Hi Fabio,
Did you actually mean that there are only hemispherical
ambisonics systems out there or am I misinterpreting what you said?
'Cos that suggests that there are no full sphere systems
Dave
On 12 October 2012 16:02, Fabio Kaiser fabio.kai...@student.tugraz.at wrote:
In
as an aside (and without looking it up) ossuary clearly means some
official receptacle for bones, I would guess?
Dr Peter Lennox
What I find fascinating is words that are either absent, or if present
rarely used but replaced by compounds.
Things like 'foot-fingers' (French) and 'hand-shoes'
Bo-Erik Sandholm wrote:
As this was in a session on next gen MPEG format, and header specification in
MPEG among other things...
If I remembers correctly there was a possibility to specify that the audio format was
- WFS
- 5.1
- 7.1
- 22.1
No possibility to carry pure ambisonics using our
On Sat, Oct 13, 2012 at 01:56:04PM -, Michael Chapman wrote:
What I find fascinating is words that are either absent, or if present
rarely used but replaced by compounds.
Things like 'foot-fingers' (French) and 'hand-shoes' (German)
and by comparison 'sibling' (English) which is rare*
On Sat, Oct 13, 2012 at 05:26:57PM -, Michael Chapman wrote:
Because the knobs on the amp's are at the other end of the
room (or if not there, it would mean bending one's back).
Modern PA gear is remote-controlled and monitored. And even if
not, that's no excuse :-)
Ciao,
--
FA
A
Michael Chapman s...@mchapman.com wrote:
*I remember being told there was no direct English translation,
when I first learnt German ;-(
For 'sibling'? This is indeed true, if used as a singular. You may have
'siblings' (Geschwister) in German but if it's just one then it's either
a brother or
Most commonly, I've come across this in PA systems hired in by performers: the
most heinous being that of a concert for a friend of mine, where the balance
engineer (a studio engineer, not a live sound one, which didn't help) could
barely lift the faders without the system going into feedback.
Non-existent on the systems I'm talking about.
John
On 13 Oct 2012, at 20:16, Dan d...@db-av.co.uk wrote:
Level control will be done on the DSP managing the speakers.
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On Sat, Oct 13, 2012 at 01:56:04PM -, Michael Chapman wrote:
What I find fascinating is words that are either absent, or if present
rarely used but replaced by compounds.
Things like 'foot-fingers' (French) and 'hand-shoes' (German)
and by comparison 'sibling' (English) which is rare*
well, depends. iirc, theile's argument is that a two-speaker phantom source
should be a mess in terms of spectrum, but isn't (as two-speaker stereophony
demonstrates). so for some reason, the brain is able to sort it out. more
than two correlated sources, and things go awry, e.g. L/C/R
On Sat, Oct 13, 2012 at 05:26:57PM -, Michael Chapman wrote:
Because the knobs on the amp's are at the other end of the
room (or if not there, it would mean bending one's back).
Modern PA gear is remote-controlled and monitored. And even if
not, that's no excuse :-)
No, no, no
On 2012-10-05, Richard Furse wrote:
To be honest, low order hasn't been a massive priority for gaming/VR -
on most modern boxes we're rendering and decoding at fourth order, so
all the cool new stuff is enabled.
Tell me... In games most of the individual sound sources, apart from
general
On 2012-10-05, Eric Carmichel wrote:
(Ville, once again the reason why I linked you in is to be found lower
down the post.)
Surround controllers, on the other hand, are generally limited in
their number of channels or become expensive. One solution to my
'dilemma' was to use a DAW surface
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