Re: Dickens Fair and the 35/1.4

2019-12-04 Thread lrc
Yeah, that's how I've been doing it for something like twelve years. I think 
that it's just the wide world of view and shallow focus so that the camera 
keeps finding something like writing on the background to focus on .

On December 4, 2019 8:12:46 AM PST, Paul Sorenson  wrote:
>From your reply below it seems like you have the customization for the 
>AF button on the "CANCEL AF" setting which sets the camera to manual 
>focus when the AF button is pressed - but only when continuing to press
>
>the AF button.  It will remain in manual as long as you hold down the
>AF 
>button but once you release it the camera reverts back to AF with the 
>shutter release button.  Is it possible that's what's happening for
>you?
>
>-p
>
>On 12/3/2019 4:04 AM, Larry Colen wrote:
>>> On Dec 3, 2019, at 1:27 AM, Ralf R Radermacher 
>wrote:
>>>
>>> Am 03.12.19 um 00:40 schrieb Larry Colen:
 Rather than focusing on some random object in the foreground, I
>keep getting all of these photos that are perfectly focused on the
>wall...
>>> I've solved this prob by selecting spot focus in the centre of the
>>> image, taking the focussing function away from the trigger, and
>putting
>>> it on the AF button.
>>>
>>> This way, you put the object you want to focus on smack in the
>centre of
>>> the image, push the AF button and then reframe to get the shot you
>want.
>>> Stop down a little and you're usually good for a few shots without
>>> having to re-focus each time.
>> I pretty much do the same thing, but differently. I have the AF
>button set to lock out AF, so I’ll depress the shutter until I get
>focus then lock it with the AF button.  Same thing, but in normal
>conditions I don’t have to think about explicitly focusing.  I was
>using the 35/1.4 rather than the 31/1.8 in the low light explicitly
>because I needed the extra 2/3 of a stop, stopping down a couple of
>stops would have been counterproductive. :-)
>>
>>
>>> Ralf
>>>
>>> --
>>> Ralf R. Radermacher  -  Köln/Cologne, Germany
>>> Blog  : http://the-real-fotoralf.blogspot.com
>>> Audio : http://aporee.org/maps/projects/fotoralf
>>> Web   : http://www.fotoralf.de
>>>
>>> -- 
>>> PDML Pentax-Discuss Mail List
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>>> http://pdml.net/mailman/listinfo/pdml_pdml.net
>>> to UNSUBSCRIBE from the PDML, please visit the link directly above
>and follow the directions.
>>>
>> --
>> Larry Colen
>> l...@red4est.com
>>
>>
>>
>>
>-- 
>Paul Sorenson
>Studio1941
>
>Sooner or later "different" scares people.
>
>
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Re: Dickens Fair and the 35/1.4

2019-12-04 Thread Paul Sorenson
From your reply below it seems like you have the customization for the 
AF button on the "CANCEL AF" setting which sets the camera to manual 
focus when the AF button is pressed - but only when continuing to press 
the AF button.  It will remain in manual as long as you hold down the AF 
button but once you release it the camera reverts back to AF with the 
shutter release button.  Is it possible that's what's happening for you?


-p

On 12/3/2019 4:04 AM, Larry Colen wrote:

On Dec 3, 2019, at 1:27 AM, Ralf R Radermacher  wrote:

Am 03.12.19 um 00:40 schrieb Larry Colen:

Rather than focusing on some random object in the foreground, I keep getting 
all of these photos that are perfectly focused on the wall...

I've solved this prob by selecting spot focus in the centre of the
image, taking the focussing function away from the trigger, and putting
it on the AF button.

This way, you put the object you want to focus on smack in the centre of
the image, push the AF button and then reframe to get the shot you want.
Stop down a little and you're usually good for a few shots without
having to re-focus each time.

