[NSP] Re: Wishful thinking or feasible science?

2011-05-12 Thread John Clifford
Maybe not totally relevant, but in my (much) younger days when  
carrying around a sliderule as a student, it was claimed that the  
best sliderules were made of bamboo coz they didn't expand like metal  
ones and were self-lubricating.  Indeed, to smoothly ease into small  
gradations a prior pumping of the middle movable band was useful.


John Clifford

On 12 May 2011, at 10:12, Richard York wrote:


   Hello all.
   I've just enjoyed re-reading Francis Woods' excellent article, In
   Praise of Old Pipes,  in the 2010 Vol 31  NPS Journal.
There he refers to the myth [which] holds that instruments  
inevitably
   deteriorate if they are not used. [...] what really wears them  
out is

   using them .
   I quite see that the mechanical use of moving keys, sliding tunable
   parts, etc. causes wear, but would welcome comments on a  
probably very

   unscientific thought on the actual wood in instruments.
   (By the by, I realise mouth-blown woodwind deteriorates through the
   warming, wetting and drying and cooling effect, but feel that's  
not so

   relevant here.)
   I watched a demonstration recently of how the form of vibrations
   through an instrument can clearly be seen, by using sand on the
   soundboard of a rebec held horizontally, which neatly slid into
   patterns.
   Since all matter is made of particles, is it possible that the  
regular

   patterns of vibration may somehow arrange these particles in a way
   relating to these regular movements?
   Which in turn would affect its acoustic character, I assume.
   Best wishes,
   Richard.





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[NSP] Re: Help please

2010-11-16 Thread John Clifford

Anthony,

I can add that I've had the same result as Rick and Sheila with  
Firefox on a MacBook.  My wife shouted from the next room What's  
That??!


John Clifford
East Kilbride

On 16 Nov 2010, at 21:19, Rick Damon wrote:


Ditto to what Sheila said.
I just tried it on a Mac with Safari.
Also tried it on Windoze with IE.

Glad to continue with Firefox or anything else any time you ask,  
Anthony.


--Rick


On Nov 16, 2010, at 4:13 PM, bri...@aol.com wrote:



Sorry, Anthony, but that's the way we 're hearing it also.   I  
know that it sounded interesting when you combined Windy Gyle Slow  
Air and fast Jig, but interesting is not the adjective I'd use  
for this combination.


Sheila






-Original Message-
From: Anthony Robb anth...@robbpipes.com
To: Chris Almond chrisalmo...@aol.com; John Birchall Andrea  
Egner john.birch...@t-online.de; Ewan Barker  
e.bar...@ballarat.edu.au; NIGEL BARLOW  
barlowsmallpi...@btinternet.com; Kim Bibby-Wilson  
k...@northumbriana.org.uk; Anne Dolphin Bill Toy  
annedolp...@hotmail.com; Edmund Boulting  
lkmar...@bellsouth.net; Sheila  John Bridges bri...@aol.com;  
Steve Campbell s.campbell...@btinternet.com; Paul Tabbush  
Carolyn Robson paul.tabb...@virgin.net; Margaret Cato  
dmc...@talktalk.net; Tevye Celius t-cel...@onu.edu; Sue Clark  
sue.cl...@blueyonder.co.uk; Roger Clubley  
ro...@clubleys.co.uk; Dave Cook dco...@talk21.com; John  
Corrigan j...@x1jjc.wanadoo.co.uk; Graham O'Sullivan  
grahamjosulli...@yahoo.co.uk; David Oliver  
dmomu...@hotmail.co.uk; Sara Paton cookie_...@hotmail.com;  
Tristan Seldon lord.nit...@googlemail.com; Gill Sergeant  
gsat5...@aol.com; Dave Singleton david...@pt.lu; neil smith'  
nwspi...@hotmail.co.uk; Neil Tavernor neiltavernor!

