Rocky
Your score has given me the idea to try your method, but making a font
with no noteheads for quarter note, eighth, etc., but to keep the half
and whole as they are.
Mass Mover = Utilities = Change = Noteheads = Selected Notehead
Here you can change black notehead to no notehead
They seem to harvest from publicly available material. I find myself in a
few clips taken from my site.
David
- Original Message -
From: G. Crona [EMAIL PROTECTED]
To: Lute@cs.dartmouth.edu
Sent: Tuesday, January 29, 2008 12:04 AM
Subject: [LUTE] Siting
Mace, Wilson
MH
David Rastall [EMAIL PROTECTED] wrote:
If the solo theorbo, being by definition an instrument of shorter
playing length, is known to have been tuned with only the first
course in re-entrant tuning, presumably there was some amount of solo
repertoire for that tuning.
As very carefully explained earlier, theorbos of your recommended size existed
but not tuned as you believe.
MH
David Tayler [EMAIL PROTECTED] wrote:
Thank you all for your comments. As a musicologist, I don't always
agree with my colleagues, but of course I respect their work.
How were they tuned?
dt
At 12:42 AM 1/29/2008, you wrote:
As very carefully explained earlier, theorbos of your recommended
size existed but not tuned as you believe.
MH
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see earlier
David Tayler [EMAIL PROTECTED] wrote: How were they tuned?
dt
At 12:42 AM 1/29/2008, you wrote:
As very carefully explained earlier, theorbos of your recommended
size existed but not tuned as you believe.
MH
To get on or off this list see list information at
Monica,
I asked a few days ago regarding string tensions for baroque guitars. Do
you have any opinions?
Well - I'm not well qualified to comment as I am only an amateur player and
my guitar has a shorter string length than many people seem to think is
appropriate today.
It is based on an
The only hard evidence we have is the stringing of a theorboed guitar
('chitara tiorbato') by Stradivari (c.1720s) in which various violin strings
are described for stringing the guitar. In short and translated:
1 2 strings - 'like two guitar first course strings' (helpful!)
3
OK, I'll join in after all. I already send my stringing off-list to Ed, but
as people seem to be just as shy, or confused about it as I am, here goes
nothing:
I have a 68cm Sellas model made by Stephen Barber. It's in 440, 415 or
whatever needed.
This is what's on it (all plain gut),
Martyn,
Yes, I'm familiar with the previous discussion.
Far from being modern in my approach to this
music, it needs to be approached on its own terms.
Abrupt leaps of a major or minor seventh in an
otherwise scalar passage are fine for Stravinsky. In
baroque music they are not -
I must have missed that post, if you can tell me how the following
instruments were tuned
Atton, Ecco, Hoess,
Kaiser, Aman, Koch, Langenwalder, Attore, Mascotto, Stehelin, Greiff,
Tieffenbrucker
Then I can do some analysis.
dt
At 05:03 AM 1/29/2008, you wrote:
see earlier
David Tayler
If I'll tune my lute (7 course, F,G,C,f,a,d,g) to F# at 440hz, it will
sound like G at 415hz?
I never learned all those calculations...
I need to get some sleep...
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I have some of the discs from this box. The chamber music and a few
cantatas. Quite all right if you want it all, and want it cheap. Some is
really good, some is passable. Some are old recordings, some are purpose
made for the box. I think I'm in the cantatas. These cds are sold under the
Dear E Friends, my Russian is Good:) This site looks
amazing and it is Bach and not anything else.
As for other site : this is Korean one with a lot of
stuff as well:)
http://www.greatjsbach.net/Work.php3
some other Russian resourses besides Bach:
www.baroqueguitar.narod.ru
www.lute.ru
Good
His library of music, the largest to survive intact from the 18th
century, has some 300 pieces for lute, alone. The library was inherited
by his daughter Princess Luise Frederica, an accomplished lutenist and
coloratura, who brought the collection to Rostock (it is now in
the University
My 8 cents: Brescianello gallichon sonatas don't demonstrate any
similarity of character to the real Brescianello's music.
The scale ans scope aside- the latter is very serious and well-wrought
music, and the former is neither
RT
- Original Message -
From: Arthur Ness [EMAIL
It seems to me that one needs some very serious
evidence before attempting to claim that Brescianello did not
compose the 18 sonatas for gallichon that carry his name.
Brescianello was chamber violinist to Crown Prince Friedrich
Ludwig of Württemberg, who was a
trained musician and held private
I haven't seen anything on the list for a while - my host has made some
changes, perhaps I'm off list. Let's see if this comes back to me
Best, Jon
--
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Oops! my mistake about the key, I was thinking of a guitar
transcriptions I have of it in D major. I'm now looking at the
Chantarelle facsimile edition and it is indeed in C major. Same as the
one Yepes recorded, though. So nobody has recorded the C major on lute?
-David
On Jan 29, 2008,
Received my message, I'm on line (and I found all my lost lute-builder
messages).
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Linda Sayce has recorded only the enchanting Adagio (in a minor) from that C
Maj. sonata on Charivari Agreable's Music for Gainsborough disc.
(SIGCD026)
Somebody needs to noodge Earl Christy to record it.
Hey Earl! You listening?
Dale
- Original Message -
Hi,
I have seen you videos. Can you please tell me which book are you
reading on?
Thanks,
Luciano
sterling price ha scritto:
Ok-here are some videos of me-
http://www.youtube.com/watch?v=ri3FkzqMwZU
http://www.youtube.com/watch?v=IpEj41_mMmw
http://www.youtube.com/watch?v=I69vLjXKRSA
Well, in one video I'm playing a lute by David Van Edwards(borrowed for the
performance). It is the big 1762 Rauch copy. Another is a Widhalm\Bruner model
made by Michael Thames(with a red triple pegbox). The last one is a Burkholzer
model made by John Butterfield with a holly ribs-neck and
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