I pretty much do the same thing, but differently. I have the AF button set to 
lock out AF, so I’ll depress the shutter until I get focus then lock it with 
the AF button.  Same thing, but in normal conditions I don’t have to think 
about explicitly focusing.  I was using the 35/1.4 rather than the 31/1.8 in 
the low light explicitly because I needed the extra 2/3 of a stop, stopping 
down a couple of stops would have been counterproductive. :-)



Ralf

--
Ralf R. Radermacher  -  Köln/Cologne, Germany
Blog  : http://the-real-fotoralf.blogspot.com
Audio : http://aporee.org/maps/projects/fotoralf
Web   : http://www.fotoralf.de

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--
Larry Colen
l...@red4est.com





--
Paul Sorenson
Studio1941

Sooner or later "different" scares people.


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Re: Dickens Fair and the 35/1.4

2019-12-03 Thread Ralf R Radermacher

Am 03.12.19 um 11:04 schrieb Larry Colen:


Same thing, but in normal conditions I don’t have to think about explicitly 
focusing.


After a short while, you won't even have to think about it. It takes
next to no time and my rate of out-of-focus shots has been reduced
dramatically.

Ralf

--
Ralf R. Radermacher  -  Köln/Cologne, Germany
Blog  : http://the-real-fotoralf.blogspot.com
Audio : http://aporee.org/maps/projects/fotoralf
Web   : http://www.fotoralf.de

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Re: Dickens Fair and the 35/1.4

2019-12-03 Thread Larry Colen

> On Dec 3, 2019, at 1:27 AM, Ralf R Radermacher  wrote:
> 
> Am 03.12.19 um 00:40 schrieb Larry Colen:
>> Rather than focusing on some random object in the foreground, I keep getting 
>> all of these photos that are perfectly focused on the wall...
> 
> I've solved this prob by selecting spot focus in the centre of the
> image, taking the focussing function away from the trigger, and putting
> it on the AF button.
> 
> This way, you put the object you want to focus on smack in the centre of
> the image, push the AF button and then reframe to get the shot you want.
> Stop down a little and you're usually good for a few shots without
> having to re-focus each time.

I pretty much do the same thing, but differently. I have the AF button set to 
lock out AF, so I’ll depress the shutter until I get focus then lock it with 
the AF button.  Same thing, but in normal conditions I don’t have to think 
about explicitly focusing.  I was using the 35/1.4 rather than the 31/1.8 in 
the low light explicitly because I needed the extra 2/3 of a stop, stopping 
down a couple of stops would have been counterproductive. :-)


> 
> Ralf
> 
> --
> Ralf R. Radermacher  -  Köln/Cologne, Germany
> Blog  : http://the-real-fotoralf.blogspot.com
> Audio : http://aporee.org/maps/projects/fotoralf
> Web   : http://www.fotoralf.de
> 
> -- 
> PDML Pentax-Discuss Mail List
> PDML@pdml.net
> http://pdml.net/mailman/listinfo/pdml_pdml.net
> to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
> the directions.
> 

--
Larry Colen
l...@red4est.com




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Re: Dickens Fair and the 35/1.4

2019-12-03 Thread Ralf R Radermacher

Am 03.12.19 um 00:40 schrieb Larry Colen:

Rather than focusing on some random object in the foreground, I keep getting 
all of these photos that are perfectly focused on the wall...


I've solved this prob by selecting spot focus in the centre of the
image, taking the focussing function away from the trigger, and putting
it on the AF button.

This way, you put the object you want to focus on smack in the centre of
the image, push the AF button and then reframe to get the shot you want.
Stop down a little and you're usually good for a few shots without
having to re-focus each time.

Ralf

--
Ralf R. Radermacher  -  Köln/Cologne, Germany
Blog  : http://the-real-fotoralf.blogspot.com
Audio : http://aporee.org/maps/projects/fotoralf
Web   : http://www.fotoralf.de

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Re: Dickens Fair and the 35/1.4

2019-12-02 Thread Larry Colen

> On Dec 2, 2019, at 10:27 PM, Paul Sorenson  wrote:
> 
> I may be misunderstanding your problem, but have you tried using the spot 
> focus function instead of the Select-1, locking the focus on your main 
> subject and re-composing as necessary?  

