For what it's worth, here is a reminder of an experiment how false claims,
repeated over and over again, become accepted by some individuals. Tristan, I
see your attempts to convince people precisely in this line of practice.
To simply your google research, here's a link to a wiki article
And again, it can get even better.
Improved alignment - these rhythms are complex...
.and it's a long version!
Fun Fact: This is a film song from the 1964 movie "Chitralekha", based
on Raga Kamod.
This would be like a newly composed ciacona with modern English lyrics
for a movie (I think this
Again, when you think it can't get any better...
This Raga performance is so close to the infamous BM Counterpoint - note
the percussion.
https://soundcloud.com/tristan-von-neumann/vincenzo-galilei-contrapunto-secondo-bm-raga-kamod-nirali-kirtak
To get on or off this list see list
This version is even better.
Imagine this is the late 16th century singing by the Donne di Ferrara or
similar groups...
https://soundcloud.com/tristan-von-neumann/francesco-siena-no-62-eri-jaane-na-doongi-raga-kamod-nirali-kartik-version-iii
Am 08.08.2018 um 19:22 schrieb Tristan von
Dear Lutists,
Francesco and Ganassi fans will rejoice over this sweet unification as
Ronu Majumdar plays quite some improv "over" the Francesco background.
https://soundcloud.com/tristan-von-neumann/siena-62-francesco-raga-kamod-ronu-majumdar
Sorry for the not so beautiful playing, it's
Actually, in the complete works of Dowland recorded by the Consort of
Musicke, CD12: "From Thomas Simpson, Taffel Consort (121)" is already
identified as "Were every thought an eye". The recording was made
around 1977.
Matteo
CD 13, Tack 3
On Wed, 8 Aug 2018 at 10:12, Ron
I'm just googling around for Bartolotti's works and I only found paid versions
on sites that just repost the faksimile. Would anybody here have a link to an
online downloadable source of either book (Florence 1640 and Rome 1655)?
Jurgen
--
“There is a voice
While we're at it - a while ago I wondered about a galliard in Vincenzo
Galilei's Tabulatura that seems like a template for Can Shee Excuse.
It's probably in the mailing list archive.
I had not received any thoughts about it but would be interested if
someone had an explanation.
Am
Dear Stewart and Ron,
that rang a bell and after a quick look into my windows cloud I saw that I
arranged the piece for two lutes years ago and correctly gave both sources in
the editorial notes. I don't recall if I read about the concordance or found
out myself.
Regards
Stephan
> Gesendet:
