Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

2006-02-26 Diskussionsfäden amanda mcdonald crowley

Thanks Inke/ Florian,

This does help to contextualise.  I had indeed linked to the site  
already, but was keen to understand a little more of the background.


But as Robbin from The Thing points out, some contextual information  
helps others less in the loop with regard to these particular  
players, who understand and are potentially interested to support the  
position you are espousing, but might not understand the background.


cheers

amc

On 23/02/2006, at 7:18 PM, Inke Arns wrote:


Date: Fri, 24 Feb 2006 00:35:56 +0100
From: Florian Cramer [EMAIL PROTECTED]
To: Inke Arns [EMAIL PROTECTED]
Cc: amanda mcdonald crowley [EMAIL PROTECTED], spectre@mikrolisten.de
Subject: Re: [spectre] please link to this site: http:// 
waldvogel.plaintext.cc/


Am Donnerstag, 23. Februar 2006 um 23:10:19 Uhr (+0100) schrieb  
Inke Arns:



 I am singling out Waldvogel because 1) he is the only of the three
 curators who's possibly known outside of a (or even in the) German
 speaking context (as Spectre), and 2) because his name is the  
only of

 the three that keeps re-appearing on mailing lists like Nettime and
 Spectre. Furthermore, I am singling out Waldvogel because 3)
 indeed, he is one of the three curators of the upcoming Manifesta in
 Cyprus (and, through that, has quite an international exposure). And


Just to add my 10 cents: I am singling out Waldvogel (by running the
site while being another writer whose anonymized writing makes up a
considerable part of the Just Do it book) because ripping off other

--
amanda mcdonald crowley
[EMAIL PROTECTED] / [EMAIL PROTECTED]
AIM: amandamcdc99
skype: amandamcdc





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Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

2006-02-24 Diskussionsfäden stephen kovats
 He's also the only of the three curators who ducked a reply to us after
 our protests. And on top of that, Inke's text that got ripped off into
 Just Do It originally had been a lecture of her's at Zollverein - when
 Waldvogel was its curator, and listening to the talk. So beware of Mr.
 Waldvogel attending your lectures.  There's a chance that they end up,
 with his name tag, in his next brilliant catalogue, getting him the next
 big job in the art world. I just learned that he has become a curator at
 Witte de With in Rotterdam.

Hi all, 

Nicolaus Schafhausen (formerly Frankfurter Kunstverein) became the new Witte
de With director and chief-curator on January 1st this year, which here is
being seen as quite a positive development. Reading the posting that
Waldvogel is (or will be) a curator 'across the street' at Witte de With I
was rather hoping that this may have been a slip of the pen. But indeed,
further intensive research has confirmed this to be the case ...

www.wdw.nl

greetings, 

stephen



V2_Institute for the Unstable Media
Stephen Kovats_Program Development
Eendrachtsstraat 10
3012 XL Rotterdam
The Netherlands

t_  **31 10 206 7272
f_  **31 10 206 7271
e_  [EMAIL PROTECTED]
 www.v2.nl
 
events streamed live at www.v2.nl/live
and moderated on irc.v2.nl #V2_tangent


TANGENT_FEAR 
on media and phobic objects
Friday March 03, 2006 @ 19.00 - 22.00 CET
featuring Karen Lancel and Hermen Maat with
Marc de Kesel, Jordan Crandall, Jill Magid and Dennis del Favero

TANGENT_LEAP 
on emergent media landscapes in China
Thursday March 30 @ 19.00 - 22.00 CET
Featuring Michael Anti, Zhang Ga, Karsten Giese and Guobin Yang
in collaboration with International Institute for Asian Studies, Leiden
(IIAS) 

ELECTROMAGNETIC BODIES
exhibition opening May 04, 2006
conference: The Electromagnetic Bride - Saturday May 06, 2006

aRt  D: Research and Development in Art
V2_Publication launched June 04

Beijing Millenium Dialogue
In the Line of Flight
www.newmediabeijing.org

*



































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Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

2006-02-23 Diskussionsfäden Inke Arns

Amanda,

I am happy to oblige, but I am wondering why you have chosen to 
single our Waldvogel in this way and not the other two curators, 
Edlingerl and Stange, who were presumable equally involved in the 
decision to borrow from people's text in the way that you describe 
in your statement/letter about the Just Do It publication (apart 
from the fact that Waldvogel has a particularly high profile 
curatorial position as one of the co-curators for the forthcoming 
Art School version of Manifesta).


you are absolutely right in pointing to the fact that it was indeed 
Thomas Edlinger, Raimar Stange and Florian Waldvogel who were 
involved in, and who are responsible for the (in)famous Lentos 
publication (as I am mentioning in my open letter which is online). 
Btw, Stella Rollig as a director of the Lentos Museum is responsible 
as well.


