to contain all of
the polyphony so you can choose which notes you need to sustain
according to which voices you are accompanying.
Any idea which voice could most often be left out? This would b
Perhaps slightly earlier than you had in mind, but not so long ago at
the UK Lute Society we had a presentation and recital by Jose Luis
Pastor on the use of the plectrum in Medieval Lute playing.
His accompanying CD called "The Evidence" provides a very compelling
performance and demonstrates
On (un-)playable intabulations:
[1]https://davidvanooijen.wordpress.com/terzis-intabulations/
David
***
David van Ooijen
[2]davidvanooi...@gmail.com
[3]www.davidvanooijen.nl
***
On Thu, 25 Apr 2019 at 15:58, Tristan
That is interesting - but I was referring to solutions where you can
safely strum all of it because all notes are in harmony or in the
scale. :)
Also, I have enough to work on the fingering itself - and I still
haven't found out how to play the sometimes occurring 5 notes on 4
di
Ron, Tristan, et al.,
I've always wondered about the odd "L" chord in Baroque guitar
notation: a C-minor chord in first position, guitar tuning. Obviously,
it is best with an E-flat on the 2nd string 4th fret, but that's a bit
of a stretch for amateurs. The other version contains a D
