Hello
We (Marc, I and the Furtherfield crew) are in a process of major
organisational review at the moment. We are reworking out how to value
what we all do by trying out new lenses, tools and strategies in
response to inevitable changes to our environment (political, social
physical,
On Tue, 13 Dec 2016, Patrick Lichty wrote:
However, I think that the world is entering a very tense, even dark
time, and in an Adorno-esque way, perhaps it is good to consider what
being committed as artists means again.
It means at the least, not being committed, which in Trump's
I think we are in a very difficult time for artists. On one hand, we
are in a point where work that at least derives from our culture is
having some success in the Contemporary milieu, and I can't fault people
wanting to look at conventional forms of success, although I am
wondering whether
Hi Alan,
I think you’re misunderstanding me and getting bogged down in semantics. I do
think that there are lots of people making really excellent art that is
relevant to the world as it is today, I never suggested that that wasn’t the
case. It’s great that you’ve found some of those people in
Hi Gretta,
We're a bit in disagreement here, not too much. When you say "I am saying,
we should urge ourselves to look outside of the art worlds, look at our
context, our neighbours, our community, society, world, and try to make
work that engages with that in the most meaningful ways we
Haha, Alan there is no imperative in what I said, there is a plea, a hope, a
wish. The imperative comes from outside and above - the imperative to “make a
living”, the imperative to pay taxes, the imperative to write reports with
quantitative analysis of why funding you received was well spent
I'm sorry I have not been more active. Zayed University has had me
running hard as I try to build a VR lab and work on a new gallery
progresses.
From what I gather from the conversation, there seems to be a bit of
despair over the role of networked art in the cultural noosphere. In
some
On 12/12/16 01:24 AM, Annie Abrahams wrote:
let's continue the spirit
+ a Google. Err googol.
- Rob.
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Is there a mainstream art world? "The mainstream art world waited to utter
the term "Internet art" until they could safely add the prefix "post-" to
it" Jon Ippolito I think these reifications might be too simple, as are
internet art, net art, post digital, digital, and so forth. I'm not
+1 :)
On 12/12/16 11:51 42AM, Gretta Louw wrote:
> I like that quote, Marc, and I think you’re right about a lot of those
> points. The only thing I would point out is that for me Net Art and
> Post-Internet Art have almost nothing to do with one another. They are
> as similar as Body
I like that quote, Marc, and I think you’re right about a lot of those points.
The only thing I would point out is that for me Net Art and Post-Internet Art
have almost nothing to do with one another. They are as similar as Body
Art/Performance Art and an oil painting of a nude.
But I do think
yes Gretta, that's it
when reading Ruth's reaction I immediately became aware that my phrase
wasn't ok. of course we can continue the spirit, there is no impossibility.
I wanted to point to
http://networkcultures.org/moneylab/2016/12/06/role-play-your-way-to-budgetary-blockchain-bliss/
where you
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