Re: [Sursound] Reaper performance issues.

2021-10-18 Thread Pierre Alexandre Tremblay
Hello The obvious first: what are the source channel counts? 30 stereo is ok for non-ssd, but even that is pushing it if they are all playing… For info, I had similar flow and channel count in a piece in Reaper, cohabitating with 12 cheats (point-sources) with a similar number of source...

Re: [Sursound] A shared standard format for describing decoder loudspeaker setups?

2019-12-10 Thread Pierre Alexandre Tremblay
This would be welcome indeed, but there are other issues (although some start to disappear and standardise) like where the 0 deg is, the direction of rotation, the channel order, the normalisation, etc I remember doing the same comparison 3 years ago, and sorting them all to compare apples

[Sursound] [software] V2 of the HIRT available for Max

2019-11-13 Thread Pierre Alexandre Tremblay
Dear all If you like convolution, impulse responses as creative objects, and Cycling '74's Max, and/or if you just love how the convolution reverb in Ableton's Live sounds, and want to know how it works, then you'll be chuffed by this:

Re: [Sursound] Study Comparing Ambisonic and Channel Based Systems

2019-04-22 Thread Pierre Alexandre Tremblay
I forgot to say: Jörn Nettingsmeier ’s experience was life changing. He really knows about the reality of real-life in-hall use of HOA and was incredibly wise and generous. Great discussion with Anders Tveit were important too. Pierre Guillot’s help with sorting the many, many issues of the

Re: [Sursound] Study Comparing Ambisonic and Channel Based Systems

2019-04-22 Thread Pierre Alexandre Tremblay
This report is very much in line with my observations too, in the concert hall and in optimal studio conditions. I would say that HOA start to be usable for focused point source around the 5th order, and gets better higher up with the problems of then having the speaker setup to fill it… so

[Sursound] Call for Female-Identifying Composers/Sound Artists

2018-11-25 Thread Pierre Alexandre Tremblay
Dear all This call is for composers who identify as female, with multi-loudspeaker ideas, dreams, ambitions, and desires: the HISS is supporting this amazing call to work in the SPIRAL and on our sound system. Beware, the turn around is short (14th December 2018).

Re: [Sursound] RIR measuring, how to capture a higher order Ambisonic room responce?

2018-04-23 Thread Pierre Alexandre Tremblay
If you use Max, try the very versatile HIRT. 2nd order with a tetramic is not possible as far as I am aware through… we have done (mega)multimic IRs (24 channels of inputs, of which a 1st order ambisonic) of 3 different spaces with our kit, and it was fun and productive to train the ear on

Re: [Sursound] (a little )help needed for ambisonics museum project

2018-03-28 Thread Pierre Alexandre Tremblay
een spheres suggestion. I was thinking early in this >> awesome thread: if arduino for motion detection to cue a crossfade between >> spheres and binaural mix:) >> >> On Tue, Mar 27, 2018, 6:00 PM Pierre Alexandre Tremblay < >> tremb...@gmail.com> >> wrote:

Re: [Sursound] (a little )help needed for ambisonics museum project

2018-03-27 Thread Pierre Alexandre Tremblay
ircle more but all sound in this in headphones. > >> Den 27. mar. 2018 kl. 23.43 skrev Pierre Alexandre Tremblay >> <tremb...@gmail.com>: >> >>> If done correctly, there is no sweep spot issue. >> >> Sorry, to be accurate: there is no more sweet

Re: [Sursound] (a little )help needed for ambisonics museum project

2018-03-27 Thread Pierre Alexandre Tremblay
> If done correctly, there is no sweep spot issue. Sorry, to be accurate: there is no more sweet spot issue than vbap. It is not better, nor worse. Both have a sound, strengths and weaknesses. If you use asymmetrical speaker layout, far from a regular setup, all will fail. You just have to

[Sursound] 5 fully-funded PhD in Musicology/Analysis in Huddersfield

2017-11-30 Thread Pierre Alexandre Tremblay
Dear all We have opened 5 fully funded PhD studentships in musicology, some with a specific question in mind, some quite open. I post here because most are technology-related. https://research.hud.ac.uk/music/researchdegreesandscholarships/fivefully-fundedmusicphdstudentshipsfor2018/ Deadline

