On 11/6/2010 11:37 AM, Julia Say wrote:
On 11/6/10 1:20 PM, "Anthony Robb" wrote:
I seem to remember Bill Ochs at Killington this year demonstrating
software which can slow down normal recordings whilst keeping pitch
intact.
In addition to the ones mentioned, Audacity 1.2 wil
Hi All,
I am a fully paid up licenseholder for the amazingslowdowner from Roni music
and can thoroughly recommend it. It can change pitch and speed over a wide
range and maintain an acceptable tone-quality. - More on this later
I've had a look at seventhstring and it seems very interesting.
> On 11/6/10 1:20 PM, "Anthony Robb" wrote:
>
> >I seem to remember Bill Ochs at Killington this year demonstrating
> >software which can slow down normal recordings whilst keeping pitch
> >intact.
In addition to the ones mentioned, Audacity 1.2 will do it (free). Audacity 1.3
doe
Pardon my butting in here, but the program Bill was advocating is
Transcribe! Trial version available at
www.seventhstring.com/xscribe/overview.html
Looks to be a very useful program as it allows not only slowing down the
sounds, but also a graphical analysis of the notes (particularly useful wit
I think a lot of the Peacock sets are a bit like the Oswald ones,
a slow ornate version of the tune and variations.
Oswald makes this explicit sometimes by reverting to the basic tune at the end -
but sometimes they are self contained, and sometimes have unrelated pieces
attached.
In Peacock's s
Hi Anthony,
Bill Ochs was using a new shareware that slowed down videos while keeping
the pitch. That is something I hadn't seen before. If you simply wish to
slow down a sound file then The Amazing Slow Downer from Roni Music is a
good choice. Visit www.ronimusic.com and click on "software
Hello Colin
I seem to remember Bill Ochs at Killington this year demonstrating
software which can slow down normal recordings whilst keeping pitch
intact. Perhaps you could contact him: [1]b...@pennywhistle.com and
spread the word if I'm right.
Thoroughly agree about abc being us
I do so agree. The midi version does, however, have the benefit that it can
be slowed down for those of us with not-so-agile-anymore digits :-)
It also has the benefit of being able to be turned into the dots on freeware
programs.
Personally, I'd like both - a nice mp3 of "how it should sound in
On Sat, Nov 6, 2010 at 6:11 AM, Julia Say <[1]julia@nspipes.co.uk>
wrote:
On 6 Nov 2010, Julia Say wrote:
according to my current prejudice ... some variation
sets were written down without the "ground" on the front. (Bobby
Shaftoe in Clough
MSS is like this and C
A more considered version of my effort from last night, deleting some weak
strains and rearranging the remainder to echo what happened in Crawhall's 5.
X:1
T: Where hast thou been a' the day, waggin' thy hand?
M:6/8
R: Air
C: After Crawhall
K:G
|:e|dBG GB/c/d/B/|eAB c2e|dBG GB/c/d/B/|dg/f/B d2:|
Hello Colin
It's not just the nasty tonal quality it is the lifeless,
mechanical emptiness of the noise which rankles. This music gets its
life and very existence from the human touch of individual phrasing and
decoration. It is this more than anything which we need to appreciate
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