Re: [MBZ] Film Resolution Publication

2008-11-16 Thread Jeff Zedic
Ahhh the good old days of shooting film!! I miss my old Hasselbalds.
Especially when you could still get Panatomic-X 32 ASA in 120
format.or Kodachrome!!

I loved the range of Pan-XI remember it being similar to a
platinum print for contrast rangevery subtlelong toe.

Played around with Tech-Pan for a bit but not with good results,
generally. I liked it though. I also used to mess with the infrared
film..nice results.

Zedic
12 yrs darkroom experience and I still smell like fixer and potassium cyanide.

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Re: [MBZ] Film Resolution Publication

2008-11-16 Thread LWB250
I just picked up an Omega enlarger off our local Freecycle group.  Why, I don't 
know, as I have no intention of doing any darkroom work.

I guess I just couldn't let it go to the landfillit's sitting in my 
basement with a garbage bag over it to keep the dust off.

Dan


--- On Sun, 11/16/08, Jeff Zedic [EMAIL PROTECTED] wrote:

 From: Jeff Zedic [EMAIL PROTECTED]
 Subject: Re: [MBZ] Film Resolution  Publication
 To: Mercedes Discussion List mercedes@okiebenz.com
 Date: Sunday, November 16, 2008, 4:22 AM
 Ahhh the good old days of shooting film!! I miss my old
 Hasselbalds.
 Especially when you could still get Panatomic-X 32 ASA in
 120
 format.or Kodachrome!!
 
 I loved the range of Pan-XI remember it being similar
 to a
 platinum print for contrast rangevery subtlelong
 toe.
 
 Played around with Tech-Pan for a bit but not with good
 results,
 generally. I liked it though. I also used to mess with the
 infrared
 film..nice results.
 
 Zedic
 12 yrs darkroom experience and I still smell like fixer and
 potassium cyanide.
 
 ___
 http://www.okiebenz.com
 For new parts see official list sponsor:
 http://www.buymbparts.com/
 For used parts email [EMAIL PROTECTED]
 
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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Tom Hargrave
35mm can shoot great high resolution photos. Shoot ASA400 film with a small
lens and you get the crappy 35mm images mentioned in the previous post.
Shoot with a professional quality lens with plenty of light gathering
ability and everything changes.

All depends on lens quality, film quality and a good understanding of your
media.

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Dan Weeks
Sent: Saturday, November 15, 2008 8:45 AM
To: mercedes@okiebenz.com
Subject: [MBZ] Film Resolution  Publication

JIm:

I've shot for decades for major national magazines (Traditional Home,  
Country Home, Jeep, Dodge, Chrysler, Renovation Style, etc.) and they  
often ran my 35mm provia images at spread size with no complaint. In  
fact, I asked them if they wanted 6x6, as I had the equipment, and  
they said well, you could, but these are just fine.

Dan


On Nov 14, 2008, at 9:08 PM, [EMAIL PROTECTED] wrote:

 most magazines rarely wanted something as crappy as 35mm images
 to begin with.


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No virus found in this incoming message.
Checked by AVG. 
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7:32 PM
 

No virus found in this outgoing message.
Checked by AVG. 
Version: 7.5.549 / Virus Database: 270.9.4/1789 - Release Date: 11/14/2008
7:32 PM
 


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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Peter Frederick
Standard high quality magazine printing is 150 lines per inch in four  
color -- super high resolution isn't necessary.  However, a decent  
drum scanner IS if you want adequate density range to get good  
reproduction.


Lets see, 150 lpi times 10 inches  is 1500 pixels, and 35mm film is  
just about 1 inch tall and 1.5 inches wide.  Even my cheapo Scan Dual  
can do better than that for resolution, and it's nowhere near the  
limit of the film.


Now, if you want super resolution in the PRINT, use contact printed  
11x14 film.


