[MCN-L] Outfitting A New Studio
Good Morning Don - If you have not received any feedback regarding your inquiry, or are still looking for help, we would be more than happy to provide you a few recommendations and suggestions off-line. Best, Diane Nighswander IMAGING4ART On Tue, Mar 26, 2013 at 7:11 PM, Don Ross dross at sfmoma.org wrote: Hi-can you please post this? (below) Many thanks -Don Ross _ We're polling our colleagues ...The Best Medium-Format Equipment outfitting a new studio today? or If you had to do it all over again, what would you choose? We're about join the medium-format digital ranks... We have the EOS, a BetterLight, but need the middle ground, too. 1. Would you now choose Hasselblad, Mamiya Leaf (or another system) for medium-format digital? 2. For the the best compatible lights with said system above, would you choose strobes such as Broncolor, or continuous lights such as NorthLights (or others?) I understand that using continuous lighting systems, or strobes, are a matter of a photographer's experience personal taste... But, given that Hasselblad and Broncolor have recently joined to form Hassel-Bron (at least for their distribution) I've heard the Broncolor strobes are more consistent with color between multi-shots. Is this true, or are there different viewpoints? Are the continuous lights just as reliable between passes i.e does color temp fluctuate, or have Hasselblad and Broncolor really worked it out? Side question: Is it still too early in the photo art-repro world to consider LEDs being a viable and affordable continuous lighting system? I've heard they're currently popular in the movie industry, but what's the word in studio art-reproduction, or in-gallery views? Any and all input appreciated--- Many thanks! Don -- -- Don Ross Photographer / Imaging Specialist SFMOMA | 151 3rd Street | San Francisco, California, 94103 | 415.357.4167P | 415.548.0758 C | 415.357.4038 F | The San Francisco Museum of Modern Art This message, together with any and all attachments, is intended only for the use of the recipient(s) named above. It may contain information that is privileged and confidential. If you are not the intended recipient, you may not review, copy or distribute this communication. If you have received this communication in error, please notify the original sender by email and delete the message, along with any attachments. ___ You are currently subscribed to mcn-l, the listserv of the Museum Computer Network (http://www.mcn.edu) To post to this list, send messages to: mcn-l at mcn.edu To unsubscribe or change mcn-l delivery options visit: http://mcn.edu/mailman/listinfo/mcn-l The MCN-L archives can be found at: http://toronto.mediatrope.com/pipermail/mcn-l/ -- -- FOLLOW TIM ON http://toronto.mediatrope.com/pipermail/mcn-l/ARTSY!http://artsy.net/imaging4art -- Diane P. Nighswander Partner *IMAGING4ART *Digital Imaging and Archiving Solutions for Fine Art 338 Still Hill Road . Hamden, CT 06518 203-215-2148 o 203-288-5505 f diane at imaging4art.com * IMAGING4ART http://www.imaging4art.com/clients.php* in: Artsy,http://artsy.net/imaging4art The Barnes Foundation Collection of Paintingshttp://www.barnesfoundation.org/collections/art-collection/object/5324/mr.-loulou-louis-le-ray?pkgID=2112rNo=55, Dan Flavin/Donald Juddhttp://www.davidzwirner.com/exhibition/dan-flavin-donald-judd-ny/ -- Important: If you have received this message in error, please notify the sender immediately. Any further review, distribution, duplication, downloading or disclosure is strictly prohibited.
