[NetBehaviour] Hi everyone
I'm a new member. Check out my work here: http://www.youtube.com/user/benspky I look forward to hearing about your respective works. -Benjamin Schultz-Figueroa _ New Windows 7: Find the right PC for you. Learn more. http://www.microsoft.com/windows/pc-scout/default.aspx?CBID=wlocid=PID24727::T:WLMTAGL:ON:WL:en-US:WWL_WIN_pcscout:102009___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] THE TOUR DE BORD EXPERIMENT
A night of truly innovative, interdisciplinary curation boasting some of south England’s most promising new practitioners in contemporary performance, new media installation, interactive, participatory and visual arts installation, experimental choreography live and spoken art, sound-scapes and live music.From a location to be disclosed in East London, the Tour de Bord Experiment explores the city as a myriad of different cultural forms, where new generations are born upon a landscape of urban decay, stretching far beyond view of those trapped behind the distant windows of tradition.Searching the hiding places amongst secret hierarchies or in observation of those dwelling, invisible, maintaining the vestibules and corridors of the interwoven tapestry which makes up our city; the tour de bord explores the creeping connectivity of our contemporary urban world amidst a tombstone abandoned, like a marker to the memory of our own infrastructural positions.Featuring new media installation from Kathy Hinde and Ann Rosen, expanded performances from Katharine Fry, Beatrice Jarvis, Stavroula Kounadia and Neil Luck amidst installations and visual arts from the bow arts trust, Seecum Chung and Dimitris Papadatos ant the UK Unknown amidst a backdrop experimental sounds and ancient vynals from Sound Through, the ARCO Collective and Bristol's best in performative poetics with a host of live art from regulars at the SHUNT Vaults.THE TO AND FROMS:The central line, district line, the DLR over-ground trainsBusses D8, 8, 452, 108, 276 425Very close to late bus stop for the N8The tour de bord experiment is a one off site specific event in central in East London.. the secret location will be released to those who have booked through a release closer to the time.Bookings can be made by contacting eve...@cultura3.net or through our ARTS EVENTS UK Facebook group. A night of experimental programmed experience from a location to be disclosed in East London. The event provides an informal and unusual setting for performance, live and spoken art, new media installation, interactive, partisipatory and visual arts installation, sound-scapes, live music the best value on a bottle of wine in London. An exploration of the city as a myriad of different cultural forms, where the truly new generations born upon a landscape of urban decay stretching far beyond view of those trapped behind the distant windows of tradition, erected by establishments which are now are fit only for the museum. From behavior to structure, the historic, the neglected, the new, the existent, the lost and materializing characteristics of the environments which fill our surroundings. Brought from their hiding places amongst secret hierarchies or dwelling, invisible, maintaining the vestibules and corridors of our interwoven tapestry; the tour de bord explores the creeping connectivity of our contemporary urban world amidst a tombstone abandoned, like a marker to the memory of our own infrastructural positions. Featuring new media installation from Kathy Hinde and Ann Rosen, expanded performances from Katharine Fry, Beatrice Jarvis, Stavroula Kounadia and Neil Luck amidst installations and visual arts from the bow arts trust, Seecum Chung and Dimitris Papadatos ant the UK Unknown amidst a backdrop experimental sounds and ancient vynals featuring the ARCO Collective and Bristol's best in performative poetics with a host of live art from regulars at the SHUNT Vaults. Easily accessible via the central line, district line, the DLR overground trains. busses D8, 8, 452, 108, 276 425 v. close to late bus stop for the N8 The tour de bord experiment is a one off site specific event in central in East London.. the secret location will be released to those who have booked through a release closer to the time. Bookings can be made by contacting eve...@cultura3.net or through our ARTS EVENTS UK Facebook group. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] URBAN ORGANICS WORKSHOP
Figuratively describing the country of Matrizenzubehoerleute…... A N U R B A NO R G A N I C S W O R K S H O P The city presents an unmapped, sparsely inhabited place, extravagantly rich in unexplored resources, waiting as it were for the arrival of someone to give form to the latent possibilities which lay beyond regular spatial comprehension. The poet, wandering describes reflections on streetlife, overlaid by the desire to develop typographies and document of human life. The civilian traveler as they traverse the urban terrain, passing amongst concrete corridors of the imagination remakes the city through forming their own reflective typographies. Looking then at our perception of city scenes and urban space as a hybrid of different forms, Figuratively describing the country of Matrizenzubehoerleute…. (ma-tritsen.tzu-behuer.loyter) provides participants with a tool-kit which will allow them to trace and unveil the creative potential of their every day surroundings through a series of collaborative exercises. The group will undertake explorations of the space surrounding the DIY Art Centre, observe and reproduce behavioral patterns and begin to develop the basis of a new language through archetypal typography. The workshop will provide an introduction to techniques which empower the participants to further understand how we interact with our surroundings. The group will explore the urban spaces surrounding the Art Centre along a perimeter between two lands drawn from places which belong neither to the ordinary, nor the Other, but which are imbued with a presence of both; just as the sky can be seen to fall down towards the sea. URBAN ORGANICS: Figuratively describing the country of Matrizenzubehoerleute... 11.00-16.00, Sunday, 3rd May Non-consessional: £8 Consessions: £4 CORD Members: £2 This introductory public workshop is open to people of all disciplines and levels of experience. To make your booking please write to eve...@cultura3.net with the heading “Urban Organics Workshop.” Places are limited. The DIY Art Centre 114-116 Amersham Vale, New Cross SE14 6LG for a map click here Transport New Cross Train Station (exit station, turn left, 5 mins walk) New Cross Gate / Deptford Train Station (10 min walk) Deptford DLR (15 min walk) Busses 53, 453, 36, 436,171,172,177 For more information please write to benja...@cultura3.net ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Streaming Air Traffic Control Feeds From Around The World.
that's insane On 19 Feb 2009, at 17:18, marc garrett wrote: Hi Netbehaviourists, Something I found travelling the Internet :-) Listen To Live, Streaming Air Traffic Control Feeds From Around The World. http://www.liveatc.net/ wishing all well. marc ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Streaming Air Traffic Control Feeds From Around The World.
working with tours, transit and migration at the moment. there's plenty to play with here. On 19 Feb 2009, at 17:40, marc garrett wrote: Hi Pall Benjamin, Great resource, but I am surprised... marc that's insane On 19 Feb 2009, at 17:18, marc garrett wrote: Hi Netbehaviourists, Something I found travelling the Internet :-) Listen To Live, Streaming Air Traffic Control Feeds From Around The World. http://www.liveatc.net/ wishing all well. marc ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] not for profit organisation - draft
Developing programs of performance, visual, interactive and media arts for a range of venues, one discovers a wide range of different organisational praxis. The most confusing of which has to be a concept introduced to me last night. we have a strict not-for profit policy and insist that all shows provide free drinks. Working with a group of 20 creative professionals, most of which have studied their undergraduate and masters degrees in England, if not then at least their masters. They have made investments in equipment, having invested time in development. What is the value here? The average debt from an undergraduate degree in England is in between £7 and £16,000. Now a masters degree costs upwards of £4,500 - the money for living that year at least £3,000. Taking an average 11,500 x 20 = 230,000. 6,000 x 6 = 36,000. Equipment owned by the creative practitioners @ approx. 2,000. Other investments in the program this far = £300. The total in cost so far, towards being able to stage an credited, capable show by purpose trained professionals: £268,300. I feel that we must indeed be a not for profit (or incapable of profit) organisation, unless the value of art has changed dramatically overnight. I just want to help artists pay their bills. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] article links @furtherfield
funny. i had the same issue just last night. it is a nice system though. On 12 Feb 2009, at 15:36, james of jwm-art net wrote: Hi Marc,Ruth, Furtherfield crew, Just a suggestion that would help me navigating around furtherfield.org. Where you have the swishyclever links to the articles on furtherfield which highlight the article details when mouse-hovering over them I can't right-click-open_in_new_tab and let various articles download while reading. It forces me to continually go back and forth between the index and articles which is rather slow on dialup. Any chance you could provide standard a href links somewhere within the article details/listings? This would be very helpful :) Best regards, James. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Does it mean something, yawn
i proof and edit arts text (mostly translated or written by foreign speakers (Russian, Spanish, Austrian, Italian, Hungarian) quite often and have been since 2004. happy to look over things for the sake of culture, if you ever want to send anything by - incidentally, not that i find it difficult to read and understand what you're saying. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Does it mean something?
On 3 Feb 2009, at 10:52, Simon Biggs wrote: It is clear to me and I have no problems with the language. The section that states “the potential of translocally networked spatial practices” translocational potential of networked spacial practices ? this strain raises an interesting opportunity to discuss the nature of mail groups. is this a space for announcements ? from my reading so far, net behaviour does not seem like an announcement list, rather an experiment. informal lists are vital threshing grounds for the development of ideas, but also for personal development within disciplines which an individual may be dislocated from, if even in an extreme level of profoundity. making a comparison between blogging, website publication, online text archives and the group mailing list, it seems that the nature of the group mailing list is far better suited to development rather than announcement - it's just as easy to access a personal, creative, organisational or events website which - even if it is an undeveloped blog by means of aesthetic - holds an equal capacity to relay more refined publishable materials. could have been more simply written, however it is clear in what it says – that the research is engaging the potential of networked practices by practitioners who are interested in spaces that transcend the local (the way it was originally written was better). The next section, which states “urban network processes, spaces of geocultural crises, and forms of cultural participation and self-determination” is equally clear. Urban network processes are events that occur in urban environments within the network infrastructures of which such environments are composed (communications and transport are examples). Geocultural crises are crises that are caused by geocultural issues. This is shorthand for the post-colonial politics around access to land based resources by different cultural groups (Gaza is an example here, as is Darfur). I do not see what the problem is with the sub- phrase “cultural participation and self-determination”. It seems clear as it seeks to conflate the individuation of self (the forging of self) with participation in social activities (that is, the self depends on others to come into being). Sites of “alternative urban engagement” simply refers to places where non- normalised social activities can be pursued and social groupings can form that facilitate those who do not conform to dominant social norms (eg: raves, biker cafes, hardcore clubs, etc). The last three words are, I agree, a little confusing. What is the object of the phrase “emerging architectural cultures”. Does this refer to cultures composed of architects or to cultures that are shaped by architecture? I would assume the latter, but the grammar employed here is, I agree, not very clear. Overall the text is clear and in its linguistic form usefully suggests what its cultural origins are (left intellectual academic). The text as a whole clearly states that its concern is with who gains access to and rights of definition of social and economic infrastructure in culturally contested urban spaces and what the implications are for the communities and individuals involved. Where is there a problem with that? Regards Simon On 3/2/09 10:23, bob catchpole bobcatchp...@yahoo.co.uk wrote: Mez, Does it mean something? Bob From: mez breeze netwur...@gmail.com To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org Sent: Monday, 2 February, 2009 23:26:34 Subject: Re: [NetBehaviour] Does it mean something? hi bob [+ assorted netbehaviouralists].. bob, i'm curious as 2 by u're assuming that the text ur quoting is muddy in terms of comprehension/meaning? do u think the terminology is inappropriate or unclear? chunks, mez On Tue, Feb 3, 2009 at 8:33 AM, bob catchpole bobcatchp...@yahoo.co.uk wrote: Yann, The other day someone posted on this list about a project that was a research platform... on the potential of translocally networked spatial practices. The project, it was claimed, investigates urban network processes, spaces of geocultural crises, and forms of cultural participation and self-determination in which sites of alternative urban engagement are collected on a database as research into emerging architectural cultures. Simon Biggs Research Professor edinburgh college of art s.bi...@eca.ac.uk www.eca.ac.uk www.eca.ac.uk/circle/ si...@littlepig.org.uk www.littlepig.org.uk AIM/Skype: simonbiggsuk Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org
Re: [NetBehaviour] Does it mean something?
