To: Pentax-Discuss Mail List
Subject: Re: photographing guitars
Make sure to pick up on your client's needs, use it as a bridge to
convey your intent. Don't get strapped by leaving equipment at home and
try to stay in tune with the project. Otherwise this whole thing will
be a pain in the neck
On 11/9/09, Brendan MacRae, discombobulated, unleashed:
Ahem, I think you meant to say F-hole, and yes, I was...:-)
Nope - A !
http://www.greatmusicproductsonline.com/proddetail.asp?prod=KM-172
--
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|
So what's the pun-ishment?
-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Chris
Mitchell
Sent: Saturday, September 12, 2009 3:14 AM
To: 'Pentax-Discuss Mail List'
Subject: RE: photographing guitars
That's not fair - too many puns in one go
- Original Message
From: Chris Mitchell chris.mitch...@which.net
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, September 12, 2009 12:14:29 AM
Subject: RE: photographing guitars
That's not fair - too many puns in one go! You've distorted our ability to
contribute
Brendan MacRae wrote:
From: Chris Mitchell chris.mitch...@which.net
That's not fair - too many puns in one go! You've distorted our ability to
contribute. In effect here should be a chorus of disapproval.
It's true! I should be given the axe!
No point in that: You'd just pickup where you
Mark Roberts wrote:
Brendan MacRae wrote:
From: Chris Mitchell chris.mitch...@which.net
That's not fair - too many puns in one go! You've distorted our ability to
contribute. In effect here should be a chorus of disapproval.
It's true! I should be given the axe!
No point in
Kenneth Waller
http://www.tinyurl.com/272u2f
- Original Message -
From: P. J. Alling webstertwenty...@gmail.com
Subject: Re: photographing guitars
Mark Roberts wrote:
Brendan MacRae wrote:
From: Chris Mitchell chris.mitch...@which.net
That's not fair - too many puns in one go
Ken Waller wrote:
From: P. J. Alling webstertwenty...@gmail.com
Mark Roberts wrote:
Brendan MacRae wrote:
From: Chris Mitchell chris.mitch...@which.net
That's not fair - too many puns in one go! You've distorted our ability
to
contribute. In effect here should be a chorus of disapproval.
Of
Brendan MacRae
Sent: 11 September 2009 22:26
To: Pentax-Discuss Mail List
Subject: Re: photographing guitars
Make sure to pick up on your client's needs, use it as a bridge to
convey your intent. Don't get strapped by leaving equipment at home and
try to stay in tune with the project
Remember that rules are made to be broken.
Take all kinds of relectors so you can pick and choose on the day.
You can't use a light or reflector that you didn't bring.
A large reflector/diffuser/tent would be really useful for getting
full edge lighting on the neck and to pick out the subtle
buy a collectable guitar book and copy their lighting technique.
Ask the client if they want minor dings, scratches etc left in or
photoshopped out.
--
J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER DISC Discussions :
http://tech.groups.yahoo.com/group/cdplayers/
Since you're not sure of the shot, bracket - er, take more than one option.
Polarizers are helpful indeed, but sometimes they just don't save the
situation. Depending on the guitar details, you could get very
interesting results showing the surface under the reflections.
Classic (acoustic),
From: Larry Colen
Just got word of a possible paid gig on Monday photographing guitars.
Anything in particular to watch out for?
Reflections? Use a polarizer? Try to set up a light tent?
Larry
Reflections are a big deal. It's like photographing glass. You can
easily get blown out
Just don't fret ;-)
-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of John
Sessoms
Sent: Friday, September 11, 2009 2:28 PM
To: pdml@pdml.net
Subject: RE: photographing guitars
From: Larry Colen
Just got word of a possible paid gig on Monday
Subject: RE: photographing guitars
From: Larry Colen
Just got word of a possible paid gig on Monday photographing guitars.
Anything in particular to watch out for?
Reflections? Use a polarizer? Try to set up a light tent?
Larry
Reflections are a big deal. It's like photographing glass
Just don't fret ;-)
You nut.
--
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|http://www.cottysnaps.com
_
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To: pentax list PDML@pdml.net
Sent: Friday, September 11, 2009 1:31:28 PM
Subject: Re: photographing guitars
Just don't fret ;-)
You nut.
--
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=| http://www.cottysnaps.com
On 11/9/09, Brendan MacRae, discombobulated, unleashed:
Make sure to pick up on your client's needs, use it as a bridge to
convey your intent. Don't get strapped by leaving equipment at home and
try to stay in tune with the project. Otherwise this whole thing will be
a pain in the neck.
You're
- Original Message
From: Cotty cotty...@mac.com
To: pentax list PDML@pdml.net
Sent: Friday, September 11, 2009 2:30:07 PM
Subject: Re: photographing guitars
On 11/9/09, Brendan MacRae, discombobulated, unleashed:
Make sure to pick up on your client's needs, use
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