Digital Copyright: opportunities and practicalities

2005-05-31 Thread Simon Tanner

** apologies for cross posting **

16th June   Digital Copyright: opportunities and practicalities
Presented in association with Naomi Korn, copyright consultant.

Copyright is a current and important topic for many organisations, 
particularly those that are considering digitising and delivering digital 
content in order to make sure that their rights are not infringed upon and 
their assets are
fully exploited. This all-day course will focus upon participant's 
experiences and case studies. It will encourage group work and discussion 
around key areas, whilst focusing on current topics and real world digital 
issues. This course will appeal to everyone currently digitising content or 
thinking of embarking on a digital project who wishes to learn more about 
rights issues. Participants are invited to bring case studies and outlines 
of current projects to the session.


By the end of the day, participants will:

* Encounter the key issues relating to digital copyright
* Know the importance of managing and protecting their rights
* Share experiences and good practice tips with other participants
* Gain knowledge about how best practice can be embedded within their 
daily work


Naomi Korn is an experienced trainer and consultant, specialising in 
copyright, IPR, licencing and digital rights management. She has worked for 
many years with museums, galleries, archives, libraries and the higher 
education sector. She was the first copyright officer at the Tate and has 
contributed to many international projects. She is currently the Secretary 
of the Museum Copyright Group.

http://www.kcl.ac.uk/kdcs/content/training_details.htm#copyright

See http://www.kcl.ac.uk/kdcs/content/training.htm for more details and 
booking information. All courses are led by Simon Tanner, KDCS Director.


What course attendees have said about KDCS training:
- Excellent coverage of information with apt description and explanation.
- The balance between group discussion and presentation was particularly 
good.

- This is excellent   one of the best I've attended.
- It was very comprehensive   as I thought of questions, they were 
answered almost right away. I have a lot of new knowledge that I'll be able 
to apply.
- Provided just the information required   informative, comprehensive and 
thought provoking.


Courses are £90 (ex VAT) to all non-profit organizations and current KDCS 
clients. Registrations from the corporate sector will be charged at £180 
(ex VAT).
All events are held in our 
http://www.kcl.ac.uk/kdcs/content/training_travel.htmLondon offices and 
usually begin at 9:30am and finish by 4pm.

All 1-day courses include lunch and refreshments within the price.




Simon Tanner
Director,  King's Digital Consultancy Services
King's College London
Kay House, 7 Arundel Street, London WC2R 3DX
tel: +44 (0)7793 403542
email: simon.tan...@kcl.ac.uk   
www.kcl.ac.uk/kdcs/



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Managing digital projects for culture and heritage

2005-05-31 Thread Simon Tanner

** apologies for cross posting **

15th June   Managing digital projects for culture and heritage

Focussed upon delivering digital resources and digitisation (the conversion 
to digital formats) this one day course will inform managers and project 
staff about how to approach digital projects.


Starting with effective project management through fundraising and 
budgeting/costing issues the course will offer real life examples and tools 
to enable effective management. The afternoon will focus upon writing 
requirement specifications, tendering and selecting service providers. The 
course will encourage discussion, questions and debate plus provide a 
structured environment to learn about the management tools of the digital 
project trade.

http://www.kcl.ac.uk/kdcs/content/training_details.htm#funadmentals

See http://www.kcl.ac.uk/kdcs/content/training.htm for more details and 
booking information. All courses are led by Simon Tanner, KDCS Director.


What course attendees have said about KDCS training:
- Excellent coverage of information with apt description and explanation.
- The balance between group discussion and presentation was particularly 
good.

- This is excellent   one of the best I've attended.
- It was very comprehensive   as I thought of questions, they were 
answered almost right away. I have a lot of new knowledge that I'll be able 
to apply.
- Provided just the information required   informative, comprehensive and 
thought provoking.


Courses are £90 (ex VAT) to all non-profit organisations and current KDCS 
clients. Registrations from the corporate sector will be charged at £180 
(ex VAT).
All events are held in our 
http://www.kcl.ac.uk/kdcs/content/training_travel.htmLondon offices and 
usually begin at 9:30am and finish by 4pm.

All 1-day courses include lunch and refreshments within the price.




