That’s a wild theory. ;-)
E.g. A Leslie 122 amp has a rather small power supply transformer, which has to
deliver B+ and heater voltage. The output transformer is about 1.5 times the
size of the power tranny.
If it comes to output transformers, the distortion caused by them is rather
mild. It
[Sampo Syreeni]
From what (very little!) I know of hardcore analog simulations, I'd say
that is part of a more general and much nastier problem. That's the
interaction
one: whereas digital signal graphs have a definite direction of signal flow,
there's no such thing on the analog side no
On 18 June 2014 16:15, STEFFAN DIEDRICHSEN sdiedrich...@me.com wrote:
Actually, it’s not rocket science to model a baxandall or those
Treble/Mid/bass networks. A straight forward approach is modified nodal
analysis, which gives you a model, that preserves the passivity of the
filter network.
[STEFFAN DIEDRICHSEN]
Actually, it's not rocket science to model a baxandall or those
Treble/Mid/bass networks. A straight forward approach is modified
nodal analysis, which gives you a model, that preserves the passivity
of the filter network.
Perhaps I was being too vague; in any case, I
On 18 June 2014 18:26, Tim Goetze t...@quitte.de wrote:
... Thanks to
the work of Yeh, I personally consider the tonestack a solved problem,
or at least one of least concern for the time being.
Cheers,
Tim
A linear tonestack has been a solved problem way before Yeh wrote any
papers. Also
Of course, high gain amps have from four to six gain stages (and the stages may
have attenuation). I’m simplifying by putting all the gain in one stage, but
the point is that when you’re cranked on one of these amps, you can count on
being locked into the hard-clip region of the curve, and the
BTW, I do know that it was developed with the Sonic Core SCOPE SDK, and I
suspect it’s just using fairly routine DSP blocks, with a lot of care in
tweaking the sound. (It runs in my mind that I might have seen some block
diagrams on a forum back when he was developing it—the point is that I
Once more, you'd have to think about this problem as to include a
curtain test (within reason, I mean just to make the point) where you
take the optimal example tube amp, place the mic in front of it, put
that on the PA or monitoring in another room (or in the same room, to
let the guitar
