Jörn brought into the discussion not only filter type and slope, but the
choice of audio interfaces. I have first-generation MOTU 896HD units.
Although there are two FireWire ports on each unit's backside, MOTU states
that the only two units can be synchronized using a FireWire (daisy chain
http://www.reaper.fm/ for Windows or MacOs osX
low cost or 60 days evaluation. I recommend it.
A multi channel DAW for multi channel playback/Recording or editing in
combination with a MOTU traveler and a AD8000, I have that combination.
Even linux can nowadays recognize the MOTU device with
On 22 February 2013 02:25, Eric Carmichel e...@elcaudio.com wrote:
Within the context of room reflections, music listening,
home theatre, and the like, I’m fully aware that frequencies below 80 Hz
are near impossible to localize. Add to the overall auditory scene the
constituent frequencies
On 22 February 2013 02:25, Eric Carmichel e...@elcaudio.com wrote:
Oops forgot to add the comment below to my last post;
I suppose there’s no reason to worry about inter-channel timing issues when
using dissimilar components (meaning a MOTU optically linked to an D-A
device). Similar to the
Didn't get chance to reply earlier.
About 12 years ago, I set up a system with 32 speakers on a hemisphere, 1st and
2nd order material
with 8x subs, 1st order horizontal only , low pass 90 Hz
I excluded height for Lf simply because of the logistics of flying bins, but
also as elevation cues
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