e mentioned earlier). Of course this was possible since both
instruments had reverted to many fewer courses than the early 18thC
lute and archlute.
regards
MH
--- On Tue, 18/5/10, Eugene C. Braig IV wrote:
From: Eugene C. Braig IV
Subject: [LUTE] Re: lute music and play
ot;mandora."
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Susanne Herre
> Sent: Tuesday, May 18, 2010 4:45 AM
> To: Martyn Hodgson; Lute List
> Subject: [LUTE] Re: lute music and playing technique in italy 18th
Sent: Tuesday, May 18, 2010 2:39 PM
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
Thank you for this.
The information on dates and sizes of mandoras from the source you
quote is incorrect: you may care to look at the various papers on the
mandora (gallic
lin. Do we know the dedicatee of
the
> concerto - was it Faustina?
>
> regards
>
> MH
> --- On Mon, 17/5/10, Susanne Herre <[4]mandolinens...@web.de>
wrote:
>
> From: Susanne Herre <[5]mandolinens...@web.de>
> Su
rom: "Martyn Hodgson"
To: "Susanne Herre" ; "Lute Dmth"
Sent: Tuesday, May 18, 2010 9:39 AM
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
Thank you for this
Mandoras came in a variety of sizes (and varying numbers of courses):
the
composed a mandolin concerto... Did he compose anything for
mandora...?
Kind regards,
Susanne
- Original Message -
From: [1]Martyn Hodgson
To: [2]Lute List ; [3]Susanne Herre
Sent: Monday, May 17, 2010 3:26 PM
Subject: Re: [LUTE] Re: lute music and playing
e"
Sent: Monday, May 17, 2010 2:26 PM
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
Many thanks again for this latest. I hope you won't mind if I continue
the discussion in this interesting area.
What comes out of all this is that, leaving to
ginal Message -
From: [1]Martyn Hodgson
To: [2]Lute List ; [3]Susanne Herre
Sent: Monday, May 17, 2010 3:26 PM
Subject: Re: [LUTE] Re: lute music and playing technique in italy 18th
century
Many thanks again for this latest. I hope you won't mind if I continue
the
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of Martyn Hodgson
> Sent: Sunday, May 16, 2010 5:50 AM
> To: Lute Dmth; Susanne Herre
> Subject: [LUTE] Re: lute music and playing technique in italy 18th centu
we commonly try to practice
nowadays.
rgds
MH
--- On Mon, 17/5/10, Susanne Herre wrote:
From: Susanne Herre
Subject: [LUTE] Re: lute music and playing technique in italy 18th
century
To: "Martyn Hodgson" , "Lute List"
Date: Monday, 17
Lelio Colista played the baroque guitar and composed some music for it.
Monica
- Original Message -
From: "Susanne Herre"
To: "Martyn Hodgson" ; "Lute List"
Sent: Sunday, May 16, 2010 11:51 AM
Subject: [LUTE] Re: lute music and playing technique in it
h
Sent: Sunday, May 16, 2010 2:53 PM
Subject: Re: [LUTE] Re: lute music and playing technique in italy 18th
century
Many thanks for this. It as an interesting and largely unexplored area
which I think we both feel needs much more good research.
Regarding the names you list,
aly...
I have the Dalla Casa and the Tyler, thanks!
All the best,
Susanne
- Original Message -
From: "Martyn Hodgson" <[1]hodgsonmar...@yahoo.co.uk>
To: "Lute Dmth" <[2]l...@cs.dartmouth.edu>; "Susanne Herre"
<[3]mandolinens...@web.d
g about Italy...
I have the Dalla Casa and the Tyler, thanks!
All the best,
Susanne
- Original Message -
From: "Martyn Hodgson"
To: "Lute Dmth" ; "Susanne Herre"
Sent: Sunday, May 16, 2010 11:50 AM
Subject: [LUTE] Re: lute music and playing techn
I'm not sure it's quite right to say that lute and theorbo players were
the ones who 'often' played mandolin because a few may be recorded.