Peter

On Nov 15, 2008, at 8:44 AM, Dan Weeks wrote:


JIm:

I've shot for decades for major national magazines (Traditional  
Home, Country Home, Jeep, Dodge, Chrysler, Renovation Style, etc.)  
and they often ran my 35mm provia images at spread size with no  
complaint. In fact, I asked them if they wanted 6x6, as I had the  
equipment, and they said well, you could, but these are just fine.


Dan


On Nov 14, 2008, at 9:08 PM, [EMAIL PROTECTED] wrote:


most magazines rarely wanted something as crappy as 35mm images
to begin with.



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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Allan Streib

Some of the most stunning photos I've seen in magazines are shot on
35mm Kodachrome (what speed is that, about ASA 25?)

With the migration to digital and the exceeding demands of Kodachrome
processing, it's all but gone.  I think I recall reading that there is
only ONE processor in the United States that will still develop it, and
the film itself is no longer produced, there's only old inventory that
people are hoarding in freezers.

Allan


Tom Hargrave [EMAIL PROTECTED] writes:

 35mm can shoot great high resolution photos. Shoot ASA400 film with a small
 lens and you get the crappy 35mm images mentioned in the previous post.
 Shoot with a professional quality lens with plenty of light gathering
 ability and everything changes.

 All depends on lens quality, film quality and a good understanding of your
 media.

 Thanks,
 Tom Hargrave
 www.kegkits.com
 256-656-1924
  

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 On Behalf Of Dan Weeks
 Sent: Saturday, November 15, 2008 8:45 AM
 To: mercedes@okiebenz.com
 Subject: [MBZ] Film Resolution  Publication

 JIm:

 I've shot for decades for major national magazines (Traditional Home,  
 Country Home, Jeep, Dodge, Chrysler, Renovation Style, etc.) and they  
 often ran my 35mm provia images at spread size with no complaint. In  
 fact, I asked them if they wanted 6x6, as I had the equipment, and  
 they said well, you could, but these are just fine.

 Dan


 On Nov 14, 2008, at 9:08 PM, [EMAIL PROTECTED] wrote:

 most magazines rarely wanted something as crappy as 35mm images
 to begin with.


 ___
 http://www.okiebenz.com
 For new parts see official list sponsor: http://www.buymbparts.com/
 For used parts email [EMAIL PROTECTED]

 To Unsubscribe or change delivery options go to:
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 No virus found in this incoming message.
 Checked by AVG. 
 Version: 7.5.549 / Virus Database: 270.9.4/1789 - Release Date: 11/14/2008
 7:32 PM
  

 No virus found in this outgoing message.
 Checked by AVG. 
 Version: 7.5.549 / Virus Database: 270.9.4/1789 - Release Date: 11/14/2008
 7:32 PM
  


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1983 300D

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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Mitch Haley

Allan Streib wrote:

Some of the most stunning photos I've seen in magazines are shot on
35mm Kodachrome (what speed is that, about ASA 25?)

With the migration to digital and the exceeding demands of Kodachrome
processing, it's all but gone.  I think I recall reading that there is
only ONE processor in the United States that will still develop it, and
the film itself is no longer produced, there's only old inventory that
people are hoarding in freezers.


Seems like the Kodachrome slide film used to be ASA 64.

You know what Paul Simon would say about that...
http://www.youtube.com/watch?v=ujhdf9_IO4w


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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Peter Frederick
Yeah, the Kodachrome 25 was great stuff (also available in iso 64 and  
for a brief time, 200) -- resolution is greater than 100 lines per mm  
(about 15,000 pixels per inch), but processing was (is) a nightmare.   
Lasts forever, too -- I'm in the slow process of scanning in all my  
mother's photographs, starting in the 1930s, and the Kodachromes from  
the late 40's are in perfect shape for the most part.  Badly  
underexposed ones have faded badly in the shadows for some reason,  
and the film base on the 828 slides is going bad, but the 35mm is  
perfect.


Modern innovations are not always an improvement, I don't think.  Not  
always cheaper, either!


Peter

On Nov 15, 2008, at 10:05 AM, Allan Streib wrote:



Some of the most stunning photos I've seen in magazines are shot on
35mm Kodachrome (what speed is that, about ASA 25?)

