Re: [Marxism] German Film Festival April 6-12 | Louis Proyect: The Unrepentant Marxist

2018-04-04 Thread Richard Fidler via Marxism
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Another great film is The Architects, completed just as the wall was coming 
down, in 1989.

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From: Marxism [mailto:marxism-boun...@lists.csbs.utah.edu] On Behalf Of Ernest 
Leif via Marxism
Sent: Wednesday, April 04, 2018 11:28 AM
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Subject: Re: [Marxism] German Film Festival April 6-12 | Louis Proyect: The 
Unrepentant Marxist

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"Unlike all of the films about East Germany I am aware of, except for “Goodbye 
Lenin!”, “In Times of Fading Light” does not demonize German Communists, who 
tend to be depicted as mustache-twirlers like the Nazis they opposed."

Have you seen Christian Petzold's "*Barbara"*? In some sense Petzold's film 
follows Godard's dictum that the best way to critique a film is to make a film. 
Petzold, who created a Stasi character who defied the well worn stereotype, was 
obviously disturbed by "*The Lives of Others"*. It's a movie worth seeing.

E
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Re: [Marxism] German Film Festival April 6-12 | Louis Proyect: The Unrepentant Marxist

2018-04-04 Thread Ernest Leif via Marxism
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"Unlike all of the films about East Germany I am aware of, except for
“Goodbye Lenin!”, “In Times of Fading Light” does not demonize German
Communists, who tend to be depicted as mustache-twirlers like the Nazis
they opposed."

Have you seen Christian Petzold's "*Barbara"*? In some sense Petzold's film
follows Godard's dictum that the best way to critique a film is to make a
film. Petzold, who created a Stasi character who defied the well worn
stereotype, was obviously disturbed by "*The Lives of Others"*. It's a
movie worth seeing.

E
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[Marxism] German Film Festival April 6-12 | Louis Proyect: The Unrepentant Marxist

2018-04-04 Thread Louis Proyect via Marxism

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Between April 6th and 12th, the Landmark Theater on W. 57thStreet in New 
York will be hosting a festival of recent German films of great interest 
to cinephiles based on the evidence of two press screeners I saw that 
have much in common besides being well-made. To start with, both have 
nonagenarian main characters played by two of Germany’s most renowned 
actors.


As a 90-year old Communist about to celebrate his birthday in opening 
night’s “In Times of Fading Light”, Bruno Ganz might be best known to 
most folks for his portrayal of Adolf Hitler in “Downfall” but the 
77-year old actor’s career encompasses a wide range of heralded roles 
ranging from art films made by Wim Wenders (The American Friend; Wings 
of Desire) to Hollywood films like “The Boys from Brazil”. “In Times of 
Fading Light” is set in 1989 as the Berlin Wall is about to come down. 
The fading light referred to in the title is Communism’s twilight.


Exactly the same age as Ganz, Jurgen Prochnow plays a 92-year old 
Wehrmacht veteran named Eduard Leander in “The Final Journey”, who led a 
regiment of Ukrainian Cossacks during WWII. The film’s title refers to 
his odyssey to find the woman he loved in a Luhansk village against the 
backdrop of a new war involving some of the same geopolitical cleavages. 
Like Ganz, Prochnow has a long and distinguished career and is best 
known for playing the German submarine commander in “Das Boot”. Deemed 
controversial at the time for showing German soldiers without the 
stereotypical mustache-twirling villainy seen in Hollywood films, “The 
Final Journey” could conceivably be accused of whitewashing Nazi war 
crimes—that is, unless you understand that his character paid dearly for 
them.


full: https://louisproyect.org/2018/04/04/german-film-festival-april-6-12/
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