On 3 Feb 2009, at 13:31, richard willis wrote: i think simon just ably demonstrated why putting things in 'a more everyday, comprehensive lanuguage, was/is problematic: you need four times the amount of words to say the same thing. why write 'i put my pen on the table' when you could write 'i put my plastic-and- ink-writing-tool' on the 'wooden-platform-held-up-on-four-wooden- legs'? the chemical fluctuations in the matter which has come to be known as my brain, provides me with pleasurable impulses whilst regarding correlations of coloured light which form the shapes resembling the combinations of the latin alphabet seen above cos the former is simpler than the latter. accessibility is good up to a point: but introduce lifts into multi-storey buildings for the aid of the disabled and you also create the knock-on effect of making the able-bodied less fit and lazier by giving them an effort- free mechanism of going upstairs. much better for the body - and mind - to take the stairs as before. yeah, the language isn't easy to grasp, but the effort of doing so is probably more rewarding than the effort of simplifying at-first- inaccessible academic prose. 2009/2/3 bob catchpole bobcatchp...@yahoo.co.uk Simon, Thanks for the translation, it's fortunate you're on the list! Don't you think the text, drafted in a language largely understandable by academics, is guilty of the very thing it claims to be researching? That is, how and why people are excluded from contested spaces? If the text spoke in a more everyday, comprehensible language do you think it might invite wider engagement? Language is power. Often to exclude or oppress, no? Bob From: Simon Biggs s.bi...@eca.ac.uk To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org Sent: Tuesday, 3 February, 2009 11:52:17 Subject: Re: [NetBehaviour] Does it mean something? It is clear to me and I have no problems with the language. The section that states the potential of translocally networked spatial practices could have been more simply written, however it is clear in what it says – that the research is engaging the potential of networked practices by practitioners who are interested in spaces that transcend the local (the way it was originally written was better). The next section, which states urban network processes, spaces of geocultural crises, and forms of cultural participation and self-determination is equally clear. Urban network processes are events that occur in urban environments within the network infrastructures of which such environments are composed (communications and transport are examples). Geocultural crises are crises that are caused by geocultural issues. This is shorthand for the post-colonial politics around access to land based resources by different cultural groups (Gaza is an example here, as is Darfur). I do not see what the problem is with the sub- phrase cultural participation and self-determination. It seems clear as it seeks to conflate the individuation of self (the forging of self) with participation in social activities (that is, the self depends on others to come into being). Sites of alternative urban engagement simply refers to places where non- normalised social activities can be pursued and social groupings can form that facilitate those who do not conform to dominant social norms (eg: raves, biker cafes, hardcore clubs, etc). The last three words are, I agree, a little confusing. What is the object of the phrase emerging architectural cultures. Does this refer to cultures composed of architects or to cultures that are shaped by architecture? I would assume the latter, but the grammar employed here is, I agree, not very clear. Overall the text is clear and in its linguistic form usefully suggests what its cultural origins are (left intellectual academic). The text as a whole clearly states that its concern is with who gains access to and rights of definition of social and economic infrastructure in culturally contested urban spaces and what the implications are for the communities and individuals involved. Where is there a problem with that? Regards Simon On 3/2/09 10:23, bob catchpole bobcatchp...@yahoo.co.uk wrote: Mez, Does it mean something? Bob From: mez breeze netwur...@gmail.com To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org Sent: Monday, 2 February, 2009 23:26:34 Subject: Re: [NetBehaviour] Does it mean something? hi bob [+ assorted netbehaviouralists].. bob, i'm curious as 2 by u're assuming that the text ur quoting is muddy in terms of comprehension/meaning? do u think the terminology is inappropriate or unclear? chunks, mez On Tue, Feb 3, 2009 at 8:33 AM, bob catchpole bobcatchp...@yahoo.co.uk wrote: Yann, The other day someone posted on this list about a project that was a research platform...
Re: [NetBehaviour] Does it mean something?
what was the post called bob. sounds quite interesting On 2 Feb 2009, at 22:14, info wrote: Thanks Bob, are you http://bobcatchpole.com/biography.php ? i'm really happy to see this kind of sculpure on netbehaviour. we just have to put an IP address on each of these object in order to dial with them online (or let's say, within a reflexion about rural design, or ... how the form defines itself within a context... or , i'm quite sure the web will need these objects... or/and... or and and... or or and...) definetely, rural design is not binary: http://www.yannleguennec.com/blog/2006/09/17/square-on-the-beach/ bob catchpole a probablement écrit : Yann, The other day someone posted on this list about a project that was a research platform... on the potential of translocally networked spatial practices. The project, it was claimed, investigates urban network processes, spaces of geocultural crises, and forms of cultural participation and self-determination in which sites of alternative urban engagement are collected on a database as research into emerging architectural cultures. By contrast, your text is eloquence personified. I really wouldn't worry about it. Bob *From:* info i...@x-arn.org* * Monday, 2 February, 2009 21:34:09 *Subject:* [NetBehaviour] Does it mean something? Hello Netbehaviourists, i'd like to know if the following text means something in english... i'm not sure, please let me know. cheers, yann Infoscape is an online image generator, using web server log files and background pictures to compose static images. Data extracted from log files, or from a database, are dripped onto the background picture, chosen by the user, in a way called ’statistic dripping’, as a tribute to Jackson Pollock . In Statistic Dripping, the canvas is a picture selected on the network by the painter. The painter is the user of the application. The movement is the trace of website visitors displacements, treated by the software. Furthermore, Infoscape works on JPEG compression level in order to transgress photography and reveal the intrinsic digital nature of the generated image. It confronts localized space evoked on pre-selected background picture and remote data included into these spaces, and doing so, it is a conceptual tool to preconfigure and reflect upon ubiquitous computing and the ability for every atom on earth to get an IP address and a digital identity. http://www.yannleguennec.com/blog/2004/12/28/infoscape/ -- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org mailto:NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour - --- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour - --- No virus found in this incoming message. Checked by AVG - www.avg.com Version: 8.0.233 / Virus Database: 270.10.16/1930 - Release Date: 01/31/09 20:03:00 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] P22 Music Text Composition Generator.
