trip?
tan.
-Original Message-
From: John Coyle [mailto:[EMAIL PROTECTED]
Sent: Saturday, 10 April 2004 5:09 PM
To: [EMAIL PROTECTED]
Subject: Re: omg - i have my foot in the door (but now I am scared)...
Hi Tan: just got back to read about your problem. If you haven't resolved
it b
Hi Tan: just got back to read about your problem. If you haven't resolved
it by the time you need to go to the coast, and it helps, my AF330FTZ is
yours for as long as you want it.
Regards
John Coyle
Brisbane, Australia
- Original Message -
From: "Tanya Mayer Photography" <[EMAIL PROTEC
t: RE: omg - i have my foot in the door (but now I am scared)...
> 6. Gonna shoot RAW and have my laptop nearby plugged into my hire car for
> quick downloads. Also gonna buy another 1gb CF card before hand. Will
also
> set
> the camera to its low contrast setting.
Hi Tan
Sounds like picking up a ND2 and/or an ND4 filter would be a good idea. If
necessary just get the filter in the largest filter size you use and get
step up rings for the other filter sizes. Also, if you already have it a
polarizer filter is good for 2-3 stops, so your F-16 turns into F-5.6
>
> From: "Rob Brigham" <[EMAIL PROTECTED]>
> > > From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]
> > >
> > > One question though - I am going to have to work with my lens
> > > stopped down due to the excess light. Probably in the realm
> > > of f16. This totally sucks for portraitu
Tanya,
forgot to mention that along with the flash itself, the camera's flash setting needs
to be set to W
HS - wireless and high speed. This is done by repeatedly pressing the
flash button until the two symbols show up.
--
Best regards,
Bruce
Tuesday, March 23, 2004, 7:39:21 AM, you wrote:
Hello Tanya,
#7 - I'm not sure if you are totally understanding the high speed synch
issue. P-TTL or TTL for that matter don't rely on camera modes
(AV, TV, P, M), they rely on the amount of light coming into the
camera. So you can set the camera manually if you choose and let the
flash fire awa
From: "Rob Brigham" <[EMAIL PROTECTED]>
> > From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]
> >
> > One question though - I am going to have to work with my lens
> > stopped down due to the excess light. Probably in the realm
> > of f16. This totally sucks for portraiture as it increa
am [mailto:[EMAIL PROTECTED]
Sent: Tuesday, 23 March 2004 10:57 PM
To: [EMAIL PROTECTED]
Subject: RE: omg - i have my foot in the door (but now I am scared)...
> -Original Message-
> From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]
>
> One question though - I am going t
Just my $0.02 (whats that in Aus?, about $0.03?)
todays exchange US --> OZ
USD United States Dollars 1.32776 0.753147
so US 2c = OZ 2.65c
;-)
(*)o(*)
Robert
[EMAIL PROTECTED]
Sure ... nothing wrong with that, either.
mapson wrote:
>
> >just my half thimble-full ...
> >
> >shel
>
> I feel what Tanya is going through. I would hate to leave the *istD at home
> knowing I have it.
>
> BUT maybe it is possible to have 2 bodies. One for digital and a film one.
> Digital f
just my half thimble-full ...
shel
I feel what Tanya is going through. I would hate to leave the *istD at home
knowing I have it.
BUT maybe it is possible to have 2 bodies. One for digital and a film one.
Digital for those that want it. And Film to back you up and have this
security blanket (
Hi Tan
repeat this mantra histograms, histograms
Seriously use your histograms often to make sure you're not clipping =
highlights try to stay away or modify very contrasty lighting and =
bracket -1 and -2 ev. Shoot raw for the 16 bit color as it will help =
with smoother tonal transitions. Final
2:43 AM
Subject: omg - i have my foot in the door (but now I am scared)...
> The guys wore white shirts which were an absolute disaster to try and
> expose. The bride wore a dark pink dress (thank god!), imagine if it had
> been white, I would have been totally up proverbial the creek.
If there is an issue with sensors and meters picking up
ambient light and affecting a shot (too dark or washed out)
then using a flash in manual mode may be the easiest option.
For candids where you're working with a consistent
distance from the subject this can work.
If you have a high-output flas
I do not have a digital camera, so I can only speak in generalities. But digital
to my understanding is much like slide film. Blown highlights are unrecoverable.
