[1]http://www.historyextra.com/lingerie
***
David van Ooijen
[2]davidvanooi...@gmail.com
[3]www.davidvanooijen.nl
***
--
References
1. http://www.historyextra.com/lingerie
2. mailto:davidvanooi...@gmail.com
3.
avidvanooi...@gmail.com>
Sent: Saturday, September 17, 2016 6:46 AM
Cc: Lute List
Subject: [LUTE] Re: composed for the lute?
On 17 September 2016 at 08:37, howard posner
<[1][8]howardpos...@ca.rr.com> wrote:
Ron himself has brought up the M
ee my earlier response.
RA
__
From: [5]lute-...@cs.dartmouth.edu <[6]lute-...@cs.dartmouth.edu> on
behalf
of David van Ooijen <[7]davidvanooi...@gmail.com>
Sent: Saturday, September 17, 2016 6:46 AM
Cc: Lute List
Dear Ron and All,
I wasn't really questioning attribution, because attribution is just
what we have (though sometimes conflicting, sometimes absent). I'm
quite sure that "Lady Laiton's Almain" is a Dowland piece, also quite
sure that Dowland composed and played lute solos. What is uncertain
QED
***
David van Ooijen
[1]davidvanooi...@gmail.com
[2]www.davidvanooijen.nl
***
On 17 September 2016 at 09:06, howard posner
<[3]howardpos...@ca.rr.com> wrote:
> On Sep 16, 2016, at 11:46 PM, David van Ooijen
> On Sep 16, 2016, at 11:46 PM, David van Ooijen
> wrote:
>
> Well, there you go then. But maybe Ron doesn't read his own pages.
It’s easy to forget. Just today, in writing program notes for a concert of
Beethoven’s last piano sonata, violin sonata and string quartet, I remembered
that B. h
On 17 September 2016 at 08:37, howard posner
<[1]howardpos...@ca.rr.com> wrote:
Ron himself has brought up the Marenzio connection on his page:
[2]https://mignarda.wordpress.com/2011/02/09/dowland-
marenzio-and-lachrimae
Well, there you go then. But maybe Ron doesn't read
> On Sep 16, 2016, at 11:21 PM, David van Ooijen
> wrote:
>
> On Friday, 16 September 2016, Ron Andrico <[1]praelu...@hotmail.com>
> wrote:
>
>>> , mainly via signature riffs (such as
>the Lachrimae motif) and cadential events<<
>
>Although I certainly 'feel' Dowland's signatur
On Friday, 16 September 2016, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
>>, mainly via signature riffs (such as
the Lachrimae motif) and cadential events<<
Although I certainly 'feel' Dowland's signature in many of the solos
ascribed to him, I think the falling te
Still a better bet than trying to play the collected lute solos of Buddy
Bolden. I've heard that they're ALL spurious!
On 9/16/2016 1:30 PM, Ron Andrico wrote:
Dear Martin and all:
Interesting point of view, and one that seems to be based upon the
theme that if the surviving evide
All of this points up that they saw "copyright" completely differently
than we do. I found Tessa Murry's book on THomas Morley really helpful
in explaining the nuances of ownership of music in Elizabethan England.
Nancy
Dear Martin and all:
Interesting point of view, and one that see
I wonder what would Diana Poulton say about this?
A. John Mardinly, Ph.D., P.E.
Retired Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
But don't call the labI won't be there!
On Sep 16, 2016, at
On 16/09/2016 17:01, Martin Shepherd wrote:
Hi all,
You might find my latest blog interesting:
http://luteshop.co.uk/was-dowland-a-composer-of-lute-music/
Best wishes,
Martin
Hi Martin,
Stimulating and informative as usual.
Best,
Matthew
To get on or off this list see list informatio
> On Sep 16, 2016, at 10:01 AM, Martin Shepherd wrote:
>
> Hi all,
>
> You might find my latest blog interesting:
>
> http://luteshop.co.uk/was-dowland-a-composer-of-lute-music/
>
> Best wishes,
>
> Martin
>
>
> ---
> This email has been checked for viruses by Avast antivirus software.
>
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