i cant find the rest of this conversation. has the title changed ? On 30 Jan 2009, at 13:13, marc garrett wrote: Not sure Rob, but I know for a fact that he didn't use Midi :-) marc On Fri, Jan 30, 2009 at 12:39 PM, marc garrett marc.garr...@furtherfield.org wrote: The idea was basic and simple-every letter of the alphabet was assigned to a note on a scale. Didn't Mozart use something like this for commissions? I don't mean the dice game named after him, I'm sure I heard somewhere that he had a letter-to-note-sequence system. Grr. I wish I kept better references. ;-) - Rob. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] P22 Music Text Composition Generator.
cheers marc. i'm sitting here writing a solo for cello from a psycho geographic journey to the river for exhibition this spring. sure there's some useful theory in p22. On 30 Jan 2009, at 13:30, marc garrett wrote: Hi Benjamin, Here is where it began :-) I recently posted a link this below - P22 Music Text Composition Generator. The P22 Music Text Composition Generator allows any text to be converted into a musical composition. This composition is displayed in musical notation and simultaneously generated as a midi file. The P22 Music Composition Font was proposed in 1997 to the John Cage Trust as an accompaniment to the John Cage text font based on the handwriting of the composer. The idea was basic and simple-every letter of the alphabet was assigned to a note on a scale. This would allow for any text to be converted into musical notation. The idea was rejected by the John Cage Trust, however the John Cage Silence font based on his famous 4'33 composition was accepted and continues to be offered for sale to this day. An earlier project based on the work of Marcel Duchamp was also influential in the evolution of this project. This page and current project has no affiliation with John Cage, the John Cage Trust or the Marcel Duchamp estate. http://p22.com/musicfont/ i cant find the rest of this conversation. has the title changed ? On 30 Jan 2009, at 13:13, marc garrett wrote: Not sure Rob, but I know for a fact that he didn't use Midi :-) marc On Fri, Jan 30, 2009 at 12:39 PM, marc garrett marc.garr...@furtherfield.org wrote: The idea was basic and simple-every letter of the alphabet was assigned to a note on a scale. Didn't Mozart use something like this for commissions? I don't mean the dice game named after him, I'm sure I heard somewhere that he had a letter-to-note-sequence system. Grr. I wish I kept better references. ;-) - Rob. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] P22 Music Text Composition Generator.
maybe more to the other way around ? - create a piece of music which is readable through the linear architecture of musical notation or archiving of variants in sound production across different conformative instruments. raises the question of musical pedagogy well. conformation, again.. perhaps i have issues, but the idea of the oldest tuning fork in europe, for the middle C, does tend to seem endlessly stimulating. the form responsible for so many tuned minds, pop songs, patterns, tastes, opinions and pre-sets towards discord and harmony, computerised gismos to keep youth in perspective.. the list is endless. my guitar has 4 strings and i don't know what strings they are. On 30 Jan 2009, at 13:42, Corrado Morgana wrote: As a bit of a musical sod, it's interesting as a piece of reverse cryptography for want of a better term. Desciphering the algorithm for musicality rather than seeing what passages of text sound like, writing text specifically for it's musical qualities. Ending up with several intertwingled artefacts, Text: probably concrete poetic in form, the music itself and the act of decryption Off I go... C -Original Message- From: netbehaviour-boun...@netbehaviour.org [mailto:netbehaviour-boun...@netbehaviour.org] On Behalf Of benjamin Sent: 30 January 2009 1:39 PM To: NetBehaviour for networked distributed creativity Subject: Re: [NetBehaviour] P22 Music Text Composition Generator. cheers marc. i'm sitting here writing a solo for cello from a psycho geographic journey to the river for exhibition this spring. sure there's some useful theory in p22. On 30 Jan 2009, at 13:30, marc garrett wrote: Hi Benjamin, Here is where it began :-) I recently posted a link this below - P22 Music Text Composition Generator. The P22 Music Text Composition Generator allows any text to be converted into a musical composition. This composition is displayed in musical notation and simultaneously generated as a midi file. The P22 Music Composition Font was proposed in 1997 to the John Cage Trust as an accompaniment to the John Cage text font based on the handwriting of the composer. The idea was basic and simple-every letter of the alphabet was assigned to a note on a scale. This would allow for any text to be converted into musical notation. The idea was rejected by the John Cage Trust, however the John Cage Silence font based on his famous 4'33 composition was accepted and continues to be offered for sale to this day. An earlier project based on the work of Marcel Duchamp was also influential in the evolution of this project. This page and current project has no affiliation with John Cage, the John Cage Trust or the Marcel Duchamp estate. http://p22.com/musicfont/ i cant find the rest of this conversation. has the title changed ? On 30 Jan 2009, at 13:13, marc garrett wrote: Not sure Rob, but I know for a fact that he didn't use Midi :-) marc On Fri, Jan 30, 2009 at 12:39 PM, marc garrett marc.garr...@furtherfield.org wrote: The idea was basic and simple-every letter of the alphabet was assigned to a note on a scale. Didn't Mozart use something like this for commissions? I don't mean the dice game named after him, I'm sure I heard somewhere that he had a letter-to-note-sequence system. Grr. I wish I kept better references. ;-) - Rob. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: [ORG-discuss] London Hack Space