You might try setting exposure compensation to underexpose 1/2 to 2 stops
depending on the brightness of those highlights. I might jus
Actually, I believe the 360 is on the operating table at the moment.
Different John.
On Mon, 22 Mar 2004 08:11:04 -0800, Bruce Dayton <[EMAIL PROTECTED]>
wrote:
Hello John,
Why do you say that? She is using an AF360FGZ which does have flash
compensation on it. Instead of dialing it into the
al EXP mode
RB> on the body? This was what people suggested for the MZ-S?
>> -Original Message-
>> From: Bruce Dayton [mailto:[EMAIL PROTECTED]
>> Sent: 22 March 2004 16:11
>> To: John Francis
>> Subject: Re: omg - i have my foot in the door (but no
Hello Tanya,
Well, that certainly changes things. The AF360FGZ is about the only
flash right now that will allow high speed flash synch and adjustable
compensation for the flash output.
Your other flashes are going to make it slower to work with - you
really need a more versatile backup - either
22 March 2004 16:11
> To: John Francis
> Subject: Re: omg - i have my foot in the door (but now I am scared)...
>
>
> Hello John,
>
> Why do you say that? She is using an AF360FGZ which does
> have flash compensation on it. Instead of dialing it into
> the body, yo
Hello John,
Why do you say that? She is using an AF360FGZ which does have flash
compensation on it. Instead of dialing it into the body, you dial it
into the flash (like Nikon and others). I used to do as you described
with my PZ-1p's and AF500FTZ and now do the same with the *istD and
AF360FGZ
[mailto:[EMAIL PROTECTED]
> Sent: 22 March 2004 13:23
> To: [EMAIL PROTECTED]
> Subject: RE: omg - i have my foot in the door (but now I am scared)...
>
>
>
> Hi everyone,
>
> Thanks so much for advice and suggestions...
>
> Firstly to Anthony - I am so sorry to h
Hi Tanya ...
I wasn't going to offer any suggestions as what I know about
the istd and flash wouldn't fill a thimble, but you made a
comment that I can comment upon. You said:
> A few of you have suggsted that for this shoot at least, I should go back to
> shooting the film as I know it and the
Hi everyone,
Thanks so much for advice and suggestions...
Firstly to Anthony - I am so sorry to have put you through that! lol. I
was about to post and say to you that the thumbnails are only 2k in size and
I went to my server to realise that I had uploaded the large images into the
thumbnail
Tan,
After 6 pages of the thumbnails being unusually large (in file size) they
settled down to around 2kb, so I've been able to breeze through the whole
collection of thumbs looking for the rotten exposures. But nothing was as
bad as you suggested, instead I simply found some of the images showed
Well, you've got your hands full. Here's a few thoughts to kick around. You have to do
something to control the light to keep the tonal range within the dynamic range of
your recoring media (digital or film). If you don't there will be no such thing as
proper exposure. Two things to use to do th
I can't present my client with images of 40 children with underexposed faces
and nicely exposed backgrounds, and likewise, I can't present them with
images of blown out background but perfectly exposed faces...
If anything I would go for underexposed and correctly exposed (background
and foregrou
On Mon, 22 Mar 2004 15:43:17 +1000, you wrote:
Post this question, perhaps shortened to just the basics, to
rec.photo.technique.people, or join z-prophoto group at
http://groups.yahoo.com/group/z-ProPhoto .
Both places have experts in people photography who seem very good at
providing usable an
04 4:43 PM
To: [EMAIL PROTECTED]
Subject: omg - i have my foot in the door (but now I am scared)...
Ok, guys, now this is serious stuff. I have just been booked for my
very first fashion shoot for the weekend of 16/17 April. This is not
just any old fashion label though, it is actually for an a
- Original Message -
From: "Tanya Mayer Photography"
Subject: omg - i have my foot in the door (but now I am scared)...
>
>
> Ok, guys, now this is serious stuff.
>
> Come guys, dig into your deepest, darkest pits of knowledge and
someone
> please of
Ok, guys, now this is serious stuff. I have just been booked for my very
first fashion shoot for the weekend of 16/17 April. This is not just any
old fashion label though, it is actually for an agency. It is a kids
agency, and they want me to shoot 40 kids over two days for their z-cards,
port
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