[Phono-L] Last Edison factory gets a reprieve

2016-10-11 Thread Greg Bogantz via Phono-L
 Here's an interesting article about how the last of the original 
unrestored Edison factory buildings in West Orange, NJ is avoiding being 
demolished and is being given a new lease on life:

http://go.sparkpostmail.com/f/a/_hPUlARvdIHulXDrYi0U6w~~/AABF2wA~/RgRZ3qp2P0EIAGv96kh9bB9XA3NwY1gEAFkGc2hhcmVkYQhzdGFuZGFyZGANNTIuMzguMTkxLjIzN0IKAAH2dv1Xn3pShVIYYXJjaGl2ZUBtYWlsLWFyY2hpdmUuY29tCVEEAERZaHR0cDovL3d3dy5jbm4uY29tLzIwMTYvMTAvMTEvdHJhdmVsL3Rob21hcy1lZGlzb24tYmF0dGVyeS1mYWN0b3J5LWRldmVsb3BtZW50L2luZGV4Lmh0bWxHAnt9

It's amusing that one of the reasons for the reprieve is that the Edison 
cement of which it is constructed has steadfastly resisted several 
attempts by wrecking balls to bring it down.  The Old Man's obstinacy 
lives on.

Greg Bogantz




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Re: [Phono-L] C-4 DD stylus

2018-02-16 Thread Greg Bogantz via Phono-L
    I don't think that playing DDs is what this stylus was intended to 
do.  To be effective for playing vertical cut discs with a lateral 
pickup, the stylus assembly has to have the tip considerably offset to 
the side relative to the line of the shank.  This allows the assembly to 
be a lever that translates vertical motion to lateral motion. This 
stylus looks like an early jeweled tip intended for lateral pickups or 
reproducers.


Greg Bogantz




On 2/16/2018 3:20 PM, Ron L'Herault via Phono-L wrote:


Could the stylus in the attached image be for an Edison C-4 to allow 
it to play Diamond Discs?


Ron L



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Re: [Phono-L] Looking for a 1941 RCA crystal phonograph cartridge

2018-04-24 Thread Greg Bogantz via Phono-L
    Gee, I'm the owner of the Electrola group, but it's been so long 
since I joined it that I can't remember exactly how to do it  :o)   
Also, they've changed it several times since I joined.  Anyway, it's a 
"listserve" just like this phono-l listserve which means that you can 
access it via the website and also you can sign up to both send and 
receive messages from the group via email.  Here's the website of the 
Yahoo Groups assortment:


https://groups.yahoo.com/neo/dir

From this page, enter "Electrola" in the "search groups" box at the top 
of the page.  This will take you to the Electrola home page.  There you 
can click on the purple button titled "join group" near the middle of 
the page.  There you can input your name and email data and choose how 
you want your messages delivered.


I think you can also still join the group by sending an email to the 
following address with the word "subscribe" in the title line of your email:


electrola-subscr...@yahoogroups.com

Welcome aboard!

Greg Bogantz





On 4/24/2018 7:45 PM, Richard Rubin via Phono-L wrote:

Thanks, Greg.  How does one subscribe to the group?

*From:* Phono-L <phono-l-boun...@oldcrank.org> on behalf of Greg 
Bogantz via Phono-L <phono-l@oldcrank.org>

*Sent:* Monday, April 23, 2018 12:53 AM
*To:* Richard Rubin via Phono-L
*Cc:* Greg Bogantz
*Subject:* Re: [Phono-L] Looking for a 1941 RCA crystal phonograph 
cartridge
    You might also want to post this request to the Electrola group on 
Yahoo that specializes in the early electronic phonos of all makes.  
We pretty much discuss everything up thru the 1950s and later.


email to: electr...@yahoogroups.com <mailto:electr...@yahoogroups.com>


Greg Bogantz




On 4/22/2018 6:24 PM, Richard Rubin via Phono-L wrote:
Greetings.  I'm looking for a complete RCA crystal cartridge from 
1941 -- if it is stamped with the part number 38598, 39919 or 38453, 
and looks like the ones in the photos, I'm interested.  This 
cartridge would have been used in several radio-phonograph consoles, 
including the RCA V-210, RCA V-215 and RCA V-225.  If you have one or 
know of someone who might, please let me know.  (Don't worry if the 
crystal is dead -- I expect it to be.)  Thanks!