Re: [Sursound] getting the peak frequency from microphone input

2017-10-25 Thread Pierre Alexandre Tremblay
You can use the fantastic peak tracking feature of sigmund~ then. A 64 bit port has been done for Max and it is also available on Pd > On 24 Oct 2017, at 23:17, Sampo Syreeni <de...@iki.fi> wrote: > > On 2017-10-24, Pierre Alexandre Tremblay wrote: > >> if displa

Re: [Sursound] getting the peak frequency from microphone input

2017-10-24 Thread Pierre Alexandre Tremblay
if display check the spectrumdraw~ object from the HIRT: http://eprints.hud.ac.uk/id/eprint/14897/ You can select and display the peak > On 24 Oct 2017, at 16:28, 霖の <951343...@qq.com > > wrote: > > Dear all, > There must be

[Sursound] [Full-time permanent academic job opportunity] Lecturer in Music Production in Huddersfield

2017-05-02 Thread Pierre Alexandre Tremblay
Dear all Less than a week for you to consider joining us - we are looking for someone with (pop) professional production experience who want to pass on that knowledge to the next generation of creative studio practitioners. The ideal candidate will also have a strong research profile, in

[Sursound] 2 postdoc opportunities

2017-03-25 Thread Pierre Alexandre Tremblay
Dear all I have been recommended to post the following offers here despite them not being 100% relevant to surround sound - although I'm told our last set of tools have been quite see by a certain number of you. I've been successful in an ERC application and as part of the project, I am

[Sursound] [Gig Alert] Electric Spring 2017 - free electronic music festival in Huddersfield, England

2017-02-06 Thread Pierre Alexandre Tremblay
Dear all You might have spotted it on Facebook, or in the Wire, but here it is in case you missed the announcement. Fabulous lineup, as usual, more gigs than ever, and some great activities! The Huddersfield Immersive Sound System (thehiss.org) should tick all the boxes of the surround sound

Re: [Sursound] Advice on new loudspeaker array... Genelec 8010 speakers?

2015-10-15 Thread Pierre Alexandre Tremblay
I think that what Jorn is saying is that a lot of small speakers is not good/powerful enough to provide a proper, powerful, dynamic, full range point in the space, which is still a very popular gesture in most panning methods. Le 15 oct. 2015 à 14:24, Augustine Leudar

Re: [Sursound] Hooke: First Bluetooth Binaural Microphone

2015-06-18 Thread Pierre Alexandre Tremblay
John, where about are you based? I'm sure some Huddersfield people would be happy, and we have 24 channels of portable DAV pre-amps linked to RME converters. We also have the DPA 5.0 set with the decca tree. Contact me off-list if you need a contact pa Le 18 juin 2015 à 19:49, John Leonard

Re: [Sursound] Infra sound Sub bass.

2015-04-23 Thread Pierre Alexandre Tremblay
I think what people mean when legislation measuring at 100 dB-A is an oxymoron. dBA was meant to mimic the equal-loudness curve at low level of listening (around 40 dB spl @ 1k) and is absolutely not representative of the relatively linear curve around 100 dB SPL @1k. The wikipedia articles on

[Sursound] [ot] Funded PhD Opportunity

2015-01-13 Thread Pierre Alexandre Tremblay
Dear all If you are European, and that you want to move in Huddersfield for 3 years for a fully paid PhD, mentored by me or one of my fantastic colleagues... this would be a good opportunity: http://www.jobs.ac.uk/job/AKG216/12-fully-funded-phd-studentship/ It'll be competitive though... You

[Sursound] [gig alert] Electric Spring 2015

2015-01-07 Thread Pierre Alexandre Tremblay
Dear all The website of the festival Monty Adkins and I co-curate (with the growing help of Julio d'Escrivan and Alex Harker) is now online. Plenty of multichannel works for the surround sound lover ;-) http://electricspring.co.uk I hope to see you there pa

Re: [Sursound] AES London Lecture

2014-12-31 Thread Pierre Alexandre Tremblay
It does indeed - especially if it delivers for real ;-) Le 31 déc. 2014 à 00:08, John Leonard j...@johnleonard.co.uk a écrit : This looks interesting: Upcoming Lectures London: Tuesday 13th January Perceptual Sound Field Reconstruction and Coherent Synthesis Zoran Cvetkovic,

