On 7/12/2012 8:49 AM, Matthew Hunt wrote:
On Thu, Jul 12, 2012 at 8:47 AM, Mark Roberts
wrote:
If the color space for RAW is determined by the sensor & "associated
hardware/software",
what does setting the color space on the camera do?
It probably affects the in-camera translation to jpeg.
Those people would never be my clients. I'd rather pound sod. ;-)
On Thu, Jul 12, 2012 at 12:09 PM, Bob W wrote:
> I'm reading a very interesting book at the moment about the commercial
> practice of early Renaissance painting. You should think yourselves lucky
> your clients don't specify that y
On Jul 13, 2012, at 4:12 AM, George Sinos wrote:
> There's a lot of over-thinking going on in this thread. Most of it is
> technically correct and practically insignificant.
Mark!
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I'm reading a very interesting book at the moment about the commercial
practice of early Renaissance painting. You should think yourselves lucky
your clients don't specify that you grind the colours yourself and use
ultramarine at 2 florins the ounce on the Virgin's cloak, and ultramarine at
one fl
On Thu, Jul 12, 2012 at 8:48 AM, Larry Colen wrote:
> Are you saying it does, or does not, affect the data in the raw file?
Raw files contains sensor data, metadata describing camera settings
and image attributes, and optionally a JPEG preview. Colorspace
profile settings affect the specifics in
That's why I spend time to get clients to agree on what the
*deliverables* will be, rather than how I achieve producing those
deliverables. No client tells me how to set my camera, if they insist,
I refuse the contract.
On Thu, Jul 12, 2012 at 8:21 AM, Mark Roberts
wrote:
> You're probably right
Larry -
For your purposes, it will not effect the raw data in the image. It
will effect the embedded jpg preview image that you see on the camera
LCD screen. So any histogram you see on the back of the camera will
also be effected because it is generated from the embedded jpeg. For
all practica
On Jul 12, 2012, at 7:31 AM, Godfrey DiGiorgi wrote:
> Colorspace is a parameter used in the chroma interpolation phase of
> the raw conversion process, on the way to an RGB channel file of
> whatever format.
Are you saying it does, or does not, affect the data in the raw file?
>
> What they'r
Godfrey DiGiorgi wrote:
>On Wed, Jul 11, 2012 at 11:33 AM, Larry Colen wrote:
>> For an event that I'm shooting, it was just specified we shoot in raw and,
>> adobe RGB.
>> My understanding was that sRGB and adobe RGB only came into play in
>> converting to JPEG, that RAW was just the raw data
Colorspace is a parameter used in the chroma interpolation phase of
the raw conversion process, on the way to an RGB channel file of
whatever format.
What they're telling you is that they want the deliverables produced
with Adobe RGB profile. Most people are confused about the camera
settings when
On Thu, Jul 12, 2012 at 10:07 AM, John Sessoms wrote:
> AWB changes the WB every time you move the camera. Every frame requires a
> different correction.
>
> I just set it on daylight so it's consistently wrong by the same amount for
> every frame. That way I can batch process the corrections.
I
From: "Peter Loveday"
If the color space for RAW is determined by the sensor & "associated
hardware/software",
what does setting the color space on the camera do?
It probably affects the in-camera translation to jpeg.
That is correct.
Indeed.
However... theoretically, there have been spo
If the color space for RAW is determined by the sensor & "associated
hardware/software",
what does setting the color space on the camera do?
It probably affects the in-camera translation to jpeg.
That is correct.
Indeed.
However... theoretically, there have been sporadic reports that the
On Thu, Jul 12, 2012 at 8:47 AM, Mark Roberts
wrote:
>>> If the color space for RAW is determined by the sensor & "associated
>>> hardware/software",
>>> what does setting the color space on the camera do?
>>>
>>It probably affects the in-camera translation to jpeg.
>
> That is correct.
Does it
Stan Halpin wrote:
>On Jul 12, 2012, at 8:25 AM, John Sessoms wrote:
>
>> From: Postmaster
>>
>>> Larry Colen wrote:
>>>
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only came into play in
It probably affects the in-camera translation to jpeg.
stan
On Jul 12, 2012, at 8:25 AM, John Sessoms wrote:
> From: Postmaster
>
>> Larry Colen wrote:
>>
>>> For an event that I'm shooting, it was just specified we shoot in raw and,
>>> adobe RGB.
>>>
>>> My understanding was that sRGB and
From: Postmaster
Larry Colen wrote:
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only came into play in converting
to JPEG, that RAW was just the raw data off the sensor.
Am I more confused than usual?
The only difference in size makes whether you chose DNG or PEF. PEF
seemed to be slightly smaller than DNG but its not a rule...
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Larry Colen wrote:
>For an event that I'm shooting, it was just specified we shoot in raw and,
>adobe RGB.
>
>My understanding was that sRGB and adobe RGB only came into play in converting
>to JPEG, that RAW was just the raw data off the sensor.
>
>Am I more confused than usual?
Nope. You're qu
> You can make sRGB for the
> web and consumer prints, adobeRGB for better ink jet printers, and
> ProPhoto RGB for imaginary devices that may exist in the future.
That was awesome, George. Gotta be in the quotes section of next year's Annual.
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Hi Larry. There's no color space in a raw file. You select the color
space when you turn it into a jpeg.
That's another reason to shoot raw files. You can make sRGB for the
web and consumer prints, adobeRGB for better ink jet printers, and
ProPhoto RGB for imaginary devices that may exist in th
For an event that I'm shooting, it was just specified we shoot in raw and,
adobe RGB.
My understanding was that sRGB and adobe RGB only came into play in converting
to JPEG, that RAW was just the raw data off the sensor.
Am I more confused than usual?
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