I am singling out Waldvogel because 1) he is the only of the three 
curators who's possibly known outside of a (or even in the) German 
speaking context (as Spectre), and 2) because his name is the only of 
the three that keeps re-appearing on mailing lists like Nettime and 
Spectre. Furthermore, I am singling out Waldvogel because 3) 
indeed, he is one of the three curators of the upcoming Manifesta in 
Cyprus (and, through that, has quite an international exposure). And 
4), I am singling out poor old Florian Waldvogel because it is much 
more FUN.


And seriously, I am interested in finding out whether he was selected 
to become one of the curators of Manifesta IN SPITE of this behaviour 
(this incident being only one in a series) or whether he became a 
Manifesta curator BECAUSE of that.


Does the international art world crave for fake leftists surfing on 
'protest' aesthetics? It seems so.


Can we trust Manifesta 6 if we cannot trust Florian Waldvogel?

Btw, if anybody wants to put a link on their website, put it as
a href=http://waldvogel.plaintext.cc;Florian Waldvogel/a

Thanks!

Many greetings,
Inke


--

Dr. Inke Arns
Artistic Director
Hartware MedienKunstVerein
Guentherstrasse 65 * D-44143 Dortmund
T ++49 (231) 823 106
F ++49 (231) 882 02 40
[EMAIL PROTECTED]
http://www.hmkv.de
http://www.projects.v2.nl/~arns/
http://waldvogel.plaintext.cc/

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Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

2006-02-23 Diskussionsfäden Florian Cramer
Am Donnerstag, 23. Februar 2006 um 23:10:19 Uhr (+0100) schrieb Inke Arns:
 
 I am singling out Waldvogel because 1) he is the only of the three 
 curators who's possibly known outside of a (or even in the) German 
 speaking context (as Spectre), and 2) because his name is the only of 
 the three that keeps re-appearing on mailing lists like Nettime and 
 Spectre. Furthermore, I am singling out Waldvogel because 3) 
 indeed, he is one of the three curators of the upcoming Manifesta in 
 Cyprus (and, through that, has quite an international exposure). And 

Just to add my 10 cents: I am singling out Waldvogel (by running the
site while being another writer whose anonymized writing makes up a
considerable part of the Just Do it book) because ripping off other
writers seems to run as a theme through his entire career.  This blog
entry http://ronsens.de/machtdose/sampletexter.html says, in my
translation:

  Culture jamming will eat itself - that, too: With his contribution to
  the 'Just Do It' exhibition, Waldvogel hasn't acted as a sampling 
  writer for the first time. His essay 'Culture Jamming: The Visual
  Grammar of Resistance' (published in 2003 in: 'Die Offene Stadt:
  Anwendungsmodelle' ['The Open City: Application Models', edited by
  Marius Babias and Florian Waldvogel] is sheer text theft as well.
  The reader had been available as a PDF file for a long time, but 
  was taken offline with the relaunch of the Zollverein art space.

  Gregor, July 11, 05

I wouldn't mind that if he were an underground anti-copyright
activist, like Sebastian Lütgert, for example. But he wants to have the
cake and eat it, too: work in institutions, but screw institutional
responsibility; copy other works, but commercially release them with his
name tag; pose as a radical, but only to invest as little
intellectual effort as possible; mask his intellectual incapability.
The latter (despite all borrowings from what might have been good texts)
fully comes across in the essay mentioned in the blog entry and which is
still online at http://www.rebelart.net/i0002.html. That text is
unreflected enough to mix Nazi and authoritarian vocabulary like
Lebensraum and Vollstreckungsbefehl into a piece supposedly about
critical left-wing urbanism. And I'm only scratching the very surface of
the imbecility of this text. 

He's also the only of the three curators who ducked a reply to us after
our protests. And on top of that, Inke's text that got ripped off into
Just Do It originally had been a lecture of her's at Zollverein - when
Waldvogel was its curator, and listening to the talk. So beware of Mr.
Waldvogel attending your lectures.  There's a chance that they end up,
with his name tag, in his next brilliant catalogue, getting him the next
big job in the art world. I just learned that he has become a curator at
Witte de With in Rotterdam.

It sounds unbelievable, but to see that I'm not exaggerating, have look
on the Manifesta 6 site
http://www.e-flux.com/displayshow.php?file=message_1108382427.txt
where we learn that he is, quote, Author of Who Let the Dogs Out
(2001), co-editor of Campus (2002), Die Offene Stadt (2003), Julie
Ault/Martin Beck Critical Conditions (2003), Bank 1-3 (2004) and Just do
it!  (2005). And did I mention that when Just Do It came out, he and
Thomas Edlinger went onto a tour through Germany where they made public
readings of their book?