I’m not sure what the difference between spot focus and selecting the center 
focus spot.  But that’s basically what I try to do, and I was still having the 
problem.

> I don't use any of the multiple focus point or Select modes unless I'm 
> shooting sports with AF-C.

With dancing (or martial arts) I’m basically shooting sports, though I’ve 
traditionally had poor luck with AF-C in low light conditions.  I usually need 
to pre-focus and lock focus (using the af button).  Unfortunately, it seems to 
then lock focus on something in the background.

>  If you're shooting a lot of movement you might try using one of the Expanded 
> Area modes, but they only work using AF-C

I may try AF-C again, I don’t remember how long it has been since the 
experiment where it didn’t work, things could be fixed by now.


> 
> -p
> 
> 
> On 12/2/2019 5:40 PM, Larry Colen wrote:
>> About a week ago we went to the Dickens Christmas Fair at the Cow Palace 
>> (Daly City, very close to Brisbane).  In theory, the 35/1.4 would be an 
>> ideal lens for photographing dancing in crowded, low-light conditions.  I 
>> seem to keep running into the opposite of the vocalists microphone problem.  
>> Rather than focusing on some random object in the foreground, I keep getting 
>> all of these photos that are perfectly focused on the wall, 10, 20 or 30 
>> feet behind the people that I’m trying to photograph. My guess is that it is 
>> not a problem with the lens, but with geometry. The wider angle lens has so 
>> much more background in the frame, the camera has more opportunities to 
>> focus on the sharp edge in the background.
>> 
>> The last time I ran into this I was using my standard select-1 autofocus 
>> mode, this time I tried using select-9 in the hopes that it would select the 
>> object in the foreground.  It didn’t work.  I don’t know if it would work 
>> better using AF-C rather than AF-S, if it has a different algorithm to 
>> select the moving object in the foreground. I do wish that just like there 
>> are different auto exposure modes, there were different auto-focus modes, 
>> i.e. select the the object a little further back so that you get the 
>> vocalist rather than the mic, select the object closer so that you get the 
>> person rather than the wall behind them, or only try to focus on objects 
>> near infinity so that when you’re trying to photograph a bird it doesn’t 
>> rack the autofocus all of the way to the closest and back out while the bird 
>> flies out of the frame.
>> 
>> I did try checking out my previews, but on such a small screen, everything 
>> looked like it was in focus. Another feature I would love would be similar 
>> to the blinkies that show clipping, have the focus peaking edge detection 
>> active on preview so I can easily see in the preview what the camera focused 
>> on.
>> 
>> In any case, Dickens Fair can be a fun outing, and does provide some fun 
>> photographic opportunities (even if they don’t allow you to take photos at 
>> the naughty French Postcards show), and I do recommend it for folks in the 
>> Bay Area between Thanksgiving and Christmas.
>> 
>> https://www.flickr.com/photos/ellarsee/albums/72157712035774796
>> 
>> 
>> --
>> Larry Colen
>> l...@red4est.com
>> 
>> 
>> 
>> 
> -- 
> Paul Sorenson
> Studio1941
> 
> Sooner or later "different" scares people.
> 
> 
> -- 
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> the directions.
> 

--
Larry Colen
l...@red4est.com




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Re: Dickens Fair and the 35/1.4

2019-12-02 Thread Paul Sorenson
I may be misunderstanding your problem, but have you tried using the 
spot focus function instead of the Select-1, locking the focus on your 
main subject and re-composing as necessary?  I don't use any of the 
multiple focus point or Select modes unless I'm shooting sports with 
AF-C.  If you're shooting a lot of movement you might try using one of 
the Expanded Area modes, but they only work using AF-C


-p


On 12/2/2019 5:40 PM, Larry Colen wrote:

About a week ago we went to the Dickens Christmas Fair at the Cow Palace (Daly 
City, very close to Brisbane).  In theory, the 35/1.4 would be an ideal lens 
for photographing dancing in crowded, low-light conditions.  I seem to keep 
running into the opposite of the vocalists microphone problem.  Rather than 
focusing on some random object in the foreground, I keep getting all of these 
photos that are perfectly focused on the wall, 10, 20 or 30 feet behind the 
people that I’m trying to photograph. My guess is that it is not a problem with 
the lens, but with geometry. The wider angle lens has so much more background 
in the frame, the camera has more opportunities to focus on the sharp edge in 
the background.

