Re: [NetBehaviour] "Let Us Now Prey Upon Predators"

2017-09-20 Thread Mez Breeze
*solidarity nods*

On Thu, Sep 21, 2017 at 12:27 AM, { brad brace }  wrote:

>
> Facebook Exit: I'll not be posting here for another few years: no big
> deal. {If only to have your work/life matter (in
> whatever reparation-future might finally be attained), I'd urge you to
> disconnect from the cultural-institutional and
> other toxic grids generally. Or maybe it won't matter one way or another.
> I can easily be reached in-person and online.}
> FB, like the imposed art agencies, quickly becomes antagonistic and
> sophomoric [and managed and controlled: "do you buy
> this?"], but not like the ol' days of mailing-lists (when issues were
> eventually worked-out fairly-well, usually... but
> the collective intent was there) -- the ubiquitous screens now seem to
> repudiate honest/effective communication: how
> ironic -- given that we first attempted to escape oppressive institutional
> cliches/clutches that were likely 'designed' to
> enhance the inequities. Worthless, False Cultural Institutions Hoard
> Wretched Validation Tokens and call it History. I
> grow weary of all the treachery, selfish deceit and attendant
> willful-ignorance. Artworld-acolytes are the worst. They
> gleefully sell their shriveled souls for a few chocolate cake crumbs. Race
> to the precipice. Sell that fatuous dissent. No
> tomorrow now... Any possible-future can only be dispersive and not
> restrictive: dilutive as accumulative. Nothing Lost.
> Deep Time.  Check-out the 12hr-ISBN-JPEG Project  since 1994> http://bbrace.net/12hr.html
> http://bradbrace.net/cut.jpg http://bradbrace.net/dadtp.html
> http://amazon.com/dp/B075RSXVRJ
>
> only 99c
>
>
>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@netbehaviour.org
> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>



-- 
| mezbreezedesign.com
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[NetBehaviour] questions about fascism and some amazing music

2017-09-20 Thread Alan Sondheim



questions about fascism and some amazing music

Where is the line we cross if we want Trump gone?
Gone under any conditions whatsoever?
Forcibly removed from office?
What would we have done with Hitler (a question
Jews used to ask themselves)?
What if Trump had to face the cops as a Black?
.He's on the street, his hands raised, a cop shoots,
.Trump applauds as he dies.
What if he needed medical attention and is turned
away? What's the worst we wish for him?
Would we be justified in applauding the disappearance
of Trump and his family from the face of the earth?
How do we feel about Sic semper tyrannis?
Is Trump a tyrant? Wikipedia:
.People also ask
.Why is Sic Semper Tyrannis the motto for Virginia?
.What did Booth say?
.Who said Sic Semper Tyrannis?
.What is the state motto of Virginia in English?
Do we feel sick at mentioning his name?
What would it take to impeach Trump?
Why isn't Congress acting in the face of potential
dictatorship and nuclear annihilation?
Should we be quiescent in the face of nuclear war?
Do we dream bad things happen to him?
Are these questions in bad taste?
Would they be in bad taste under fascism?
Are we under fascism?
Should we be asking these questions?
Should be be discussing them?

filler 3 guitar pieces 3 images

http://www.alansondheim.org/east50.jpg
http://www.alansondheim.org/musc1.mp3
http://www.alansondheim.org/musc2.mp3
http://www.alansondheim.org/musc3.mp3
http://www.alansondheim.org/east24.jpg
http://www.alansondheim.org/east54.jpg

+++

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[NetBehaviour] "Let Us Now Prey Upon Predators"

