Actually the point Pall brought up is exactly my sentiment -- in spite of what
I might have to say (or look up and say) about violence, the military industry
and such, I feel that in the end something has to be done. Of course this
something might also be done for any number of parts of the
On 01/04/11 02:17, Joel Weishaus wrote:
PALL, PLEASE DON'T BREAK MY FINGERS, I NEED THEM FOR TYPING!
Sorry, I can't intervene. That would be wrong.
You can however take comfort from the knowledge that I will be working
hard to see Pall clearly in pop-psychological and conspiracy-theorist
SO RICH SO... WANK|Y| ARTIST APRIL WANK|Y| DAY 2011
On 1 April 2011 01:06, manik ma...@sbb.rs wrote:
...THE END|Y| MONUMENT...MANIK...APRIL...2011...
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Alexander Cockburn wrote an excellent article about the US (and the West)
addiction to war. We play war all time, our most popular tvshows are about
war, the most seen films are about war, war is the ultimate drug, our
economy fails without war, it's the war and the war industry who is the
motor
transversal web journal.
With austerity measures pitting cultural producers against each other in
a competition for survival, collectivity and resistance may seem like
obsolete notions. All the while, the rising popularity of artistic
research and interdisciplinary approaches between the arts
Well, I offered a hypothetical military alternative, which was arming the
rebels, more as a rhetorical device than a pratical suggestion because it won't
happen, of course, or not in the untramelled form which would enable the rebels
to keep their political independence ie without the strings
Creepy, a package described as a 'geolocation information aggregator,'
is turning heads in privacy circles, but should people be worried? We
chat to its creator, Yiannis Kakavas, to find out what's going on.
Creepy is a software package for Linux or Windows - with a Mac OS X port
in the works
http://www.informationclearinghouse.info/article27778.htm
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On 03/31/2011 10:40 PM, Antonio Roberts wrote:
Do you have any more examples of artists writing about open source
culture (e.g. the link you posted to Joy Garnett)
Open Source culture / Free Culture tends to get mixed up with
appropriation art, collaborative art and other ideas so it's hard to
On 04/01/2011 11:24 AM, Rob Myers wrote:
On 03/31/2011 10:40 PM, Antonio Roberts wrote:
Do you have any more examples of artists writing about open source
culture (e.g. the link you posted to Joy Garnett)
Open Source culture / Free Culture tends to get mixed up with
appropriation art,
ING customers mobilised on Twitter and other social networks to
protest at bonuses paid to bosses at the bank, one of the biggest in
the country. The threat of direct action raised the spectre of a
partial run on ING, terrifying the Dutch establishment. Fred Polhout,
union organiser at the bank,
Hi (P)all
The failures of the continuing conflicts in western politics are deeply
rooted on not willing to let go the archaic and extremely outdated ways
the so called 'democracies' are operating in
The heartland is the Roman Empire in which the State (senate) mandated its
powers by introducing
Hi All
Since you're talking about FLOSS, I thought I'd mention a specific text I've
been using in some of my courses.
Digital Foundations - xtine burrough and Michael Mandiberg
http://digital-foundations.net/
It's a physical book, but also a wiki. I think they worked closely with
FLOSS. All
I had my students read the paper by thor magnusson in FLOSS + Art and they
loved. Its a wonderful introductory text to open source and how it may
affect/pertain to the arts.
On Apr 1, 2011 7:20 AM, a bill miller gridwor...@gmail.com wrote:
Hi All
Since you're talking about FLOSS, I thought I'd
Moral autonomy is possible only through reflection, self-determination
and the courage not to cooperate. Immanuel Kant
--
w: http://nictoglobe.com
w: http://burgerwaanzin.nl
w: http://nictoglobe.com/new/agam
e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com
On 01/04/11 15:21, manik wrote:
*...WHAT'S DICTATORS NAME/S/|?|...WHAT WAS YOUR METHODOLOGY TO DECLARE
SOMEONE-UNKNOWN-ONE AS *DICTATOR*
Generally if they're an unelected head of government, or the elections
return them with 99% majorities, and they have *really* shiny boots...
Really good. Do read:
Cariou vs. Prince: THE COPYRIGHT BUNGLE
by Joy Garnett
http://www.artnet.com/magazineus/news/garnett/cariou-v-prince-the-copyright-bungle-3-31-11.asp
As is well-known, the artist Richard Prince has lost his copyright
infringement suit to the photographer Patrick Cariou
Are we solving the UK debt crisis?
http://inquisitiveflo.wordpress.com/2010/12/05/are-we-solving-the-uk-debt-crisis/
Why the cuts wont help the economy
http://falseeconomy.org.uk/cure/the-false-economy-guide-to-the-deficit
The shock doctrine
http://www.noshockdoctrine.org.uk/?page_id=135
- Original Message -
From: Rob Myers r...@robmyers.org
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org
Sent: Friday, April 01, 2011 4:31 PM
Subject: Re: [NetBehaviour] There's No Business Like War Business long
Generally if they're an unelected head
If they have been in power more than 30 years without any participation of
the people they are dictators, Fidel Castro or Khadafi or Assad or the Burma
generals.