What's the evidence for this? What named players ('court musicians') do
you have in mind? Did not violinists play the mandolin, especially the
Dear Davide,
Thanks!
About the use of the quill: I think we can't be sure if they didn't use it
before the neapolitan mandolin became popular. The lute in middle ages was
also played with a quill as well as the mandore in the renaissance. The
quill could have been very useful in chamber music a
Dear Martyn,
Thank you, that is interesting indeed!
Yes, in fact I wanted to understand how the "common
lutenists/theorbists" played etc. because it was often them who played
the mandolin. Often we find that e.g. theorbo players of a court also
played mandolin.
It was
"Eugene C. Braig IV"
>Cc: "'Nancy Carlin'" ; "'Lute List'"
>
>Sent: Friday, May 14, 2010 12:02 AM
>Subject: [LUTE] Re: lute music and playing technique in italy 18th century
>
>
>>Eugene C. Braig IV wrote:
>>>It was
t;Stuart Walsh"
To: "Eugene C. Braig IV"
Cc: "'Nancy Carlin'" ; "'Lute List'"
Sent: Friday, May 14, 2010 12:02 AM
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
Eugene C. Braig IV wrote:
It was made by the s
Thank you also, Martyn!
I will answer you soon as well.
Kind regards,
Susanne
- Original Message -
From: "Martyn Hodgson"
To: "Lute List" ; "Susanne Herre"
Sent: Friday, May 14, 2010 11:00 AM
Subject: [LUTE] Re: lute music and playing technique in
Thank you very much for your comments and links, Eugene!
I will answer you soon.
Kind regards,
Susanne
- Original Message -
From: "Eugene C. Braig IV"
To: "'Susanne Herre'" ; "'Lute List'"
Sent: Thursday, May 13, 2010 4:24 PM
Subject: RE: [LUTE] lute music and playing technique i
If you mean the lute proper, rather than instruments like the mandolin,
there is no significant music in tablature after Zamboni (1718). There
are, of course, the Vivaldi pieces with 'liuto' in staff notation which
seem to require the old G (or A) lute which, as outlined below, seems
> -Original Message-
> From: Stuart Walsh [mailto:s.wa...@ntlworld.com]
> Sent: Thursday, May 13, 2010 6:02 PM
> To: Eugene C. Braig IV
> Cc: 'Nancy Carlin'; 'Lute List'
> Subject: Re: [LUTE] Re: lute music and playing technique in italy 18th
&
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Nancy Carlin
Sent: Thursday, May 13, 2010 1:46 PM
To: 'Lute List'
Subject: [LUTE] Re: lute music and playing technique in italy 18th century
That looks like a nice mandolin i
7;; 'Lute List'
> Subject: [LUTE] Re: lute music and playing technique in italy 18th century
>
> It was made by the semi-infamous Luciano Faria. Feel free to contact me
> directly if you'd like details of the instrument itself.
>
> I play the dedicated repertoire fo
ubject: [LUTE] Re: lute music and playing technique in italy 18th century
>
>That looks like a nice mandolin in the picture. Who made it and what
>kind of music do you play on it?
>Nancy
>At 07:24 AM 5/13/2010, Eugene C. Braig IV wrote:
>
> Almost n
That looks like a nice mandolin in the picture. Who made it and what
kind of music do you play on it?
Nancy
At 07:24 AM 5/13/2010, Eugene C. Braig IV wrote:
Almost nothing is documented on playing technique of 4th-tuned
mandolin/o
other than iconography, and techniques s
Almost nothing is documented on playing technique of 4th-tuned mandolin/o
other than iconography, and techniques so portrayed can pretty diverse
looking. One of the clearest and most performance-ready painting from the
mid 1700s is Longhi's "Little concert." It shows a pair of ladies playing
5-c
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