Hi All,
As some of you may know, I've been writing little bits of code for the past
few years as works of art. Somehow, these have become associated with
poetry (which is fine with me although it was never my intention). I'm
trying a new approach now... interpretive poetry reading (by 'puter).
I welcome a conversation around this idea of the studio as system: do
artists still tend to work in a hermetically sealed studio environment or
are we moving towards a more open system of connection and communication
as integral to the studio act? This was the call-to-action in the 1970s
around
Hi Pall !
Very nice work, inspiring ! Thank you very much !
+++
pascale
On 05/10/2014 09:25 AM, Pall Thayer wrote:
Hi All,
As some of you may know, I've been writing little bits of code for the
past few years as works of art. Somehow, these have become associated
with poetry (which is fine
Thanks Pascale. Here's a slightly altered, more refined version.
On Sat, May 10, 2014 at 11:23 AM, pascale gustin gustin.pasc...@free.frwrote:
Hi Pall !
Very nice work, inspiring ! Thank you very much !
+++
pascale
On 05/10/2014 09:25 AM, Pall Thayer wrote:
Hi All,
As some of you
qin tunes
http://www.alansondheim.org/qintune1.mp3
http://www.alansondheim.org/qintune2.mp3
the first is by far the better; the second is more of an
experiment. i hadn't played qin in a while, but the real beauty
of the instrument shines through in qintune1. it may not show,
but listening to
