> so what happens is you take the positions of the speakers you want to > simulate, and convolve each speaker signal with the appropriate head-related > transfer functions for the left and right ear.
Can I bring a concern here? I have compared different IRs of 5.1 setup with real, mastered 5.1 programme and the loss was very significant, mainly in term of comb filtering type artifacts. So much so that I decided not to include them on my album (this was for a 5.1 release which I wanted to have the stereo reduction to be binaural) Now I know that using generic HRTF is not going to help me, but this was far worse than anything I could imagine... I presume that if I had used Ambisonic as my spacialisation device throughout the mix and composition, it would have worked better as a re-rendering... my 2 cents pa _______________________________________________ Sursound mailing list [email protected] https://mail.music.vt.edu/mailman/listinfo/sursound
