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I'm waiting for Apple to start mining domestic cat species after they run out
of scary sounding wild ones. OS Tabby, OS Calico...
On Mar 29, 2012, at 12:04 PM, Dave Hunt wrote:
Hi,
If it's Macintosh I'd love it to be Pussy Cat
Ciao,
Dave Hunt
Date: Wed, 28 Mar 2012 14:53:25
Cara Gleeson coarsean...@gmail.com wrote:
...
*Outline of dissertation question*: *Why did ambisonics not take off
between the 1970's-90's?*
Hi Cara,
You will probably already have found the
FAQ's spin on this. If not, visit:
there is nothing so powerful as an idea whose time is right
it was ahead of the technology.
I don't even think it has failed - it just took off in a 'slow burn' way
Actually, there is more being done on spherical harmonics and ambisonics than
ever before - more experimental setups, more
I think there were a number of reasons
1 It took a long time for a medium to arrive that offered
a conveninent way to present a lot of channels. Actually,
while in principle CD did, in practice this was never
used. The surround schemes that came along that worked
commercially either involved
PS There is one more reason, which is less obvious and perhaps
not obvious at all to those of you in Europe.
Namely, Americans have never liked one point recording.
They have never liked Blumlein or ORTF(quasi one point) stereo
and they still do not.
Starting with the Bell Telephone Labs(as the
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On Fri, Mar 30, 2012 at 12:52:22PM -0700, Robert Greene wrote:
Surround in music has never been a hit in any form and it still
is not. Moreover most music is not really enhanced by it in the minds of
most people. Orchestral music benefits enormously--most of what you hear
in an orchestra