It seems there is still a deal of room for development in London, considering the activity in much of the rest of Europe. Though perhaps it might be an uphill struggle, new media is a major theme adjacent to my practice and I've a couple of connections we could explore to support any practice. (been chatting to the bones recently) Warm regards, Benjamin. On 26 Jan 2009, at 22:27, APO33 wrote: Hi we are trying to set up a medialab since one year in Area10 where we could welcome such meeting and open the space for projects like that. We faced a lot of difficulties due to the space condition. The space that would have been dedicated to it have been flooded 2 weeks ago... http://www.a10lab.info is the backup website of few months ago (our server was under water!!!) We are actually looking for a new space for the medialab, or in Area10 or near. Also we are actually opening a new space in Cossall Estate, peckham, dedicated to new media, hacking, open hardware, free software, workshop, digital art...etc I will join the list and propose it there but if some guys are already interested we could talk about it for some meeting or proposition. the space should be operational early march! cheers Julien Ottavi -- Forwarded message -- From: Jonty Wareing jo...@jonty.co.uk Date: Sun, Jan 25, 2009 at 11:11 PM Subject: [ORG-discuss] London Hack Space To: org-disc...@lists.openrightsgroup.org For some time now London has been in need of a proper hacker space. The number of hacking groups has exploded over the last year or so with new events popping up every weekend. Despite this we're still missing a meeting place, a place where we can store projects and share ideas. Where we can meet like minded people who share our passions. Where we can learn new skills without making a significant investment. We'd like to change that, but we need people to help. If you're interested, we've set up a preliminary mailing list on google groups where we can gather. It's just temporary until we come up with a name and have more solid foundations. Find us here: http://groups.google.com/group/london-hack-space --jonty ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour -- APO33 space of research and experimentation http://www.apo33.org i...@apo33.org ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: [ORG-discuss] London Hack Space
im trying to set up a london based online support for the inter exchange of technologies through a members market and a director of useful stores and distributors. the site's nearly finished, though there needs to be more in ways of function to properly qualify for a specialist media lab for the london locality. there's the gap On 26 Jan 2009, at 14:25, Antonio Roberts wrote: I'm trying to set something up like that in Birmingham currently. It seems there's interest in it, but not the manpower. Good luck with yours, I may travel down to see it too. Ant 2009/1/26 Rob Myers r...@robmyers.org: -- Forwarded message -- From: Jonty Wareing jo...@jonty.co.uk Date: Sun, Jan 25, 2009 at 11:11 PM Subject: [ORG-discuss] London Hack Space To: org-disc...@lists.openrightsgroup.org For some time now London has been in need of a proper hacker space. The number of hacking groups has exploded over the last year or so with new events popping up every weekend. Despite this we're still missing a meeting place, a place where we can store projects and share ideas. Where we can meet like minded people who share our passions. Where we can learn new skills without making a significant investment. We'd like to change that, but we need people to help. If you're interested, we've set up a preliminary mailing list on google groups where we can gather. It's just temporary until we come up with a name and have more solid foundations. Find us here: http://groups.google.com/group/london-hack-space --jonty ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Fwd: [ORG-discuss] London Hack Space
i've a friend setting up some studio spaces - they'll be very affordable - in bethnal green on hackney rd. - need a space myself for development of collaborative art cultures On 26 Jan 2009, at 14:36, benjamin wrote: im trying to set up a london based online support for the inter exchange of technologies through a members market and a director of useful stores and distributors. the site's nearly finished, though there needs to be more in ways of function to properly qualify for a specialist media lab for the london locality. there's the gap On 26 Jan 2009, at 14:25, Antonio Roberts wrote: I'm trying to set something up like that in Birmingham currently. It seems there's interest in it, but not the manpower. Good luck with yours, I may travel down to see it too. Ant 2009/1/26 Rob Myers r...@robmyers.org: -- Forwarded message -- From: Jonty Wareing jo...@jonty.co.uk Date: Sun, Jan 25, 2009 at 11:11 PM Subject: [ORG-discuss] London Hack Space To: org-disc...@lists.openrightsgroup.org For some time now London has been in need of a proper hacker space. The number of hacking groups has exploded over the last year or so with new events popping up every weekend. Despite this we're still missing a meeting place, a place where we can store projects and share ideas. Where we can meet like minded people who share our passions. Where we can learn new skills without making a significant investment. We'd like to change that, but we need people to help. If you're interested, we've set up a preliminary mailing list on google groups where we can gather. It's just temporary until we come up with a name and have more solid foundations. Find us here: http://groups.google.com/group/london-hack-space --jonty ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Is it just me (trad-posturing)?
we need to redefine where people thing art is.
galleries like museums, dead, places of reflection;
art is something which happens with life and animation... and wine !
On 6 Jan 2009, at 18:51, { brad brace } wrote:
well, you'll hate me, but I'll tell you: it's simply a ponzi
scheme; the only people who benefit are those that entice
endless new suckers to pay the game... I've been working for
over 35 years and I've yet to encounter even one person who
continually makes even a rudimentary living from their
career as an artist... this unconscionable artworld scam
only supports the upper institutional echelons and their
well-heeled cohorts with some dribble-down effect for the
myopic acolytes with minor schemes (who are now online by
the thousands)
the maddening thing is that these obscenely funded
institutions (that we're required to support with our taxes)
deliberately oppose individual and grassroot autonomous
efforts
/:b
We fill the craters left by the bombs
And once again we sing
And once again we sow
Because life never surrenders.
-- anonymous Vietnamese poem
Nothing can be said about the sea.
-- Mr Selvam, Akkrapattai, India 2004
{ brad brace }bbr...@eskimo.com ~finger for pgp
---bbs: brad brace sound ---
---http://69.64.229.114:8000 ---
.