Re: [Sursound] Splitting a 10.2 file

2014-09-03 Thread Pierre Alexandre Tremblay
there is also (on Mac) Scott Wilson's de-interleaver. http://www.birmingham.ac.uk/facilities/beast/research/mulch.aspx p Le 3 sept. 2014 à 10:20, Dave Malham dave.mal...@york.ac.uk a écrit : Some fine command line tools there, should be easy with them but Max would be ok if if you're

Re: [Sursound] BBC Radio Three Surround Streaming Trial (15. to 31. March)

2014-03-17 Thread Pierre Alexandre Tremblay
I use very reliably jackosx p Le 17 mars 2014 à 16:59, Dave Malham dave.mal...@york.ac.uk a écrit : Soundflower, perhaps? On 17 March 2014 15:32, Ralf R Radermacher fotor...@gmx.de wrote: Am 17.03.14 16:25, schrieb Paul Hodges: (note to self: check multi-channel recording setup is

[Sursound] PhD Scholarships - Huddersfield-based, open to all

2013-12-11 Thread Pierre Alexandre Tremblay
Dear all A week of announcements for Huddersfield! We have launched three scholarships for PhD at Huddersfield starting next October. It might interest some of you. Improvisation is included in all three, and computers can be in all three too ;-) Feel free to distribute. pa

[Sursound] Free Impulse Response Software Update and Code Available

2013-12-09 Thread Pierre Alexandre Tremblay
Dear all I think this might be of interest to some of you. pa == The HISSTools Impulse Response Toolkit, a set of Max objects to capture and manipulate impulse responses, is now available in version 1.1 at http://eprints.hud.ac.uk/14897/ Apart from a new object and few bug fixes, the major

[Sursound] Archives of Electric Spring Festival

2013-09-26 Thread Pierre Alexandre Tremblay
Dear all Sorry for cross-posting but I am very happy that we finally released the archives of the festival Monty Adkins and I have been running for a certain time now… the new edition will have stunning stuff too, but it is too early to announce, so in the meantime, feel free to visit our

[Sursound] Musicologist Post @ Huddersfield

2013-05-16 Thread Pierre Alexandre Tremblay
Dear all This will be of interest to the musicology inclined of you... and you would have access to the studios too ;-) pa http://jobs.timeshighereducation.co.uk/jobs_jobdetails.asp?source=jobalertac=104356 ___ Sursound mailing list

[Sursound] [ann] A permanent technician job at the university of Huddersfield

2013-04-22 Thread Pierre Alexandre Tremblay
Dear all Sorry for the cross-posting, as I want to spread the word! I think this might interest the most technically inclined, in search for a permanent post. It is not an academic job, but we definitely need some help on maintaining our studios's standard, and speciality, knowledge and

[Sursound] Noise/in/Music Conference Call

2012-12-18 Thread Pierre Alexandre Tremblay
Dear all This might interest some (most) of you. The call for the Noise/in/Music conference at Huddersfield is open and public here: http://www.hud.ac.uk/research/researchcentres/cerenem/noise/ Deadline for proposals is the 21st of Jan. p ___

Re: [Sursound] a quick tutorial video on how to create an impulse response

2012-12-17 Thread Pierre Alexandre Tremblay
smoothing values. Thanks! Hector On 2012-12-12, at 9:50 AM, Pierre Alexandre Tremblay tremb...@gmail.com wrote: Dear all Thanks to Rodrigo Constanzo we have the first video tutorial of how to use and abuse the fruit of the HIRT (the HISS Impulse Response Toolbox). This time

Re: [Sursound] Proximity illusions - WFS vs HOA

2012-12-13 Thread Pierre Alexandre Tremblay
Dear all Let me be a little teasy and controversial here: Focussing, no matter how it's done, does not create a source. With that many speakers in a hall, you do happen to have a lot of real sources you can use... It could be amazing to think of a real hybrid system where point-source

[Sursound] a quick tutorial video on how to create an impulse response

2012-12-12 Thread Pierre Alexandre Tremblay
Dear all Thanks to Rodrigo Constanzo we have the first video tutorial of how to use and abuse the fruit of the HIRT (the HISS Impulse Response Toolbox). This time round, it is the basic use of capturing an impulse response with some of the tools for MaxMSP. Feel free to watch it here:

Re: [Sursound] a quick tutorial video on how to create an impulse response

2012-12-12 Thread Pierre Alexandre Tremblay
On Wed, Dec 12, 2012 at 8:50 AM, Pierre Alexandre Tremblay tremb...@gmail.com wrote: Dear all Thanks to Rodrigo Constanzo we have the first video tutorial of how to use and abuse the fruit of the HIRT (the HISS Impulse Response Toolbox). This time round, it is the basic use

[Sursound] [ann] CeReNeM/HCMF Ph.D. in composition

2012-10-09 Thread Pierre Alexandre Tremblay
Dear all Sorry for cross-posting, but I am quite proud of this one ;-) I think this is of interests for the composers who want a great Ph.D. experience ;-) A fully paid Ph.D. with some very cool mentorship from HCMF's director Graham McKenzie. Check the potential list of supervisors on the

[Sursound] 2.5 years Postdoctoral Fellowship at Huddersfield

2011-09-15 Thread Pierre Alexandre Tremblay
starting that involve Pierre Alexandre Tremblay, Alex Harker and me looking into this field. If you want more details regarding PA's research project with Alex developing the HISS Tools (MSP RD Software) please contact p.a.tremb...@hud.ac.uk. We strongly hope and anticipate that the successful

[Sursound] ICMC2011 online presence

2011-08-04 Thread Pierre Alexandre Tremblay
Dear all For those of you who cannot attend, we have videos, pictures, blog entries! On Facebook, there is a group: On twitter, use #icmc2011 On youtube, try these for now: http://youtu.be/6aTVJ4BU2vo http://youtu.be/j9i8YXbyvWo http://youtu.be/Nr9DLCcmUoA http://youtu.be/KPV7VrwpJ80

Re: [Sursound] Sound Externalization Headphone

2011-05-26 Thread Pierre Alexandre Tremblay
so what happens is you take the positions of the speakers you want to simulate, and convolve each speaker signal with the appropriate head-related transfer functions for the left and right ear. Can I bring a concern here? I have compared different IRs of 5.1 setup with real, mastered 5.1

Re: [Sursound] Sound Externalization Headphone

2011-05-26 Thread Pierre Alexandre Tremblay
why should it? the virtual speaker approach is pretty much independent of your speaker spatialisation technique. this is true except when you have transients to my experience. I'll send you a short bit next week when I am back into the studio. p

Re: [Sursound] Reflections from the wodden floor on an ambisonic room..

2011-03-24 Thread Pierre Alexandre Tremblay
and to add to this, I can say that Jorn's examples in the SPIRAL were the first one to really convince me of the value of ambisonics... I always had bad decoders and/or low order experiences, and there was some clever filter design in a 3rd order setting... fantastic! p Le 2011-03-24 à 18:40,

Re: [Sursound] good quality low noise yet miraculously cheap cardiod/unidirectional microphones ?

2011-01-17 Thread Pierre Alexandre Tremblay
Interesting! Does it actually sound good? compare to a soundfield? p Le 2011-01-17 à 16:51, Ronald C.F. Antony a écrit : On 17 Jan 2011, at 10:48, Jörn Nettingsmeier wrote: ah, i see. didn't catch that this thing actually contains four independent cardioid mikes. See here:

[Sursound] ICMC 2011 submission deadline extended

2011-01-14 Thread Pierre Alexandre Tremblay
Dear all In response to requests from the community we have extended the deadline for submissions of music and papers for ICMC 2011 by one week to midnight (GMT) Tuesday 25th January 2011. To submit visit www.icmc2011.org.uk au plaisir pa ___

[Sursound] Reminder: ICMC 2011 - Call for Works and Papers deadline approaching

2011-01-11 Thread Pierre Alexandre Tremblay
Dear all A quick reminder: the deadline for the Call for Works and Papers is in one week, on Tuesday 18 January. http://icmc2011.org.uk/submit/ We look forward to seeing your submission au plaisir pa ___ Sursound mailing list Sursound@music.vt.edu

Re: [Sursound] Another plugin inquiry...

2010-12-19 Thread Pierre Alexandre Tremblay
I guess the question is whether the reverb is 1x4 or 4x4. 1x4 is easy enough to measure and use with standard techniques, but 4x4 is trickier as you'd need to collect impulse responses from a range of source locations in the room (effectively the 4x says that you want the reverb to vary with

[Sursound] ICMC 2011 submission website now online

2010-12-13 Thread Pierre Alexandre Tremblay
___ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound