"after 1650" doesn't mean "18th century" though...
So what is the earliest minuet in lute literature?...
Am 18.01.2018 um 12:48 schrieb Mathias Rösel:
You can clearly tell one handwriting from another in this manuscript. There's
the major share of pieces in an older style (mano A), and
Would you mind looking up what is the criteria of the dating of the
second scribe?
If it's the minuet because it was made popular by Lully, we have
ourselves a flawed argument. :)
Am 18.01.2018 um 12:48 schrieb Mathias Rösel:
You can clearly tell one handwriting from another in this
Well, it helps, but if there is no actual example, I still know nothing :)
Am 18.01.2018 um 08:38 schrieb Seicento/Rainer Luckhardt:
Hi Tristan,
no idea if it's correct but I've found this:
[1]Konrad Ragossnig: Handbuch der Gitarre und Laute. Schott, Mainz
1978, [2]ISBN
Hi Lex
The chromatic :)
Lex van Sante <[1]lvansa...@gmail.com> (idÃ
pont: 2018. jan. 18., Cs,
7:57) ezt Ãrta:
Hi Katalin,
About which Farewell are you going to write? There are two fancy's
with this title by Dowland.
There is one based on a achromatic fourth
Haven't played from Doni for a while but I always assumed that that the minuet
and some other pieces
are (much) later additions to the original manuscript. I never looked at the
original, so I can't judge
the scribal situation but judging by stile some of the pieces are definitely
beginning
You can clearly tell one handwriting from another in this manuscript. There's
the major share of pieces in an older style (mano A), and additions in a
younger style (mano B, after 1650), like mutanze, ceccone etc. The minuet is
mano B. Read Dinko Fabris's preface in the S.P.E.S. edition.
To me, everything in Doni seems pretty old school even for 1640.
The minuet seems by the same hand and is in the middle of the page
between "Ballo di Matova" (very oldschool) and a simple ciacona.
Also, this is just halfway through the manuscript.