[MCN-L] Outfitting A New Studio
Following the recommendations of other MCN folks, we deployed a Phase one 645/P40+ last year from Digital Transitions in NY. So far so good, really good actually. Jeff Evans Photographer, Digital Image Specialist Princeton University Art Museum (609) 258-8579 main (267) 693-3070 cel On Mar 29, 2013, at 1:10 PM, Diane Nighswander diane at imaging4art.com wrote: Good Morning Don - If you have not received any feedback regarding your inquiry, or are still looking for help, we would be more than happy to provide you a few recommendations and suggestions off-line. Best, Diane Nighswander IMAGING4ART On Tue, Mar 26, 2013 at 7:11 PM, Don Ross dross at sfmoma.org wrote: Hi-can you please post this? (below) Many thanks -Don Ross _ We're polling our colleagues ...The Best Medium-Format Equipment outfitting a new studio today? or If you had to do it all over again, what would you choose? We're about join the medium-format digital ranks... We have the EOS, a BetterLight, but need the middle ground, too. 1. Would you now choose Hasselblad, Mamiya Leaf (or another system) for medium-format digital? 2. For the the best compatible lights with said system above, would you choose strobes such as Broncolor, or continuous lights such as NorthLights (or others?) I understand that using continuous lighting systems, or strobes, are a matter of a photographer's experience personal taste... But, given that Hasselblad and Broncolor have recently joined to form Hassel-Bron (at least for their distribution) I've heard the Broncolor strobes are more consistent with color between multi-shots. Is this true, or are there different viewpoints? Are the continuous lights just as reliable between passes i.e does color temp fluctuate, or have Hasselblad and Broncolor really worked it out? Side question: Is it still too early in the photo art-repro world to consider LEDs being a viable and affordable continuous lighting system? I've heard they're currently popular in the movie industry, but what's the word in studio art-reproduction, or in-gallery views? Any and all input appreciated--- Many thanks! Don -- -- Don Ross Photographer / Imaging Specialist SFMOMA | 151 3rd Street | San Francisco, California, 94103 | 415.357.4167P | 415.548.0758 C | 415.357.4038 F | The San Francisco Museum of Modern Art This message, together with any and all attachments, is intended only for the use of the recipient(s) named above. It may contain information that is privileged and confidential. If you are not the intended recipient, you may not review, copy or distribute this communication. If you have received this communication in error, please notify the original sender by email and delete the message, along with any attachments. ___ You are currently subscribed to mcn-l, the listserv of the Museum Computer Network (http://www.mcn.edu) To post to this list, send messages to: mcn-l at mcn.edu To unsubscribe or change mcn-l delivery options visit: http://mcn.edu/mailman/listinfo/mcn-l The MCN-L archives can be found at: http://toronto.mediatrope.com/pipermail/mcn-l/ -- -- FOLLOW TIM ON http://toronto.mediatrope.com/pipermail/mcn-l/ARTSY!http://artsy.net/imaging4art -- Diane P. Nighswander Partner *IMAGING4ART *Digital Imaging and Archiving Solutions for Fine Art 338 Still Hill Road . Hamden, CT 06518 203-215-2148 o 203-288-5505 f diane at imaging4art.com * IMAGING4ART http://www.imaging4art.com/clients.php* in: Artsy,http://artsy.net/imaging4art The Barnes Foundation Collection of Paintingshttp://www.barnesfoundation.org/collections/art-collection/object/5324/mr.-loulou-louis-le-ray?pkgID=2112rNo=55, Dan Flavin/Donald Juddhttp://www.davidzwirner.com/exhibition/dan-flavin-donald-judd-ny/ -- Important: If you have received this message in error, please notify the sender immediately. Any further review, distribution, duplication, downloading or disclosure is strictly prohibited. ___ You are currently subscribed to mcn-l, the listserv of the Museum Computer Network (http://www.mcn.edu) To post to this list, send messages to: mcn-l at mcn.edu To unsubscribe or change mcn-l delivery options visit: http://mcn.edu/mailman/listinfo/mcn-l The MCN-L archives can be found at: http://toronto.mediatrope.com/pipermail/mcn-l/
[MCN-L] Outfitting A New Studio
Hi-can you please post this? (below) Many thanks -Don Ross _ We're polling our colleagues ...The Best Medium-Format Equipment outfitting a new studio today? or If you had to do it all over again, what would you choose? We're about join the medium-format digital ranks... We have the EOS, a BetterLight, but need the middle ground, too. 1. Would you now choose Hasselblad, Mamiya Leaf (or another system) for medium-format digital? 2. For the the best compatible lights with said system above, would you choose strobes such as Broncolor, or continuous lights such as NorthLights (or others?) I understand that using continuous lighting systems, or strobes, are a matter of a photographer's experience personal taste... But, given that Hasselblad and Broncolor have recently joined to form Hassel-Bron (at least for their distribution) I've heard the Broncolor strobes are more consistent with color between multi-shots. Is this true, or are there different viewpoints? Are the continuous lights just as reliable between passes i.e does color temp fluctuate, or have Hasselblad and Broncolor really worked it out? Side question: Is it still too early in the photo art-repro world to consider LEDs being a viable and affordable continuous lighting system? I've heard they're currently popular in the movie industry, but what's the word in studio art-reproduction, or in-gallery views? Any and all input appreciated--- Many thanks! Don -- -- Don Ross Photographer / Imaging Specialist SFMOMA | 151 3rd Street | San Francisco, California, 94103 | 415.357.4167 P | 415.548.0758 C | 415.357.4038 F | The San Francisco Museum of Modern Art This message, together with any and all attachments, is intended only for the use of the recipient(s) named above. It may contain information that is privileged and confidential. If you are not the intended recipient, you may not review, copy or distribute this communication. If you have received this communication in error, please notify the original sender by email and delete the message, along with any attachments.