 @b!
tinternet.com; Jenny Tunbridge g.tunbri...@allsaints- 
gosforth.org.uk; Lindy Turner l.turne...@btinternet.com; Hans  
Waltl wa...@compuserve.com; Francis Wood oatenp...@googlemail.com

Sent: Tue, Nov 16, 2010 9:54 am
Subject: Help please




Hello Folks
May I ask for your help to see if you experience all clips playing  
automatically and simultaneously (OUCH!!) when viewing my website  
www.robbpipes.com
It seems fine from this end but there is at least 1 person out  
there finding this problem and I'd like to see how universal it is.

Hugs  thanks all round for any assistance with this.
Anthony




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[NSP] Re: Rosslyn Castle

2010-04-27 Thread Rev John Clifford
Hi,

Intending to learn the Scottish Small Pipes after I'd gained some
competence with NSP, I bought a second hand Colin Ross chanter (will try
to send a photo in the next couple days, Julia) and a book of tunes The
choicest bagpipe music from the Scottish Borders and Lowlands edited by
Gordon J Mooney in 1982 and 1990.  I've never felt competent enough with
the Northumbrian pipes to branch out but have kept the chanter and book.

The book has 71 tunes, vitually all in A, a few in D, and Roslin Castle. 
The notes for Roslin Castle say:
This was one of the hit tunes of the 18th Century, and appears first in
print under the title 'The Howe of Glamis'.  We have notice of it being
played on the 'Irish pipes by the Perth Town piper.  These Irish pipes
were probably the Improved Pastoral Bagpipe which was fashionable in the
18th century and possessed a chromatic scale over two octaves thus
enabling tunes like Roslin Castle to be played.

The source is given as song 8, page 9 The Scots Musical Museum, Edinburgh,
4 volumes 1853 edition, James Johnson.

I hope this provides some useful information.

John Clifford
retired in Scotland



 I only know  a couple of things about Roslyn Castle (and I think one 's'
 is
 correct in the name).

 Here's sleeve notes from Hamish Moore's LP ''Cauld Wind Pipes'' :

 ''Found in Kerr's Collection. This tune is played on the Pastoral Pipes
 with
 Patsy Seddon on Clarsach and Dougie MacLean on fiddle. The tune, first
 known
 as 'The House of Glamis' was a successful 'weel kent' tune of the 18th
 Century, and was popular among the Pastoral Pipers of Perth. The title was
 changed at some time and is more widely known as Roslyn Castle.''

 The other thing I  know is that Robert Burns used the tune for at least
 for
 one of his songs, entitled only ''Song'' (unsurprising because the words
 are
 not one of his best songwriting achievements).

 As for Hamish's performance of the tune on Pastoral pipes these are a
 notoriously elusive, problematic instrument and I don't think has ever
 been
 repeated.  Despite one or two claims I doubt whether any pipe-maker has
 managed to successfully make or restore a satisfactory playable set. Also
 the suggestion from the sleeve note that there was somehow at one time a
 corps of ''Pastoral Pipers of Perth'' seems slightly fanciful. These were
 early days in the Scottish bellows pipes revival of the 1980's and we were
 all a bit over-excited about all kinds of discoveries about old Scottish
 bellows-piping lore and new possibilities.  Mind I could be totally wrong
 and maybe in days of yore there were lots of Pastoral pipers in Perth.

 Anyway it is a lovely haunting tune.



 Bill

 where the tune is played on Pastoral pipes (a deeply problematic
 instrument)
 state:

 -Original Message-
 From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
 Behalf
 Of Richard York
 Sent: 26 April 2010 13:11
 To: NSP group
 Subject: [NSP] Rosslyn Castle

 Rosslyn/Roslyn/Roslin Castle is a tune I love, and it's in the NPS
 books.  I'd like to find more about the origin.

 The story about the mason, from Andy May on his CD insert,  is a great
 tale, but of course doesn't explain the tune's beginnings - I sort of
 assumed from there it was perhaps a lament related to the terrible deed.
 But it never seems very Scottish in its shape - all those major 7th
 leaps in a minor tune.

