There is, of course, another explanation of the discrepencies between
the lute Falkenhagen is depicted as playing and what we normally
consider what a 'baroque' lute of the period is (other than lack of
precision on the part of the engraver - not unkown): that F posed for
his own
Also Mr. Falkenhagen seems to have had a very big head in proportion
to the rest of his body.
If the artist/engraver didn't care about this would he be engraving
the lute exactly as it was I wonder.
Cheers,
LexOp 15 jul 2009, om 03:29 heeft Roman Turovsky het volgende
geschreven:
And
Hello lute players,
I am searching for some music for renaissance viol and theorbo...
Can anyone point some sources on the net?
Or if somebody have some files to share I would be gratefull.
Many thanks.
--
To get on or off this list see list information at
On Wed, Jul 15, 2009 at 10:19 AM, hera caiuscaiush2...@yahoo.com wrote:
I am searching for some music for renaissance viol and theorbo...
A theorbo being a baroque instrument and a renaissance viol a, well,
renaissance instrument, you'll have to compromise somewhere, but this
should not
There is also a Dowland duet for lute and bass viol (if you do end up
taking your lute!) ... it's at the end of one of his lute song books
although I do have a pdf of the original (and my own working edition
of it) if anyone is interested ...
E
Quoting David van Ooijen
Hille Perl and Lee Santana recenty put out a duo cd of music for viol
and lute/theorbo etc.
--- On Wed, 7/15/09, Eleanor Smith s0347...@sms.ed.ac.uk wrote:
From: Eleanor Smith s0347...@sms.ed.ac.uk
Subject: [LUTE] Re: viol and theorbo
To: David van Ooijen
I realise his name has come up before, and quite some discussion it
has brought!, but I'm now reading a collection of his essays (Text
Act, OUP 1995) on what makes the early music movement a modern
movement, and how its authenticity ideals have everything to do with
20th century aestetics and
Dear All,
Taruskin spends a lot of time discussing playing harpsichord= music on
the piano, but never mentions the lute versus the guitar. If anyt= hing
the latter two instruments are even farther apart in style and techniq=
ue than the keyboards. I've often wondered whether he had
On Jul 15, 2009, at 12:35 AM, Lex van Sante wrote:
Also Mr. Falkenhagen seems to have had a very big head in
proportion to the rest of his body.
If the artist/engraver didn't care about this would he be engraving
the lute exactly as it was I wonder.
The left hand also strikes me as
I received this posting on a hurdy-gurdy mailing list--more on the United
Airline guitar/baggage disaster.
Regards,
Leonard Williams
-- Forwarded Message
From: Judith Lindenau gertiecran...@gmail.com
Organization: JWL Associates/Focus Consulting
Reply-To: hurdygu...@googlegroups.com
Date:
Dear collective stringwisdom,
today I passed by a Guitar Shop with lots of new and well built Ukuleles.
I played some instruments and they sounded quite good.
My idea, as Ukuleles are quite small an robust, to me they seem to be a
perfect
instrument for travelling.
We there any objections in
On Jul 15, 2009, at 1:34 PM, Orphenica wrote:
My idea, as Ukuleles are quite small an robust, to me they seem to
be a perfect
instrument for travelling.
About a thousand years ago when I went on the obligatory American
student summer tour of Europe with backpack and Eurailpass, before
Although not quite my thing, I think ukulele is a fine modern surrogate for
4-course guitar. All I can really add is recommendation for a few solo
recordings. Several 4-course guitar pieces on:
-Marincola, Federico. 1994. Guillaume Morlaye (1510?-1558?): Pieces pour
Luth/Pieces pour Guitare.
Hi, all,
Agreed on all counts, and if you get one of the larger sizes, concert
or tenor, you get a longer string length, 15 and 17 respectively.
A baritone might come the closest to a Ren. guitar with a 19 string
length, and though a bit more expensive, certainly not as much
I enjoy very much Buxtehude and Salverde, Purcell William Young,
in addition to the others mentioned.
You can arrange some of the Mattheis as well.
dt
At 01:46 AM 7/15/2009, you wrote:
On Wed, Jul 15, 2009 at 10:19 AM, hera caiuscaiush2...@yahoo.com wrote:
=A0 I am searching for some music
Try also the double strung ukeleles.
On a personal note, if I were a female string player, I would find
some of the language sexist.
I remember asking a female lute player why she never went to workshops.
Wow, did I get an earfull.
dt
At 02:53 PM 7/15/2009, you wrote:
Hi, all,
Yes, exactly the point I was trying to make, though in a more
roundabout and obscure way (leaving myself open to misaprehension!);
hence the quotation marks, etc. Fish without a bicycle and all that.
Much has been done, but much remains, though I suspect Howard was being
facetious
There is little difference between renaissance viol and baroque viol
as they are now made. If the ren viol has a sound post (and bass bar,
but that's harder to see) then it's not historical. On the other hand,
I know of very few viol players who will attempt public performance
without them.
That
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