With the migration to digital and the exceeding demands of Kodachrome
processing, it's all but gone.  I think I recall reading that there is
only ONE processor in the United States that will still develop it,  
and

the film itself is no longer produced, there's only old inventory that
people are hoarding in freezers.

Allan


Tom Hargrave [EMAIL PROTECTED] writes:

35mm can shoot great high resolution photos. Shoot ASA400 film  
with a small
lens and you get the crappy 35mm images mentioned in the  
previous post.

Shoot with a professional quality lens with plenty of light gathering
ability and everything changes.

All depends on lens quality, film quality and a good understanding  
of your

media.

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924


-Original Message-
From: [EMAIL PROTECTED] [mailto:mercedes- 
[EMAIL PROTECTED]

On Behalf Of Dan Weeks
Sent: Saturday, November 15, 2008 8:45 AM
To: mercedes@okiebenz.com
Subject: [MBZ] Film Resolution  Publication

JIm:

I've shot for decades for major national magazines (Traditional Home,
Country Home, Jeep, Dodge, Chrysler, Renovation Style, etc.) and they
often ran my 35mm provia images at spread size with no complaint. In
fact, I asked them if they wanted 6x6, as I had the equipment, and
they said well, you could, but these are just fine.

Dan


On Nov 14, 2008, at 9:08 PM, [EMAIL PROTECTED] wrote:


most magazines rarely wanted something as crappy as 35mm images
to begin with.



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No virus found in this incoming message.
Checked by AVG.
Version: 7.5.549 / Virus Database: 270.9.4/1789 - Release Date:  
11/14/2008

7:32 PM


No virus found in this outgoing message.
Checked by AVG.
Version: 7.5.549 / Virus Database: 270.9.4/1789 - Release Date:  
11/14/2008

7:32 PM



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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Jim Cathey

Some of the most stunning photos I've seen in magazines are shot on
35mm Kodachrome (what speed is that, about ASA 25?)


K2 was 25 nominally.  You could get it in 64 and 200, and
the photoflood stuff was 40.  (I think K1 was around 12 or so,
which is what your older images would have been.  You could
get K in medium format for awhile, somewhere I have a roll.)

It truly could do an impressive job.  My favorite stuff
was John Shaw's work.  Try as I might, I could never get
anything like what he got.  He used Nikon gear, my Canon
was supposed to be nearly as good, but I think his favorite
105mm macro Nikkor kicked the cookies out of Canon's equivalent.
OTOH, supposedly the two best 300mm lenses ever made were both
Canon's, and I have one of them.  (The cheaper one, at f/4.)

-- Jim



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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Peter Frederick
That MicroNikkor is a great lens, but the mid  70's Vivitar Series 1  
90 mm is better, at all aperatures and distances.  Not a cheap lens,  
though!  List was $349 or so in 1978.


Kodachrome was available in 16mm initially (1934, I think), then  
medium format (120), sheet of all sizes, and 35mm (1936 or so).  The  
initial version was not anything like the later ones, is quite rare  
now, and fades horribly.


You can only get really good 35mm images by using a weighted tripod  
with a large, heavy head, and a camera that does not produce  
significant shutter vibration.  Otherwise, camera movement will  
significantly degrade the image.  I found this out while playing with  
some Technical Pan film for pictoral work.  Hard to believe you can  
reproduce such tiny detail if you are VERY careful.  I've got a  
picture of the lake on campus at SIU, and with a grain magnifier you  
can read the labels on the discarded soda cans on the shoreline


I know there are digital cameras with this kind of resolution, but I  
think they are about the size of a bus these days, and fly around in  
orbit spying on us.


Peter

On Nov 15, 2008, at 11:26 AM, Jim Cathey wrote:


Some of the most stunning photos I've seen in magazines are shot on
35mm Kodachrome (what speed is that, about ASA 25?)


K2 was 25 nominally.  You could get it in 64 and 200, and
the photoflood stuff was 40.  (I think K1 was around 12 or so,
which is what your older images would have been.  You could
get K in medium format for awhile, somewhere I have a roll.)

