Sorry... obviously, I meant that we have AdobeRGB monitors...
On Fri, Oct 17, 2014 at 9:16 AM, Fredrik Averpil fredrik.aver...@gmail.com
wrote:
Hi,
In a linear Maya/Nuke pipeline with sRGB monitors, if I want to deliver
e.g. a TIF in AdobeRGB colorspace, what would be the most ideal
Depends how down and dirty you want to get..
*Ideal*: download ctl source for ACES, modify the sRGB ODT to output
Adobe98, create new LUTs, add them to the OCIO config. Set monitors to
Adobe98.. Do stuff.
(All normal ACES caveats implied)
*Workable*: use standard Nuke 1D sRGB display transform,
Hi Alex,
So let's go with the workable scenario for now ;)
What you're saying is I still have to do assign the ICC and perform color
correcting in e.g. Photoshop just before saving out the final deliverable
(e.g. a TIF)?
There's no way I can actually render out the final thing directly out of
Hi there,
JOps http://www.nukepedia.com/plugins/other/j_ops/ has an ICC color
transform right inside Nuke. Can that help?
Ron Ganbar
email: ron...@gmail.com
tel: +44 (0)7968 007 309 [UK]
+972 (0)54 255 9765 [Israel]
url: http://ronganbar.wordpress.com/
On Fri, Oct 17, 2014 at 11:12 AM,
Potentially, but I was thinking more about how you deal with the images
once they have left Nuke..
When you're in Nuke, It will be what ever it is, but when you've rendered
out your images, most other coloursync aware apps like Preview or Photoshop
will assume, given no other information, that
Photoshop will if no profile embeded assume its what ever photoshop is set
as working profile. So that just need to be adobergb
On Oct 17, 2014 5:13 AM, Alex Fry a...@alexfry.com wrote:
Potentially, but I was thinking more about how you deal with the images
once they have left Nuke..
When