The 12hr-ISBN-JPEG Projectposted since 1994
+ + + serial ftp://ftp.eskimo.com/u/b/bbrace
+ + + eccentric ftp:// (your-site-here!)
+ + + continuous hotline://artlyin.ftr.va.com.au
+ + +hypermodern ftp://ftp.rdrop.com/pub/users/bbrace
+ + +imageryhttp://kunst.noemata.net/12hr/
News: alt.binaries.pictures.12hr alt.binaries.pictures.misc
alt.binaries.pictures.fine-art.miscalt.12hr
. 12hr email
subscriptions = http://bbrace.laughingsquid.net/buy-into.html
. Other | Mirror: http://www.eskimo.com/~bbrace/bbrace.html
Projects | Reverse Solidus: http://bbrace.laughingsquid.net/
| http://bbrace.net
. Blog | http://bbrace.laughingsquid.net/wordpress/
. IM | bbr...@unstable.nl
. IRC | #bbrace
. ICQ| 109352289
| Registered Linux User #323978
~
I am not a victim
I am a messenger
/:b
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Re: [NetBehaviour] Is it just me?
net behaviour is the next world power ? On 5 Jan 2009, at 10:38, Mason Dixon wrote: it's good that you're making a record of our two-headed circus of war mongers and economists. As the Art World Turns Oh My God. OMG. O. M. G. OMFG. seriously. is this really what yall are talking about? for fucks sake. whatever a fucking sake is, is this seriously what yall have to say? ok. jesus: A) for the first time in recorded history, ART has something to say. B) global politics, as we know them, are about to make a FUNDAMENTAL shift. is know one watching Chicago Ten or The Murder of Fred Hampton does it really have to be on the wall before you can see it? the pieces are there, all you have to do is find them. I fully support putting them together HERE. ~ Jerry Rubin X ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Is it just me?
i don't think you necessarily have a negative focus there marc. i've been working on an event here in london. the curatorial focus is death in the metropolis or death in the big city. researching and discussing the things which die in people in london has been a very interesting focus. On 4 Jan 2009, at 16:55, marc garrett wrote: Hi Simon, By nature, I am an optimist - but the bad being normal thing, is not killing people its killing us all in so many other ways... sorry for being miserable today, i'll get myself a coffee some sweets ;-) marc It is going to be a mixed year. Good (Obama) and bad (the economy, Gaza, etc). On balance bad seems to exceed good – but that’s normal. Regards Simon On 4/1/09 16:35, marc garrett marc.garr...@furtherfield.org wrote: Hi Netbehaviourists, Is it just me, or were there others out there who found it extremely hard to feel positive about the New Year, an failed to celebrate? marc ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour Simon Biggs Research Professor edinburgh college of art s.biggs@ eca .ac.uk www. eca .ac.uk www. eca .ac.uk/circle/ si...@littlepig.org.uk www.littlepig.org.uk AIM/Skype: simonbiggsuk Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 - --- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Is it just me?
On 4 Jan 2009, at 17:35, marc garrett wrote: Hi Benjamin, when you put it like that things do seem overwhelmingly negative. is fascism the new peace ? The irony of it all, as powerful people propose that they are creating peace through killing others - shameful... it's good that you're making a record of our two-headed circus of war mongers and economists. marc On 4 Jan 2009, at 17:21, marc garrett wrote: Hi Benjamin, Yes, I understand what you mean in respect of things dying in people. I've been writing for this crisis project that xDxD his friends initiated, I'm nearly finished - but I have written more than I intended because there is so much which needs refering to regarding what's been happening in respect of neoliberalism's takeover of our cultures and deadening social values of course the violence by states against others states its civilians, not forgetting climate change which, as James Lovelock says 'it's too late idiots!', a misquote but I'm you get what I mean here. So, I can imagine the depth and things that you have been uncovering... marc i don't think you necessarily have a negative focus there marc. i've been working on an event here in london. the curatorial focus is death in the metropolis or death in the big city. researching and discussing the things which die in people in london has been a very interesting focus. On 4 Jan 2009, at 16:55, marc garrett wrote: Hi Simon, By nature, I am an optimist - but the bad being normal thing, is not killing people its killing us all in so many other ways... sorry for being miserable today, i'll get myself a coffee some sweets ;-) marc It is going to be a mixed year. Good (Obama) and bad (the economy, Gaza, etc). On balance bad seems to exceed good – but that’s normal. Regards Simon On 4/1/09 16:35, marc garrett marc.garr...@furtherfield.org wrote: Hi Netbehaviourists, Is it just me, or were there others out there who found it extremely hard to feel positive about the New Year, an failed to celebrate? marc ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour Simon Biggs Research Professor edinburgh college of art s.biggs@ eca .ac.uk www. eca .ac.uk www. eca .ac.uk/circle/ si...@littlepig.org.uk www.littlepig.org.uk AIM/Skype: simonbiggsuk Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 --- -- --- ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] overrun
hello brad. i like your pdf. would you tell us a little more about
the project / the images ?