Ana
On Fri, Apr 1, 2011 at 4:31 PM, Rob Myers r...@robmyers.org wrote:
On 01/04/11 15:21, manik wrote:
*...WHAT'S DICTATORS
I guess I would be more sympathetic if he didn't do a line for Louis Vuitton
based on a fake book project. Is he now going to do a line of guitars? Or
cameras?
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On 01/04/11 16:53, Catherine Daly wrote:
I guess I would be more sympathetic if he didn't do a line for Louis
Vuitton based on a fake book project. Is he now going to do a line of
guitars? Or cameras?
But this, as the article points out, is the problem. People are treating
this as a gossipy
...TITO WAS *DICTATOR*IN FORMER YUGOSLAVIA...WITHOUT ELLECTIONS...WITHOUT ANY
FORM OF DEMOCRATIC PROCEDURE IN RULE...HIS FUNERAL WAS GREATEST MEETING OF
WORLD LEADERS FROM ALL SIDES AND ALL FORM OF POLITICS BELIEFS AND CONDUCT IN
XX CENTURY...IS HE 'EXCEPTION WHO CERTIFY THE RULE'|?|...I
It is actually pretty consistent with recent decisions in music and
literature re: copyright.
Plus, he's appropriated 40 entire images and superimposed on them. He
hasn't altered the base image of the one picture I saw.
Here's something from a lawyer blog:
To evaluate fair use of copyrighted
On 01/04/11 18:05, Rob Myers wrote:
what is actually happening is that an artist is being told to
destroy their work by a judge who doesn't understand copyright.
And you do?
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On 01/04/11 17:55, bob catchpole wrote:
On 01/04/11 18:05, Rob Myers wrote:
what is actually happening is that an artist is being told to
destroy their work by a judge who doesn't understand copyright.
And you do?
Yes, thanks. I also understand the history and philosophy of art better
than
On 01/04/11 17:29, Catherine Daly wrote:
It is actually pretty consistent with recent decisions in music and
literature re: copyright.
It may or may not be consistent with recent bad decisions in literature
and music that have misguidedly reduced the scope of free expression in
the name of
But as artists what should concern us is that it is a decision
regarding art that significantly reduces what it is possible to do in
art.
I totally agree Rob, this is important - copyright law should not stop
artists from being free to transform source material into something
original and new.
money seems the issue. and a call for respect.
regardless of how much a piece is altered
it's existence is impossible without the original.
to profit off the back of another artist is disgusting.
fight for rights, but forget not morals.
and either way
no law will stop a real artist from
On 04/01/2011 07:21 PM, brian gibson wrote:
money seems the issue. and a call for respect.
regardless of how much a piece is altered
Theoriginal is a pastiche of documentary styles produced without
compensating its models.
If documentary photography had the same standards applied to it that
Theoriginal is a pastiche of documentary styles produced without
compensating its models.
this is the nature of all! surely you understand the difference between
inspiration and blatant theft?
the line may be blurry, but to pretend there is no line at all...
to profit off the back of another
On 01/04/11 20:11, brian gibson wrote:
Theoriginal is a pastiche of documentary styles produced without
compensating its models.
this is the nature of all! surely you understand the difference between
inspiration and blatant theft?
If you copy an image, the original is still there. It is
On 01/04/11 21:46, Rob Myers wrote:
Documentary photography is simple uncompensated theft of an image, and
yet in this case we are being asked to privilege that over the creation
of a unique original artwork.
So the documentary photography of Andre Kertesz, Robert Frank, Bill Brandt,
Diane
...THANKS BABE...MANIK...APRIL...2011...
- Original Message -
From: James Morris jwm.art@gmail.com
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org
Sent: Friday, April 01, 2011 10:43 AM
Subject: Re: [NetBehaviour] ORIGINAL STATEMENTS XXXI
SO RICH
On 01/04/11 21:43, brian gibson wrote:
i agree with most all you say here.
Art must be free to refer to and represent the forms of wider society if
it is to have the value that copyright is meant to protect.
art must be free. especially.
but if you take a drum hook from clyde stubblefield
On 01/04/11 21:51, bob catchpole wrote:
Are you sure you know what you're talking about?
Yes.
[...]early in the history of photography, there was a series of
judicial decisions that could well have changed the course of
photography substantially. Courts were asked whether the photographer,
On 02/04/11 0:27, Rob Myers wrote:
Yes.
Yes?... that the documentary photography of Andre Kertesz, Robert Frank,
Bill
Brandt, Diane Arbus, W. Eugene Smith, Josef Koudelka, Inge Morath, Raghu Rai,
August Sander, Dorothea Lange, Henri Cartier-Bresson, Walker Evans, Eve
Arnold,
Ernest Cole,
Even when artists have not appropriated they have always stood on the
shoulders of others, for techniques, for subject matter, for an appraoch to
that subject matter, for materials, for everything
i suppose i owe you and Doron royalties then, Michael ;)
On Fri, Apr 1, 2011 at 7:01 PM,
Bill Traylor was born a slave in 1854; after a lifetime as a cotton
laborer, destitute and living on a Montgomery, Alabama, sidewalk,
he began drawing. He was 83, and sold his work for nickels.
http://www.mutanteggplant.com/vitro-nasu/2011/04/01/bill-traylor-alberta-hunter/
Fung Lin Hall
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