Hi,
The trouble with Angelo's kit is that it's not really hi-fi.
Works well for what it was designed for (noise pollution research) but
not really good enough for serious audio. Because it's based on
differencing omni's to generate directional responses it has a
relatively limited bandwidth
Angelo's paper relating to this is at
http://www.angelofarina.it/Public/UAM-2011/
Dave
On 19 February 2013 04:03, Marc Lavallée m...@hacklava.net wrote:
umashankar manthravadi umasha...@hotmail.com a écrit :
angelo farina has exactly the beast you are looking for. he had a
power point
On 02/18/2013 02:58 PM, Michael Chapman wrote:
Good Morning Everyone,
I'm interesting to buy a Sound Field Microphone but I don't have any
experience in this field. Could you recommend me some models or brands
according to your experience?
There are many on here more expert than I.
But to
Just a quick one:
It seems to me that a dome could be interesting used as a kind of wavefield
synthesis device.
Domes have the interesting property of focussing sound at a point that is
opposite the source, as it were. So you can create a 'holosonic' point source
right next to someone's ear
@music.vt.edu
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Gerard Lardner wrote:
Here's a suggestion: a place that is publicly-accessible, but is under
threat of being demolished. It's Achill Henge, a modern copy of much of
Stonehenge but built on Achill Island, off the west coast of Ireland.
There are a number of Stonehenge replicas
dotted around
Fons Adriaensen wrote:
Don't know what Len will think of it, but putting a Tetramic
(or any such mic) in a plastic bag isn't likely to produce
anything usable. Basic problem is that the acoustic impedance
of water is around 3400 times higher than that of air, so the
water/air interface will
Needless to say, it would be even more interesting if they actually
posted the IRs somewhere! If they have, it is very well hidden.
Richard Dobson
On 19/02/2013 17:28, Martin Leese wrote:
...
Also, it looks like the University of Salford
have already measured IRs of the original
Stonehenge
The trouble with the sort of materials used in condoms is that they
are inherently stretchy. Under any sort of pressure (more than a quite
small depth of water) the material presses through any holes and
either (a) rips or be (b) comes into contact with the diaphragm which
is potentially almost
Oh, and a couple of other tips for anyone wanting to use condoms for
protecting microphones - wipe as much of the lubricant off as you can
before use (it's a b***er to remove from microphone) and use the
featherlite variety for maximum acoustic transparence.
Dave
On 19 February 2013 21:46,
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