 We have a CD by the Welsh triple harp player Llio Rhydderch (OT
 thought... so was Lliopatra really Welsh, not Egyptian??!) who is very
 steeped in her tradition and takes it very studiously.
 She writes that there's a tradition that a relation of the famously
 Eponymous David of the White Rock, (and he died early mid C19th),
 travelled to Rosslyn Castle where he worked as a gardener, and took the
 tune with him from Wales. Certainly, once you hear her playing of it,
 it's absolutely Welsh. And very much the same feel as the David Of etc
 tune.
   On t'other hand she doesn't actually say who wrote it or when.
 While it's not strictly a Northumbrian Question, it's now in the nsp
 repertoire, so does anyone know any more of it, please?

 Thanks,
 Richard.





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On Mon, Apr 26, 2010 at 2:18 PM, Richard York
[1]rich...@lizards.force9.co.uk wrote:

 what about the Scottishness of Welshness of the shape of the tune?

I don't know enough about Welshness to comment, but to me the tune
sounds more rooted in a particular time than a particular place.

--

 References

1. mailto:rich...@lizards.force9.co.uk


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[NSP] Re: nsp'ers in scotland

2010-04-05 Thread Rev John Clifford
Bob,

I've been back in Scotland (East Kilbride) for the past 2 years and some
months ago re-activated my regular practice which had lapsed during five
years in Wales when other priorities intervened.  I'm a piper only in the
sense that I know how to play individual notes in sequence, not in terms
of facility or dexterity.

When I lived in Portobello I occasionally managed to make a monthly
session hosted by Graham Dixon in East Lothian -- I don't know if it is
still meeting.

You could do what I did once some years ago and go through the Members'
List and contact pipers in your area asking if anyone would like to
play

John Clifford
East Kilbride


OK. Can we establish if there are any other players in Scotland then?
I'm in Perth although I guess I cant be described as a player(yet).



Cheers

Bob





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[NSP] Re: unusual letters

2009-08-19 Thread Rev John Clifford
There's another problem -- even if you put the correct looking letter into
an email (easy for me with a Welsh keyboard driver), in a list environment
the list master may have restrictive settings.  Safest way is to create
your text and save it in pdf form.  If the list doesn't permit
attachments, send it directly to the person you're trying to reach.

John Clifford


Surely worth a go if it means more chance of the name being right in
the publication?
A
--- On Wed, 19/8/09, Barry Say barr...@nspipes.co.uk wrote:

  From: Barry Say barr...@nspipes.co.uk
  Subject: [NSP] Re: Tune title spelling
  To: Nsp@cs.dartmouth.edu
  Date: Wednesday, 19 August, 2009, 10:25 AM

Hi All
Personally I wouldn't bother trying to put exotic characters in e-mail.
They
only work if the recipient is using the same system to read the
messages as the
sender is using to compose them.
Look at the trouble we with get with -L- signs.
Barry
On 19 Aug 2009 at 10:02, The Red Goblin wrote:
  I have not found a way to access them for e-mail.?

 Tip:  In WinXP (MacOS/Linux may have a similar applet) I simply copy
 paste
 exotic characters from the Character Map* accessory.

 Steve Collins

 * Buried in Start  Programs  Accessories  System Tools
   (points to %SystemRoot%\System32\charmap.exe if missing)
   but I keep a shortcut handy on my Office Toolbar



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[NSP] Re: Swedish letters

2009-08-18 Thread Rev John Clifford
Simon,

All sorts of wierd permutations on latin letters are possible on a Mac and
I assume on a MS machine -- just install a Welsh keyboard driver.  There
are a few slavic letters I can't do but German, Scandanavian, Hungarian,
French, Spanish are easily accessible on a dead-key basis.  The normal
British letters are as written on the keys but the alt key is magic.

John
retired in Scotland but still trying to learn Welsh.


My version ( from a P Cato personal recording from Ushaw College 01)
says that there's a little o  over the second a  ( sorry my mac don't
do Swedish..)

Simon

On Tue, Aug 18, 2009 at 9:11 PM, Julia Say [1]julia@nspipes.co.uk
wrote:

  Can anyone tell me where the letters with dots over and suchlike
  should go in the tune title APPELBOLATEN (it's Swedish).
  I have it handwritten, twice and differently, from various sources,
  and I don't trust either rendition.
  Thanks
  Julia
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 References

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[NSP] Re: right thumb injury

2007-05-08 Thread John Clifford
John.

As a fellow cyclist and piper you have my very deep, if confused,  
sympathy.  I'm a very mediocre player but a serious injury to either  
hand would have an exponential effect on my overall happiness with  
life since I love music and my pipes so much.

However, I don't understand what keys you would be hitting with your  
right thumb.  If general strength or mobility is affected, perhaps a  
hook like some recorder players have might make holding the chanter  
more stable and there should be space for one to be superglued or  
screwed into place by your pipemaker.  Now, if you are talking about  
your right index finger, that's something else.

John

Rev John Clifford
42 Sir Stafford Close, Caerphilly CF83 3BA, Wales UK
[EMAIL PROTECTED]

still looking for other pipers in SE Wales


On 8 May 2007, at 17:10, [EMAIL PROTECTED] wrote:

 Last Saturday I crashed on my bicycle avoiding a couple of dogs at the
 bottom of a long downhill.  The worst of my injuries is a torn  
 ligament
 between my thumb and forefinger on my right hand.  I was in the  
 drops when
 I hit the pavement and jammed my thumb against the handle bar,  
 pushing it
 in the opposite direction of its normal bent.  It requires surgery to
 reattach, which I'm scheduled to have next Monday.  The orthopedic  
 doctor
 gave me some very bad news about how this will effect the movement  
 of my
 right thumb.  He said I need physical therapy to do regular things  
 like
 typing on a key board, so I'm very concerned how this will effect my
 ability to hit keys with my thumb.  Has anyone here ever had this  
 injury
 and how did you get back up to speed on the pipes after surgery?  I  
 hope
 the doctor was just giving me a worse case scenario.

 all the best,

 John Dally

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[NSP] Re: right thumb injury

2007-05-08 Thread John Clifford
Sorry folks, I just had a brainstorm and was totally focused on  
something else -- I don't know what I was thinking of when I wrote my  
last message but it wasn't connected to this world.

John

Rev John Clifford
42 Sir Stafford Close, Caerphilly CF83 3BA, Wales UK
[EMAIL PROTECTED]



On 8 May 2007, at 18:06, Stephen Douglass wrote:

 Several keys get hit with the right thumb depending on your chanter  
 range.

 On May 8, 2007, at 12:29 PM, John Clifford wrote:

 John.

 As a fellow cyclist and piper you have my very deep, if confused,
 sympathy.  I'm a very mediocre player but a serious injury to either
 hand would have an exponential effect on my overall happiness with
 life since I love music and my pipes so much.

 However, I don't understand what keys you would be hitting with your
 right thumb.  If general strength or mobility is affected, perhaps a
 hook like some recorder players have might make holding the chanter
 more stable and there should be space for one to be superglued or
 screwed into place by your pipemaker.  Now, if you are talking about
 your right index finger, that's something else.

 John

 Rev John Clifford
 42 Sir Stafford Close, Caerphilly CF83 3BA, Wales UK
 [EMAIL PROTECTED]

 still looking for other pipers in SE Wales


 On 8 May 2007, at 17:10, [EMAIL PROTECTED] wrote:

 Last Saturday I crashed on my bicycle avoiding a couple of dogs  
 at the
 bottom of a long downhill.  The worst of my injuries is a torn
 ligament
 between my thumb and forefinger on my right hand.  I was in the
 drops when
 I hit the pavement and jammed my thumb against the handle bar,
 pushing it
 in the opposite direction of its normal bent.  It requires  
 surgery to
 reattach, which I'm scheduled to have next Monday.  The orthopedic
 doctor
 gave me some very bad news about how this will effect the movement
 of my
 right thumb.  He said I need physical therapy to do regular things
 like
 typing on a key board, so I'm very concerned how this will effect my
 ability to hit keys with my thumb.  Has anyone here ever had this
 injury
 and how did you get back up to speed on the pipes after surgery?  I
 hope
 the doctor was just giving me a worse case scenario.

 all the best,

 John Dally

 --

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 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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