Simon Tanner
Director,  King's Digital Consultancy Services
King's College London
Kay House, 7 Arundel Street, London WC2R 3DX
tel: +44 (0)7793 403542
email: simon.tan...@kcl.ac.uk   
www.kcl.ac.uk/kdcs/



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Re: Podcasting - Recreating the Museum Tour

2005-05-31 Thread Matt Morgan

On 05/28/2005 04:23 PM, amalyah keshet wrote:

...The exchange sounded a lot more like MTV than Modern Art 101, but 
...it had a few things to recommend it. It was free. It didn't involve 
the museum's audio device, which resembles a cellphone crossed with a 
nightstick. And best of all, it was slightly subversive: an 
unofficial, homemade and thoroughly irreverent audio guide to MoMA, 
downloaded onto her own iPod...


...Specifically, these museum guides are an outgrowth of a recent 
podcasting trend called sound seeing, in which people record 
narrations of their travels - walking on the beach, wandering through 
the French Quarter - and upload them onto the Internet for others to 
enjoy. In that spirit, the creators of the unauthorized guides to the 
Modern have also invited anyone interested to submit his or her own 
tour for inclusion on the project's Web site, mod.blogs.com/art_mobs 
http://mod.blogs.com/art_mobs...


http://www.nytimes.com/2005/05/28/arts/design/28podc.html


How long before we see the new business model: a community web site for 
user-supplied tour uploads and free redistribution (ad-supported of 
course) of audio tours for museums, tourist destinations, etc.?


It would be nice to see a museum web site offer this service for its 
visitors. Was it on Gail Durbin's list of 50 ways for a museum site to 
be two-way? We had a little system crash last week and I haven't had a 
chance to read it yet. Or is anyone already doing this? I have always 
hoped that our PocketMuseum project would be used not just on the 
handhelds we supply, but also on visitors' own web-enabled handhelds. 
But there are a lot more mp3 players out there than web-enabled 
handhelds (for now). This would be a much quicker path to getting 
visitors to take advantage of their own devices.


--Matt


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Re: Podcasting - Recreating the Museum Tour

2005-05-31 Thread Beth Kanter
There has been a lot of activity in podcasting field trips to museums in
schools -- I found a few interesting links and blogged them.

http://beth.typepad.com/beths_blog/2005/05/remix_moma_part.html

Also, David Gilbert has bookmarked all the articles related to this
project and you might find a few other examples
http://beth.typepad.com/beths_blog/2005/05/thats_art_mobs_.html

And, if you are in NYC, there is a NYC podcasting group where a few
folks had done this ... 

I'd be interested in learning about other examples as well as blogging,
wikis, and mobs ...

Beth

-Original Message-
From: Matt Morgan [mailto:matt.mor...@brooklynmuseum.org] 
Sent: Tuesday, May 31, 2005 11:40 AM
To: mcn-l@mcn.edu
Subject: Re: Podcasting - Recreating the Museum Tour


On 05/28/2005 04:23 PM, amalyah keshet wrote:

 ...The exchange sounded a lot more like MTV than Modern Art 101, but
 ...it had a few things to recommend it. It was free. It didn't involve

 the museum's audio device, which resembles a cellphone crossed with a 
 nightstick. And best of all, it was slightly subversive: an 
 unofficial, homemade and thoroughly irreverent audio guide to MoMA, 
 downloaded onto her own iPod...

 ...Specifically, these museum guides are an outgrowth of a recent
 podcasting trend called sound seeing, in which people record 
 narrations of their travels - walking on the beach, wandering through 
 the French Quarter - and upload them onto the Internet for others to 
 enjoy. In that spirit, the creators of the unauthorized guides to the 
 Modern have also invited anyone interested to submit his or her own 
 tour for inclusion on the project's Web site, mod.blogs.com/art_mobs 
 http://mod.blogs.com/art_mobs...

 http://www.nytimes.com/2005/05/28/arts/design/28podc.html

How long before we see the new business model: a community web site for 
user-supplied tour uploads and free redistribution (ad-supported of 
course) of audio tours for museums, tourist destinations, etc.?

It would be nice to see a museum web site offer this service for its 
visitors. Was it on Gail Durbin's list of 50 ways for a museum site to 
be two-way? We had a little system crash last week and I haven't had a 
chance to read it yet. Or is anyone already doing this? I have always 
hoped that our PocketMuseum project would be used not just on the 
handhelds we supply, but also on visitors' own web-enabled handhelds. 
But there are a lot more mp3 players out there than web-enabled 
handhelds (for now). This would be a much quicker path to getting 
visitors to take advantage of their own devices.

--Matt


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