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Re: [Phono-L] Looking for a 1941 RCA crystal phonograph cartridge

2018-04-22 Thread Greg Bogantz via Phono-L
    You might also want to post this request to the Electrola group on 
Yahoo that specializes in the early electronic phonos of all makes.  We 
pretty much discuss everything up thru the 1950s and later.


email to:  electr...@yahoogroups.com


Greg Bogantz




On 4/22/2018 6:24 PM, Richard Rubin via Phono-L wrote:
Greetings.  I'm looking for a complete RCA crystal cartridge from 1941 
-- if it is stamped with the part number 38598, 39919 or 38453, and 
looks like the ones in the photos, I'm interested.  This cartridge 
would have been used in several radio-phonograph consoles, including 
the RCA V-210, RCA V-215 and RCA V-225.  If you have one or know of 
someone who might, please let me know.  (Don't worry if the crystal is 
dead -- I expect it to be.)  Thanks!



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Re: [Phono-L] Columbia Grafonola - electric motor question

2019-11-06 Thread Greg Bogantz via Phono-L
    Ron has a good point. Most of the early electric motors that were 
used in the first electrified phonographs were of the "universal" type.  
I seem to remember seeing this type in the early Columbia electrics. 
Meaning they had windings of wire in both the armature and in the stator 
magnets.  This is unlike the pure induction motors that were typically 
used by Victor in this period.  The rotor of an induction motor has no 
obvious wire in the rotor that comprises a winding, so it's generally 
easy to identify it as an induction motor.  The armature of a universal 
motor has a commutator with electrical contact brushes that is required 
to switch and energize the several sections of the armature at the 
correct times to interact with the magnetic poles in the stator.  Motors 
of this type can run on either AC or DC current, hence the term 
"universal".  Since the household power commonly in use at that time 
could be anything from low voltage to high voltage DC (the Edison 
system) or variations of AC voltages, universal motors were found to be 
the most compliant with these early electrical systems.  Maybe as a 
consequence of the several voltages available back then, most of the 
early universal phono motors were designed to operate on a fairly low 
voltage of around 24 to 60 volts or so.


    So in order to use them with 120 volts power that is universal 
throughout the USA today, you need to add a "ballast" resistor in series 
with the motor to reduce its operating voltage to whatever it was 
designed for.  Some of these motors have an identification plate 
attached to them that states their operating voltage range. But some 
don't.  So unless you have some other service data that tells you what 
the motor voltage should be, you have to figger that out by trial and 
error.  The easiest way to do this is to hook up the motor to a variable 
voltage device such as a variable autotransformer, typically referred to 
as a "variac" or a "powerstat".  These devices have a continually 
variable output voltage, usually determined by a knob that slides a 
contact brush around the periphery of a toroidal winding on a magnetic 
core. Then slowly raise the voltage on the variac up from 0 and observe 
the operation of the motor.  Motors such as these had their speeds 
dependent on their applied voltage.  In order to make them suitable for 
phonograph use where you want a constant speed, the motor assembly 
usually had a mechanical flyball governor attached to it which operated 
in a manner similar to the flyball governors that were used on spring 
motors.  The electric motor functions as a torque motor and its speed is 
controlled by the mechanical braking action of the governor.  So you 
would need to have the governor mechanism attached and functioning while 
you try to determine the motor voltage.  Crank up the variac until the 
governor engages the brake mechanism to provide the desired platter 
speed of 78 or 80 rpm.  If you have the motor mounted in the player, 
play a record which will produce some additional drag on the motor and 
raise the variac voltage until the playing record is running at the 
desired speed at the outermost diameter (greatest drag).  Then notch the 
variac voltage up a little more, say 5% to 10%  or so to provide some  
reserve torque for "draggy" records.  Note the voltage you are providing 
to the motor.  Then you can either leave the variac in place 
permanently, or you can figger out how to reduce the 120 volt household 
voltage to what the motor wants to see.  You can do this by inserting a 
big, power-hungry wirewound resistor in series with the motor, which 
needs to dissipate a lot of power and will get VERY HOT in operation, 
which is why they are typically wound on a ceramic core.  This is what 
most of the player manufacturers did in their original designs.  This 
allows the motor to continue to be used with either DC (maybe if you're 
still living in the downtown New York City subway system) or typical 
AC.  If you only plan to use the motor with AC, you can look for a fixed 
transformer that provides the required voltage change that you need.  
You'll need to use a fairly hefty transformer for this application since 
the motor is probably consuming 25 watts or so and the transformer will 
have to provide sufficient current for the job.


    In summary, your Columbia motor is probably a low voltage universal 
type.  So you DO NOT want to hook it up directly to your 120 volt 
household current.  Doing so will burn it up pretty quickly.  Perform 
the variable voltage check described above to determine the proper motor 
voltage and then find a way to step down your household 120 volt outlet 
power to what the motor wants.


Greg Bogantz



On 11/6/2019 5:11 PM, Ron L'Herault via Phono-L wrote:

You should be able to figure out what connects to what with visual
inspection and a meter that measures continuity.   Most of the old motors
went through some kind of resistance