2017-09-20 Thread { brad brace }

Facebook Exit: I'll not be posting here for another few years: no big deal. {If 
only to have your work/life matter (in
whatever reparation-future might finally be attained), I'd urge you to 
disconnect from the cultural-institutional and
other toxic grids generally. Or maybe it won't matter one way or another. I can 
easily be reached in-person and online.}
FB, like the imposed art agencies, quickly becomes antagonistic and sophomoric 
[and managed and controlled: "do you buy
this?"], but not like the ol' days of mailing-lists (when issues were 
eventually worked-out fairly-well, usually... but
the collective intent was there) -- the ubiquitous screens now seem to 
repudiate honest/effective communication: how
ironic -- given that we first attempted to escape oppressive institutional 
cliches/clutches that were likely 'designed' to
enhance the inequities. Worthless, False Cultural Institutions Hoard Wretched 
Validation Tokens and call it History. I
grow weary of all the treachery, selfish deceit and attendant 
willful-ignorance. Artworld-acolytes are the worst. They
gleefully sell their shriveled souls for a few chocolate cake crumbs. Race to 
the precipice. Sell that fatuous dissent. No
tomorrow now... Any possible-future can only be dispersive and not restrictive: 
dilutive as accumulative. Nothing Lost.
Deep Time.  Check-out the 12hr-ISBN-JPEG Project  http://bbrace.net/12hr.html
http://bradbrace.net/cut.jpg http://bradbrace.net/dadtp.html 
http://amazon.com/dp/B075RSXVRJ

only 99c





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[NetBehaviour] Networked Conversations - Interview with Don Foresta

2017-09-20 Thread Randall Packer
Third Space Network Presents 

Networked Conversations - Interview with Don Foresta

Hosted by Randall Packer, live & online & global via Internet chat

 

Saturday, September 23, 11:00am - 12:00pm EDT - US East Coast 

(calculate your local time zone)

 

| Login & participate |

https://connect.ntu.edu.sg/thirdspacenetwork/

Select “Guest,” type your name, and “Enter Room.”

 

| About Don Foresta |

Don Foresta is a network research artist who has been working for more than 
thirty years to develop the network as an artistic tool. An ex-patriot living 
in Paris since the early 1970s, he is a recipient of the prestigious Chevalier 
of the Order of Arts and Letters by the French Ministry of Culture.

 

Foresta was a commissioner to the 1982 Paris Biennale for which he organized a 
project of image exchange by telephone between French and American 
photographers/artists. In 1986 he was a commissioner to the 42nd Venice 
Biennale, creating a temporary communication laboratory using interactive 
computer technology to connect artists in 15 cities throughout the world.

 

Foresta is currently building, as coordinator of an international team, the 
permanent high bandwidth art network MARCEL using Internet 2 & 3 to connect 
institutions internationally. MARCEL is a permanent broadband interactive 
network and web site dedicated to artistic, educational and cultural 
experimentation, exchange between art and science and collaboration between art 
and industry.

 

For more information visit: https://thirdspacenetwork.com/don-foresta/

 

| Networked Conversations |

Networked Conversations is a series of online broadcasted interviews and 
discussions hosted by Randall Packer. Networked Conversations features media 
artists, curators, writers, and activists exploring a broad range of social, 
political and aesthetic topics at the intersection of net culture. Networked 
Conversations collapses geographical and cultural boundaries via participatory 
Internet chat: free & open & accessible from anywhere in the world. Presented 
by the Third Space Network.

 

| Upcoming Events |

Second Front, first performance art group in the online virtual world of Second 
Life (Saturday, October 28); 

 

Ruth Catlow & Marc Garrett, co-directors of the London-based Furtherfield 
gallery for arts, technology and social change (Saturday, November 18). 

 

All events take place at 11:00am ET – US East Coast: calculate your local time 
zone. 

 

| Sponsored by the New Media Caucus (NMC) |

NMC is an international non-profit that supports the advancement of a diverse 
range of inquiry and initiatives that catalyze further evolution in the field 
of new media art. http://www.newmediacaucus.org/

 

| Third Space Network |

The Third Space Network (3SN) is an Internet broadcast channel for the live 
media arts and creative dialogue. 3SN is a project of Randall Packer in 
conjunction with research at the School of Art, Design and Media, Nanyang 
Technological University in Singapore, where he is an Associate Professor of 
Networked Art.

https://thirdspacenetwork.com/

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