It truly could do an impressive job.  My favorite stuff
was John Shaw's work.  Try as I might, I could never get
anything like what he got.  He used Nikon gear, my Canon
was supposed to be nearly as good, but I think his favorite
105mm macro Nikkor kicked the cookies out of Canon's equivalent.
OTOH, supposedly the two best 300mm lenses ever made were both
Canon's, and I have one of them.  (The cheaper one, at f/4.)

-- Jim



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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread OK Don
LPI and pixels don't match up very well - for one thing, lpi is line
pairs per inch. A rough equivalent is to double the pixels to equal
lpi. I read an article on the details years ago, but have forgotten
most of them.
The lines are alternating black and white - one b/w pair counts as one
'line' in the lpi calculation. Each one would be a pixel in the
digital world, a black pixel with a white one beside it.

Most film scanners do fine for resolution, but fall down in dynamic
range, or contrast range. Don't know how you rate mtf to scanning,
just barely recall how it relates to lenses.

Absolutely - my best prints are contact  prints from 8x10 film. Even
the OLD lenses look great. Paper becomes the limiting factor (and our
eyes). I think good paper only resolves around 20 lpi.

Think about enlarging that 35mm negative - if it starts at 100 lpi,
and you enlarge it 10X - abut an 11x14, you only have 10 lpi at the
paper, IF your enlarging lens is perfect (doesn't exist).

On Sat, Nov 15, 2008 at 9:50 AM, Peter Frederick [EMAIL PROTECTED] wrote:
 Standard high quality magazine printing is 150 lines per inch in four color
 -- super high resolution isn't necessary.  However, a decent drum scanner IS
 if you want adequate density range to get good reproduction.

 Lets see, 150 lpi times 10 inches  is 1500 pixels, and 35mm film is just
 about 1 inch tall and 1.5 inches wide.  Even my cheapo Scan Dual can do
 better than that for resolution, and it's nowhere near the limit of the
 film.

 Now, if you want super resolution in the PRINT, use contact printed 11x14
 film.

 Peter

-- 
OK Don, KD5NRO
Norman, OK
There are only three sports: bullfighting, motor racing, and
mountaineering; all the rest are merely games.  - Ernest Hemingway
'90 300D (Rattled),  '92 300D (Saber), ''97 Ply Grand Voyager (Vincent van-go)

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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread OK Don
I loved Tech Pan - started using it when it was a special order item
and only had a number - pre-name. We used it for BW aerial
photography - used M Leicas and 50mm Summicron lens.  The red bias of
Tech Pan coupled with the extremely high resolution and extremely fine
grain menat that your ability to hold tha camera steady was the
limiting factor. We good some very good 16x20 prints from it. (Also a
lot of blurry useless negatives). I never had as good results with the
120 TP as I did with the 35mm - it was a slightly different emulsion,
but didn't get a good tonal range, nor the sharpness that we did
with the Leica/TP combination.

Someone has done some work with a flatbed scanner attached to the back
of a view camera - can only be used on stationary subjects, but
captured a LOT of pixels --- took some driver hacking to get it to
work - beyond my skills.

On Sat, Nov 15, 2008 at 11:36 AM, Peter Frederick [EMAIL PROTECTED] wrote:
 That MicroNikkor is a great lens, but the mid  70's Vivitar Series 1 90 mm
 is better, at all aperatures and distances.  Not a cheap lens, though!  List
 was $349 or so in 1978.

 Kodachrome was available in 16mm initially (1934, I think), then medium
 format (120), sheet of all sizes, and 35mm (1936 or so).  The initial
 version was not anything like the later ones, is quite rare now, and fades
 horribly.

