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http://www.alansondheim.org/scan.mp4
http://www.alansondheim.org/scan.png
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Hi Julian,
Don't get me wrong. I'm not really trying to justify the existence of
anything. Rather, I'm trying to justify my own notion that I've created
some art with computer programming that works better outside of the
computer and digital realm.
Thanks for your comment on The Longest Line. I
This is hilarious!
On Tue, 22 Sep 2020, 21:03 James Morris, wrote:
>
> I suppose. By responding you've automatically your name is automatically
> added to the script, by hand. My hand. However, due to your attitude to
> winning I've put a marker next to your name.
>
> Cheers
>
> James.
>
>
>
>
I suppose. By responding you've automatically your name is automatically
added to the script, by hand. My hand. However, due to your attitude to
winning I've put a marker next to your name.
Cheers
James.
On 22/09/2020 21:01, Bjørn Magnhildøen via NetBehaviour wrote:
hi james,
can you
Hi Pall,
As a fairly recent netbehaviourist I'm kinda saddened that justifying
existence is still a thing for digital artists (esp here)...
For my music practice I think of code (Pd mainly) as instrument and
laptop as tool.
Anyhow, this 'wrong-ness' puts me in mind of some Gavin Bryars
Enjoying the thread,
why see the potential pixel as a failure - or the blue line on a blue
background? from another point of view they're too perfect, a perfection
that renders invisible, no distinction between figure and background.
couldn't this rather emphasize the code aspect of the work as
hi james,
can you put me in as a loser? i'd like to be part of it, i've enjoyed your
website over time. maybe at the bottom, outside the count?
best wishes,
bjørn
On Tue, Sep 22, 2020 at 7:39 PM James Morris wrote:
> RF (here my abbreviation for "random function") holds a random numeric
>
RF (here my abbreviation for "random function") holds a random numeric
value, currently fixed at 2020. If it wasn't fixed I'd use the
alternative suggested in the comment, being the value of nanoseconds
from system time. It's fixed because there are only three entrants, and
two of them agree
Hi Alan,
Thanks for the input. I did a search for 'abacus art' and some interesting
stuff came up.
It's interesting to think about the pixel as having potential, especially
when that potential is failure. And, I guess that's really what I'm
considering. That is, creating pieces that don't work
It's interesting when the two come together; I'm thinking of work I've done
(and I'm sure others have) with abacus/abaci? - they're an odd mixture
(today) of digital and analog of course, and when I was teaching (= allowed
to teach), I used them to develop the idea of potential wells, errors, and
As some on this list know, for many years, I've been pushing the notion
that programming code should be viewed as an artistic medium when it's used
to create art. The artist molds it into shape, as they would with a lump of
clay, until it takes its final form. When I've discussed these ideas, I've
Thank you for your patience and understanding. Big Grey
Bricks: This project also serves as a rehearsal for its
culmination as a series of offset-printed volumes: each 800+
full-bleed pages (5x8"_300lpi), where the full integrated
rhythm of greyscale-sequence can be more intricately
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