warm regards
benjamin
arts industries professional
ps. some problems with replying to your personal address
On 23 Nov 2008, at 23:56, { brad brace } wrote:
a small free pdf-photo book
withdrawn 12hr-images
http://216.70.118.235/overrun.pdf
6.6 mb
/:b
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Re: [NetBehaviour] Selling software art
Noun commodity (plural commodities) Anything movable (a good) that is bought and sold. 1995, James G. Carrier, Gifts and Commodities: Exchange and Western Capitalism Since 1700, p.122[[1]] If a key part of shopping is the conversion of anonymous commodities into possessions, shopping is a cultural as much as an economic activity. 2001, Rachel Pain, Introducing Social Geographies, p. 26 [[2]] In human geography commodities usually refers to goods and services which are bought and sold. The simplest commodities are those produced by the production system just before they are sold. 2005, William Leiss, Botterill, Jacki, Social Communication in Advertising: Consumption in the Mediated Marketplace, p.307 [[3]] Referring to the work of Bourdieu, Zukin (2004,38) notes that shopping is much more than the purchase of commodities Something useful or valuable. And Slade said: It really makes me sad that football club chairmen and boards seem to have lost that most precious commodity - patience. Sam's sacking at Newcastle had, I suppose, been on the cards for a while, but it is really ridiculous to fire a manager after such a short time. Somerset County Gazette on Jan. 14th, 2008. (economics) Raw materials, agricultural products and other primary products as objects of large scale trading in specialized exchanges. The price of crude oil is determined in continuous trading between professional players in World's many commodities exchanges. (marketing) Undifferentiated goods characterized by a low profit margin, as distinguished from branded products. Although they were once in the forefront of consumer electronics, the calculators have become a mere commodity. On 18 Nov 2008, at 14:23, marc garrett wrote: Hi Patrick Simon, Is it an object before it turns into a consumer-based commodity, or after? marc What makes an object art? It is clear that these objects are destined to be commodities. Can an art object be a commodity? Can commodities be art objects and remain commodities? Is Duchamps Fountain still a urinal? I seem to remember somebody testing this hypothesis. Regards Simon On 18/11/08 13:33, patrick simons [EMAIL PROTECTED] wrote: Are these art objects?! patrick On Sun, Nov 16, 2008 at 2:24 PM, Pall Thayer [EMAIL PROTECTED] wrote: I've got some work for sale. Here's the long and short of it. I'm going to be exhibiting a piece of mine called Exist.pl (some of you may remember it as it was developed via discussions here on the list as well as other lists) at the MakeArt festival in France in a couple of weeks. The work will also be exhibited as part of the Piksel festival in Bergen, Norway. Here in Iceland we have what's called The Center for Icelandic Art. Their job is to provide financial assistance to artists taking their work abroad. They're the only source for travel grants for short trips like this one. I applied, I got rejected (with no explanation of why), I have this nagging feeling that they don't get this type of art. So what I would like to do now, is to sell copies of this work to get some funds towards the trip (I had already bought flight tickets before I got rejected). The work consists of a piece of software running on a computer. It doesn't produce any output but it's doing a lot of background work. So to provide the viewer with some information on what's going on, four A2 sized posters, displaying the source code at various stages of the softwares development, will be displayed. The software itself is free under the GPL license and lives at http://code.google.com/p/existpl But I have for sale a limited edition of twenty sets of these posters. I'll only sell them in sets. There are four posters in the set. These are signed and numbered, high quality color prints suitable for framing. Ideally, they would be displayed in a row on a wall with a computer nearby to run the software when the owner chooses (but this entirely up to the purchaser of the work). You can see a small version of what they look like at the following URLs: http://pallit.lhi.is/~palli/code1.pdf http://pallit.lhi.is/%7Epalli/code1.pdf http://pallit.lhi.is/~palli/code2.pdf http://pallit.lhi.is/%7Epalli/code2.pdf http://pallit.lhi.is/~palli/code3.pdf http://pallit.lhi.is/%7Epalli/code3.pdf http://pallit.lhi.is/~palli/code4.pdf http://pallit.lhi.is/%7Epalli/code4.pdf The price is $50 per set. If I manage to sell all twenty sets, this will provide enough to cover printing and mailing costs, with the remainder being approximately what I applied for from The Center for Icelandic Art. On top of being colorful and thought provoking, they create an interesting visual pattern when lined up together. Please contact me offlist if you're interested. Pall Thayer -- * Pall Thayer artist http://www.this.is/pallit * ___ NetBehaviour
Re: [NetBehaviour] Selling software art
you might find ideasonair an interesting project simon: http:// www.ideasonair.net/aboutideasonair.html On 18 Nov 2008, at 14:51, Simon Biggs wrote: I think that makes you a quantum artist! Is that a first? Or are all artists quantum? Can we have quantum art objects (both commodities and not commodities)? Regards Simon On 18/11/08 14:42, Pall Thayer [EMAIL PROTECTED] wrote: Just don't ask me to explain what I mean. Sometimes you just have to be on both sides of the fence at the same time. Simon Biggs Research Professor edinburgh college of art [EMAIL PROTECTED] www.eca.ac.uk www.eca.ac.uk/circle/ [EMAIL PROTECTED] www.littlepig.org.uk AIM/Skype: simonbiggsuk Edinburgh College of Art (eca) is a charity registered in Scotland, number SC009201 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] artes.net direct
i am looking for collaborators to help set up a european arts events and technicians directory. the directory will feature multiple entries for major cities in an online searchable database. if you are interested in finding out more about the financial plans or to discuss details, please contact me on [EMAIL PROTECTED] best wishes, sincerely, Benjamin Bailey de Paor Arts industries professional ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] ARTECH 2008 - 4th International Conference on Digital Arts, Porto.