 You can only get really good 35mm images by using a weighted tripod with a
 large, heavy head, and a camera that does not produce significant shutter
 vibration.  Otherwise, camera movement will significantly degrade the image.
  I found this out while playing with some Technical Pan film for pictoral
 work.  Hard to believe you can reproduce such tiny detail if you are VERY
 careful.  I've got a picture of the lake on campus at SIU, and with a grain
 magnifier you can read the labels on the discarded soda cans on the
 shoreline

 I know there are digital cameras with this kind of resolution, but I think
 they are about the size of a bus these days, and fly around in orbit spying
 on us.

 Peter

-- 
OK Don, KD5NRO
Norman, OK
There are only three sports: bullfighting, motor racing, and
mountaineering; all the rest are merely games.  - Ernest Hemingway
'90 300D (Rattled),  '92 300D (Saber), ''97 Ply Grand Voyager (Vincent van-go)

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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Tom Hargrave
Since someone mentioned LPI  pixels per inch, another thing to consider
when comparing film ( paper) to digital is that neither film nor photo
paper have lines or pixels. Film and photo paper are not composed of evenly
ordered lines and pixels. They have a grain size and even the grain is not
even.

And because of the technology differences, even today's best digital cameras
don't have the information storage ability that a typical 35 mm film has. Go
to a photo shop and ask to look at some 35 mm negatives on a light box with
an eye loop. You'll see detail in the image that no digital camera will
pick-up, at least not yet.

You can not do the same comparison with a modern print made from a negative
because the image is digitized then printed. In other words, some of the
crappy 35 mm images commented earlier may be the photo processor's fault. I
shot some BW 35 mm photos last month, had them processed at Wally-World 
the prints were horrible. The issue was their processor - the negatives are
much sharper  less grainy.

Thanks,
Tom Hargrave
www.kegkits.com
256-656-1924
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of OK Don
Sent: Saturday, November 15, 2008 4:00 PM
To: Mercedes Discussion List
Subject: Re: [MBZ] Film Resolution  Publication

LPI and pixels don't match up very well - for one thing, lpi is line
pairs per inch. A rough equivalent is to double the pixels to equal
lpi. I read an article on the details years ago, but have forgotten
most of them.
The lines are alternating black and white - one b/w pair counts as one
'line' in the lpi calculation. Each one would be a pixel in the
digital world, a black pixel with a white one beside it.

Most film scanners do fine for resolution, but fall down in dynamic
range, or contrast range. Don't know how you rate mtf to scanning,
just barely recall how it relates to lenses.

Absolutely - my best prints are contact  prints from 8x10 film. Even
the OLD lenses look great. Paper becomes the limiting factor (and our
eyes). I think good paper only resolves around 20 lpi.

Think about enlarging that 35mm negative - if it starts at 100 lpi,
and you enlarge it 10X - abut an 11x14, you only have 10 lpi at the
paper, IF your enlarging lens is perfect (doesn't exist).

On Sat, Nov 15, 2008 at 9:50 AM, Peter Frederick [EMAIL PROTECTED]
wrote:
 Standard high quality magazine printing is 150 lines per inch in four
color
 -- super high resolution isn't necessary.  However, a decent drum scanner
IS
 if you want adequate density range to get good reproduction.

 Lets see, 150 lpi times 10 inches  is 1500 pixels, and 35mm film is just
 about 1 inch tall and 1.5 inches wide.  Even my cheapo Scan Dual can do
 better than that for resolution, and it's nowhere near the limit of the
 film.

 Now, if you want super resolution in the PRINT, use contact printed 11x14
 film.

 Peter

-- 
OK Don, KD5NRO
Norman, OK
There are only three sports: bullfighting, motor racing, and
mountaineering; all the rest are merely games.  - Ernest Hemingway
'90 300D (Rattled),  '92 300D (Saber), ''97 Ply Grand Voyager (Vincent
van-go)

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No virus found in this incoming message.
Checked by AVG. 
Version: 7.5.549 / Virus Database: 270.9.4/1789 - Release Date: 11/14/2008
7:32 PM
 

No virus found in this outgoing message.
Checked by AVG. 
Version: 7.5.549 / Virus Database: 270.9.4/1789 - Release Date: 11/14/2008
7:32 PM
 


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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread Peter Frederick
120 film suffers badly from lack of film plane flatness -- it's thin  
film rolled into a tight spool, then unwound intermittantly and  
stretched across a 6 cm square hole very slightly looser than the  
paper backing.  Not an ideal situation, and the older the film, the  
worse the problem.


