- we should perhaps
think of a (dissonant) e resolving down on to the d of a G
major tonic chord,
Very well put!
c
John Gibbons wrote:
the reprint edition has a typo in the
penultimate strain, the 1st bar beginning
g/f/|egB egB...
instead of
g/f/|egd egB ...
as in
Peacock and Dixon agree on this strain - we should perhaps think of a
(dissonant) e resolving down on to the d of a G major tonic chord, as in 'All
the Night'.
John
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
On 9 Nov 2010, friendm...@aol.com wrote:
He was an important link
in that delicate chain that kept the NSPs alive during the thin times
of the 40s and 50's.
His name, and that of his wife Dorothy often appear in the minutes of the
period,
frequently as leading work parties doing jobs
BTW, does anyone know whether the omission of the dot after the first quaver
in, for example, the last bar of the first strain was a convention of the time
(given that there was not much music around in 11/16 time) or just an error?
c
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John Gibbons wrote:
the reprint edition has a typo in the
penultimate strain, the 1st bar beginning
g/f/|egB egB...
instead of
g/f/|egd egB ...
as in Peacock itself - see FARNE or the facsimile.
The typo gives an e minor flavour which doesn't belong, I feel.
My