The last time I ran into this I was using my standard select-1 autofocus mode, 
this time I tried using select-9 in the hopes that it would select the object 
in the foreground.  It didn’t work.  I don’t know if it would work better using 
AF-C rather than AF-S, if it has a different algorithm to select the moving 
object in the foreground. I do wish that just like there are different auto 
exposure modes, there were different auto-focus modes, i.e. select the the 
object a little further back so that you get the vocalist rather than the mic, 
select the object closer so that you get the person rather than the wall behind 
them, or only try to focus on objects near infinity so that when you’re trying 
to photograph a bird it doesn’t rack the autofocus all of the way to the 
closest and back out while the bird flies out of the frame.

I did try checking out my previews, but on such a small screen, everything 
looked like it was in focus. Another feature I would love would be similar to 
the blinkies that show clipping, have the focus peaking edge detection active 
on preview so I can easily see in the preview what the camera focused on.

In any case, Dickens Fair can be a fun outing, and does provide some fun 
photographic opportunities (even if they don’t allow you to take photos at the 
naughty French Postcards show), and I do recommend it for folks in the Bay Area 
between Thanksgiving and Christmas.

https://www.flickr.com/photos/ellarsee/albums/72157712035774796


--
Larry Colen
l...@red4est.com





--
Paul Sorenson
Studio1941

Sooner or later "different" scares people.


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Dickens Fair and the 35/1.4

2019-12-02 Thread Larry Colen
About a week ago we went to the Dickens Christmas Fair at the Cow Palace (Daly 
City, very close to Brisbane).  In theory, the 35/1.4 would be an ideal lens 
for photographing dancing in crowded, low-light conditions.  I seem to keep 
running into the opposite of the vocalists microphone problem.  Rather than 
focusing on some random object in the foreground, I keep getting all of these 
photos that are perfectly focused on the wall, 10, 20 or 30 feet behind the 
people that I’m trying to photograph. My guess is that it is not a problem with 
the lens, but with geometry. The wider angle lens has so much more background 
in the frame, the camera has more opportunities to focus on the sharp edge in 
the background.  

The last time I ran into this I was using my standard select-1 autofocus mode, 
this time I tried using select-9 in the hopes that it would select the object 
in the foreground.  It didn’t work.  I don’t know if it would work better using 
AF-C rather than AF-S, if it has a different algorithm to select the moving 
object in the foreground. I do wish that just like there are different auto 
exposure modes, there were different auto-focus modes, i.e. select the the 
object a little further back so that you get the vocalist rather than the mic, 
select the object closer so that you get the person rather than the wall behind 
them, or only try to focus on objects near infinity so that when you’re trying 
to photograph a bird it doesn’t rack the autofocus all of the way to the 
closest and back out while the bird flies out of the frame.

I did try checking out my previews, but on such a small screen, everything 
looked like it was in focus. Another feature I would love would be similar to 
the blinkies that show clipping, have the focus peaking edge detection active 
on preview so I can easily see in the preview what the camera focused on.

In any case, Dickens Fair can be a fun outing, and does provide some fun 
photographic opportunities (even if they don’t allow you to take photos at the 
naughty French Postcards show), and I do recommend it for folks in the Bay Area 
between Thanksgiving and Christmas.

https://www.flickr.com/photos/ellarsee/albums/72157712035774796


--
Larry Colen
l...@red4est.com




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