Just for fun, put a roll of bad film into a 120 camera sometime and  
remove the lens and open the shutter.  You can see the lack of  
flatness


Peter

On Nov 15, 2008, at 4:06 PM, OK Don wrote:


I loved Tech Pan - started using it when it was a special order item
and only had a number - pre-name. We used it for BW aerial
photography - used M Leicas and 50mm Summicron lens.  The red bias of
Tech Pan coupled with the extremely high resolution and extremely fine
grain menat that your ability to hold tha camera steady was the
limiting factor. We good some very good 16x20 prints from it. (Also a
lot of blurry useless negatives). I never had as good results with the
120 TP as I did with the 35mm - it was a slightly different emulsion,
but didn't get a good tonal range, nor the sharpness that we did
with the Leica/TP combination.

Someone has done some work with a flatbed scanner attached to the back
of a view camera - can only be used on stationary subjects, but
captured a LOT of pixels --- took some driver hacking to get it to
work - beyond my skills.

On Sat, Nov 15, 2008 at 11:36 AM, Peter Frederick  
[EMAIL PROTECTED] wrote:
That MicroNikkor is a great lens, but the mid  70's Vivitar Series  
1 90 mm
is better, at all aperatures and distances.  Not a cheap lens,  
though!  List

was $349 or so in 1978.

Kodachrome was available in 16mm initially (1934, I think), then  
medium

format (120), sheet of all sizes, and 35mm (1936 or so).  The initial
version was not anything like the later ones, is quite rare now,  
and fades

horribly.

You can only get really good 35mm images by using a weighted  
tripod with a
large, heavy head, and a camera that does not produce significant  
shutter
vibration.  Otherwise, camera movement will significantly degrade  
the image.
 I found this out while playing with some Technical Pan film for  
pictoral
work.  Hard to believe you can reproduce such tiny detail if you  
are VERY
careful.  I've got a picture of the lake on campus at SIU, and  
with a grain

magnifier you can read the labels on the discarded soda cans on the
shoreline

I know there are digital cameras with this kind of resolution, but  
I think
they are about the size of a bus these days, and fly around in  
orbit spying

on us.

Peter


--
OK Don, KD5NRO
Norman, OK
There are only three sports: bullfighting, motor racing, and
mountaineering; all the rest are merely games.  - Ernest Hemingway
'90 300D (Rattled),  '92 300D (Saber), ''97 Ply Grand Voyager  
(Vincent van-go)


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Re: [MBZ] Film Resolution Publication

2008-11-15 Thread OK Don
Very true - the reverse winding of the film in the Hassy mag was
supposed to help with film curl. The Tech Pan is on a thinner base
than most film - making the situation worse. Somehow the Leicas
handled it very well. Definitely better than the Canon F1 and Nikon
F3.

On Sat, Nov 15, 2008 at 4:57 PM, Peter Frederick [EMAIL PROTECTED] wrote:
 120 film suffers badly from lack of film plane flatness -- it's thin film
 rolled into a tight spool, then unwound intermittantly and stretched across
 a 6 cm square hole very slightly looser than the paper backing.  Not an
 ideal situation, and the older the film, the worse the problem.

 Just for fun, put a roll of bad film into a 120 camera sometime and remove
 the lens and open the shutter.  You can see the lack of flatness


-- 
OK Don, KD5NRO
Norman, OK
There are only three sports: bullfighting, motor racing, and
mountaineering; all the rest are merely games.  - Ernest Hemingway
'90 300D (Rattled),  '92 300D (Saber), ''97 Ply Grand Voyager (Vincent van-go)

___
http://www.okiebenz.com
For new parts see official list sponsor: http://www.buymbparts.com/
For used parts email [EMAIL PROTECTED]

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