If its not the headphones then its your interface. Time to see about a warranty
replacement or something.
> On Dec 13, 2019, at 5:17 PM, Christopher Gilland
> wrote:
>
> it is not the headphones. I've tried about five different pairs. i'll
> different makes and models.
>
>
>
> Sent from
it is not the headphones. I've tried about five different pairs. i'll different
makes and models.
Sent from my iPhone
> On Dec 13, 2019, at 13:15, TheOreoMonster wrote:
>
> Then its probably his headphones. He should try cranking the volume up with
> a few different pairs of headphones
The brand of headphones being used does not matter in the least.
Sent from my iPhone
> On Dec 13, 2019, at 10:52, Ronald J Glaser wrote:
>
>
> I have the same Interface as chris; and I do not know about Chris's
> particular set of cans, but my set of cans do not exibit a his at least that
I won’t disagree with this and I have used a miller set up at times over the
years but also it can lead to more complications in the case of the person in
question here especially considering they are already so confused over
something that can be resolved by simply turning down the
Then its probably his headphones. He should try cranking the volume up with a
few different pairs of headphones and that will reveal whether its the
headphones creating the noise or the headphone amp if he’s eliminatedthe mic
pre from the equation
> On Dec 13, 2019, at 10:52 AM, Ronald J
I’ve found that investing in a small mixer with subgroups and separate outputs
works for direct monitor issues.
In a small setup, something like a Mackie 802VLZ would work. You can record
through one bus, monitor PT on another, and bring VO and system sounds in
through the Mac headphone outs
I have the same Interface as chris; and I do not know about Chris's
particular set of cans, but my set of cans do not exibit a his at least
that is what I am hearing. but my cans come from Yamaha. Not sure if
that matters, or is there something enharent about headphone amps that I
am missing?
Oops? I think I accidentally sent this to chuck privately instead of the
list. Ooops? Anyway, I'm using input monitoring through PT, not direct
monitor. As for the headphones, it's definitely definitely the headphone
amp, not the mike pre. That I can guarantee.
Chris.
On 12/12/2019 12:59
Forget what Sweetwater told you. Lower your music track enough so you can get a
decent level on the vocal for recording. Maximize your output once you're done
with the vocal. Blend the two carefully and you're done. This is not for
commercial release so don't sweat it.
> On Dec 12, 2019, at
Hi Steve,
Your Clip gain method will avoid any "latency" introduced by the gain plug in.
Its quick and your done.!! :)
HTH
Chuck
"God does not play dice with the universe"
"Albert Einstein’
On Dec 12, 2019, at 12:34 PM, TheOreoMonster wrote:
> Pretty much my suggestion regarding clip gain. Trim
Pretty much my suggestion regarding clip gain. Trim plug in does the same just
its done as a plug in insert as well. Chris regarding your noise on the
headphones when you turn it up, unless that noise is the headphone amp and not
coming from the mic pre, you will have the same issue if you
Why not use a trem plugin on the music track and turn it down until it feels
under the microphone?
From: ptaccess@googlegroups.com On Behalf Of
Christopher Gilland
Sent: Thursday, December 12, 2019 12:23 PM
To: ptaccess@googlegroups.com
Subject: Re: I don't know how to deal with this gain
Why not just crank the headphone output so you can hear it during recording.
Just turn VoiceOver’s Volume down you can do this quickly by using
VO+Shift+Command+ left or Right arrows to find VoiceOver’s Volume, and then
using VO+Shift+Command+Up and down arrows to turn the volume up or down.
Does that work though with monitoring in my cans before recording?
That's the main issue. I know how to turn it back up after it's
recorded, but the issue isn't after recorded. It's before. I'm trying to
get it where at such a low level during the actual tracking process, I
can hear what I
I am surprised they gave you that complicat setup, especially considering
iTunes doesn’t give you a way to export tracks once the volume has been lowered
on them. Just use clip gain to lower the instrumental track and it basically
does everything Sweetwater told you to do in one simple step.
Slau,
What Sweetwater actually told me is, lower the karaoke track in iTunes
before importing it to PT.
I'm not totally sure how to do that, but anyway, then, once that is
lowered to fit my vocal level, import into PT, then add my vocal track,
but here's the catch. They told me, then,
Use Clip gain to bring down the level of the instrumental track so you can hear
your vocals as needed. Once you mix your vocals you can use clip gain to adjust
the level of the instrumental track back up a little if you need to get it to
blend with the vocals better.
> On Dec 12, 2019, at
Turn down the mastered track to a manageable level to accommodate your vocal
recording. Once you've recorded the vocal, process the vocal to a comparable
quality of compression and remix the two. You'll probably end up having to
limit your vocal some if the music was mastered particularly hot.
Guys, we've discussed this before, I think, quite some time back, but
the answers I got were kind of vague, and honestly, and this is of no
offense to any of you all, weren't very helpful at the time. That's no
fault of you all. It might have just been my knowledge/experience at
that time was
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