-F


-- 
http://cramer.plaintext.cc:70
gopher://cramer.plaintext.cc

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Florian Cramer: Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

2006-02-23 Diskussionsfäden Inke Arns

Date: Fri, 24 Feb 2006 00:35:56 +0100
From: Florian Cramer [EMAIL PROTECTED]
To: Inke Arns [EMAIL PROTECTED]
Cc: amanda mcdonald crowley [EMAIL PROTECTED], spectre@mikrolisten.de
Subject: Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

Am Donnerstag, 23. Februar 2006 um 23:10:19 Uhr (+0100) schrieb Inke Arns:


 I am singling out Waldvogel because 1) he is the only of the three
 curators who's possibly known outside of a (or even in the) German
 speaking context (as Spectre), and 2) because his name is the only of
 the three that keeps re-appearing on mailing lists like Nettime and
 Spectre. Furthermore, I am singling out Waldvogel because 3)
 indeed, he is one of the three curators of the upcoming Manifesta in
 Cyprus (and, through that, has quite an international exposure). And


Just to add my 10 cents: I am singling out Waldvogel (by running the
site while being another writer whose anonymized writing makes up a
considerable part of the Just Do it book) because ripping off other
writers seems to run as a theme through his entire career.  This blog
entry http://ronsens.de/machtdose/sampletexter.html says, in my
translation:

  Culture jamming will eat itself - that, too: With his contribution to
  the 'Just Do It' exhibition, Waldvogel hasn't acted as a sampling
  writer for the first time. His essay 'Culture Jamming: The Visual
  Grammar of Resistance' (published in 2003 in: 'Die Offene Stadt:
  Anwendungsmodelle' ['The Open City: Application Models', edited by
  Marius Babias and Florian Waldvogel] is sheer text theft as well.
  The reader had been available as a PDF file for a long time, but
  was taken offline with the relaunch of the Zollverein art space.

  Gregor, July 11, 05

I wouldn't mind that if he were an underground anti-copyright
activist, like Sebastian Lütgert, for example. But he wants to have the
cake and eat it, too: work in institutions, but screw institutional
responsibility; copy other works, but commercially release them with his
name tag; pose as a radical, but only to invest as little
intellectual effort as possible; mask his intellectual incapability.
The latter (despite all borrowings from what might have been good texts)
fully comes across in the essay mentioned in the blog entry and which is
still online at http://www.rebelart.net/i0002.html. That text is
unreflected enough to mix Nazi and authoritarian vocabulary like
Lebensraum and Vollstreckungsbefehl into a piece supposedly about
critical left-wing urbanism. And I'm only scratching the very surface of
the imbecility of this text.

He's also the only of the three curators who ducked a reply to us after
our protests. And on top of that, Inke's text that got ripped off into
Just Do It originally had been a lecture of her's at Zollverein - when
Waldvogel was its curator, and listening to the talk. So beware of Mr.
Waldvogel attending your lectures.  There's a chance that they end up,
with his name tag, in his next brilliant catalogue, getting him the next
big job in the art world. I just learned that he has become a curator at
Witte de With in Rotterdam.

It sounds unbelievable, but to see that I'm not exaggerating, have look
on the Manifesta 6 site
http://www.e-flux.com/displayshow.php?file=message_1108382427.txt
where we learn that he is, quote, Author of Who Let the Dogs Out
(2001), co-editor of Campus (2002), Die Offene Stadt (2003), Julie
Ault/Martin Beck Critical Conditions (2003), Bank 1-3 (2004) and Just do
it!  (2005). And did I mention that when Just Do It came out, he and
Thomas Edlinger went onto a tour through Germany where they made public
readings of their book?

-F


--
http://cramer.plaintext.cc:70
gopher://cramer.plaintext.cc


--

Dr. Inke Arns
Artistic Director
Hartware MedienKunstVerein
Guentherstrasse 65 * D-44143 Dortmund
T ++49 (231) 823 106
F ++49 (231) 882 02 40
[EMAIL PROTECTED]
http://www.hmkv.de
http://www.projects.v2.nl/~arns/
http://waldvogel.plaintext.cc/

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Re: [spectre] please link to this site: http://waldvogel.plaintext.cc/

2006-02-23 Diskussionsfäden Murphy


On Feb 23, 2006, at 1:13 PM, Inke Arns wrote:


it would be great if you could link to this site

http://waldvogel.plaintext.cc/ (generously generated by Florian 
Cramer!)



I'll be happy to link to the site but better yet would be a summary of 
the situation that I could put up on post.thing.net along with that 
link, which would then get reblogged on various American and other 
sites through RSS feeds. Most readers won't know what Manifesta is much 
less the original Do It context so you'll have to explain who the 
players are. Amanda MC, who I run into now and then in NYC, can't 
dictate what goes out on eyebeam/reblog but it may be reblogged from 
post.thing.net, which they do regularly, depending who is doing the 
reblogging. In any case, it would go to other sites and be archived on 
ours for google searches.



Robbin Murphy
THE THING, Inc.


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