Work description for Empyre email list
[ http://www.alansondheim.org/atl374.jpg
automated university library, Raleigh, NC
http://www.alansondheim.org/atl324.jpg
mummy, university museum, Atlanta, GA
http://www.alansondheim.org/atl360.jpg
Raleigh, NC ]
[I was one of a number of guests for
On Tue, 13 Dec 2016, Patrick Lichty wrote:
However, I think that the world is entering a very tense, even dark
time, and in an Adorno-esque way, perhaps it is good to consider what
being committed as artists means again.
It means at the least, not being committed, which in Trump's
I think we are in a very difficult time for artists. On one hand, we
are in a point where work that at least derives from our culture is
having some success in the Contemporary milieu, and I can't fault people
wanting to look at conventional forms of success, although I am
wondering whether
Dear all,
We are happy to announce our open call for a two months artistic
residence focusing on "Interface Bias". The residency will be developed
within the framework of the Critical Interface Politics research group
at HANGAR [Barcelona].
The period of residence will be from the 15th of March
Hi Alan,
I think you’re misunderstanding me and getting bogged down in semantics. I do
think that there are lots of people making really excellent art that is
relevant to the world as it is today, I never suggested that that wasn’t the
case. It’s great that you’ve found some of those people in
Hi Gretta,
We're a bit in disagreement here, not too much. When you say "I am saying,
we should urge ourselves to look outside of the art worlds, look at our
context, our neighbours, our community, society, world, and try to make
work that engages with that in the most meaningful ways we
Dear Coleagues,
We publish an interview to Timothy Morton: Ecology without Nature by Roc
Jiménez de Cisneros.
URL: http://lab.cccb.org/en/tim-morton-ecology-without-nature/
Is man still the measure of all things? The current environmental crisis
underscores the urgency of moving beyond the
Data Asymmetries: An Interview with Burak Arikan | By Carleigh
How does network mapping exist as a tool for visualizing a politics of
control as well as routes of emancipation from surveillance? In the first
of a two-part interview series, artist/technologist Burak Arikan addresses
this question
Haha, Alan there is no imperative in what I said, there is a plea, a hope, a
wish. The imperative comes from outside and above - the imperative to “make a
living”, the imperative to pay taxes, the imperative to write reports with
quantitative analysis of why funding you received was well spent