sweety your message is making me laugh. I only use this thing for inviting people to partys and to look at friends photos. On 21 Oct 2008, at 17:47, Chiara Passa wrote: ARTECH 2008 | Nas Fronteiras do Imaginário 4th International Conference on Digital Arts 7, 8 | November Portuguese Catholic University | Porto Artech 2008 is the fourth international workshop held in Portugal and Galicia on the topic of Digital Arts. It aims to promote contacts between Iberian and International contributors concerned with the conception, production and dissemination of Digital and Electronic Art. Artech 2008 brings the scientific, technological and artistic community together, promoting the interest in the digital culture and its intersection with art and technology as an important research field, a common space for discussion, an exchange of experiences, a forum for emerging digital artists and a way of understanding and appreciating new forms of cultural expression. ARTECH 2008 is also Co-located with the Events: Olhares de Outono 2008 New Trends in Digital Arts Festival, 3-8 Nov. 2008 Digital GAMES 2008 Conference on Digital Games, 6, 7 Nov. 2008 http://www.artes.ucp.pt/artech2008/ Main Topics: Main areas are related with sound, image, video, music, multimedia and other new media related topics, in the context of emerging practice of artistic creation. Although non exclusive, the main topics of the conference are: * Art and Science * Audio-Visual and Multimedia Design * Creativity Theory * Electronic Music * Generative and Algorithmic Art * Interactive Systems for Artistic Applications * Media Art history * Mobile Multimedia * Net Art and Digital Culture * New Experiences with New Media and New Applications * Tangible and Gesture Interfaces * Technology in Art Education * Virtual Reality and Augmented Reality -- - ARTECH 2008 INSTALLATIONS PROGRAM - http://www.artes.ucp.pt/artech2008/installations.html Friday, 7 November 2008 Installation Session #1 - 9:30 - 20:30 Sala de coro (floor -1) Instalación Interactiva JCC, Brain Research II Agueda Simó Sustainabillity Extinction Bello Benischauer Speaking at the Wall Chiara Passa Pink Music on FF Sale Ciustódio Ricardino e Vitor Lago Silva VideoSpace: a 3D Video Experience Telmo Rocha e Teresa Chambel Blood Landscapes Richard O'Sullivan Bar (floor -1) Composição VIII Paulo Cezar Barbosa Mello Rádio room (floor -2) Fonema Visual Rui Figueiras, Marta Duarte e Miguel Cunha --- Saturday, 8 November 2008 Installation Session #2 - 9:30 - 20:30 Sala de coro (floor -1) Instalación Interactiva JCC, Brain Research II Agueda Simó Sustainabillity Extinction Bello Benischauer Speaking at the Wall Chiara Passa Pink Music on FF Sale Ciustódio Ricardino e Vitor Lago Silva VideoSpace: a 3D Video Experience Telmo Rocha e Teresa Chambel Blood Landscapes Richard O'Sullivan Bar (floor -1) Composição VIII Paulo Cezar Barbosa Mello Rádio room (floor -2) Trame Ivano Morrone -- Chiara Passa [EMAIL PROTECTED] http://www.chiarapassa.it http://www.ideasonair.net http://twitter.com/jogador Skype: ideasonair ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour Benjamin R Bailey de Paor Arts industries professional cultura3 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] artes.net union
Artes.net is a proposal for a union of artists working in voluntary, intern, unpaid and non arts employment in London, England. If you would like to discuss the intentions of the union or to become involved, please let me know. Best wishes, Sincerely, Benjamin Bailey de Paor Arts industries professional cultura3 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] this code is not my own
this work is not my own. it is not my own because i have not created it. i did not create the connection between these keys and the virtual memory with which they interact; nor did i create the manner in which these words will be understood. Nor did you create the category of art or the genre of net.art. But that does not mean that your work would exist if you did not make it. our work is work though our work is not our own; it lives in temporal memory, in the senses and in the contemplation of those who come across it. a painter who paints did not create the paint with which they work; if so, they did not create the paint's pigment; if so, they did not create the canvas; if so they did not cut the wood from which the canvas frame has been made; if the wood had not been cut straight, then the picture would not be a rectangle. the picture is not a rectangle anyway. And yet, they paint. they paint and paint and how disgusting their works are! This can be contrasted with the postindustrial/outsourcing/offshoring approach of Kostabi, Koons and Hirst. (Or with a traditional artist's studio where an assistant would paint the clothes or the hands.) how the industrial revolution has put an end to our beautiful notions of gothisism. through my work with coding i have come to see that no ones work is their own, we can simply make manifest with the materials we have learned to control. There comes a point at which that which one is controlling, is the people who are tangibly controlling the materials. At that point one's materials are human beings, and the art is management not code. our management is not our own; it lies within interactions between nodal points, charged towards putting the purpose upon their routes. At that point the potential of code to resist its exploitation by manageralism collapses and the artist simply reflects the ego of corporate information culture. our purposes are not our own; they are programmed into us and we, running along wires and lucid configurations of plastic, reformable space, imagine how the architecture surrounding us must have been necessary for some reason or another. Harold Cohen's talk at the Tate a few years back (available to stream here; http://www.tate.org.uk/onlineevents/webcasts/harold_cohen/ default.jsp ) mentions the idea of code as craft. our craft is not our own; we exist to configure, shape and forge materials for the reasons we may come to comprehend. - Rob. thanks rob! ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour Benjamin R Bailey de Paor Arts industries professional cultura3 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] THE CSSNAKETRIX/ this text is not my own
this text is not my own; my impluse drives the discourse.this discourse is not my own it is sedimented within my capacity for understanding and seeing; i have been programmed to be this way.this way is not my own; i share it with the others who cross, traverce and transcend through our memeterrain; i share it with my housemate from the other side of the world, whoes parents met at the same place as mine, though from the other side of the world and who was conceived at the same time as me.my housemate is not my own though we share some of the same source code. On 28 Sep 2008, at 11:24, james jwm-art net wrote: THE CSSNAKETRIX A new online semi-net-art-but-not-really-but-could-be-up-to-you (it has user interaction and a gallery woo) /*it's 1130 now been coding since 1430 yesterday to finish this*/ Right, THE CSSNAKETRIX is a new work created by me, not entirely original. It's a text-focused work abusing CSS and layering oodles and oodles of text in different colours and positions into your web browser. To begin with it has 8 examples, but you can modify these and tamper with them and then save them to THE CSSNAKETRIX GALLERY - but hurry, save spaces are limited to a hundred ;-) http://www.jwm-art.net/cssnaketrix/snaketrix.php Regards, James. ThE arRANGEment of tha C0d3 i5 m.y::own, i think, atleast - I cut my own wood for it. ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour Benjamin R Bailey de Paor Arts industries professional cultura3 ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
