There were three 'with height' workshops at the 2012 AES meeting in San
Francisco* that featured an Aura 3D playback setup. David Bowles
(Swineshead) and Paul Geluso (NYU) played some recordings that were quite
nice -- height in front, with convention surrounds -- but the remainder,
including
The mic rig that I've seen on the Tonsturm site (http:www.tonsturm.com)
consists of five Schoeps omnis and then four Schoeps wide cardioids about a
metre above them, which doesn't really seem that groundbreaking to me. But, as
always, I'm happy to be proved wrong.
Worth keeping an eye on,
Hi,
It does all really depend on what full gain on the amps gives you -
and what the mixer can put out. On a properly matched system where the
amplifiers at full gain result in the nominal maximum output of the
mixer being such as to just drive the speakers fully, this is fine. If
setting full
[sursound-boun...@music.vt.edu] On Behalf
Of Jörn Nettingsmeier [netti...@stackingdwarves.net]
Sent: 14 October 2012 00:09
To: Surround Sound discussion group
Subject: Re: [Sursound] Auro 3D
On 10/13/2012 06:43 PM, David Pickett wrote:
At 05:51 13/10/2012, Dave Hunt wrote:
I have long been dubious
On 2012-10-13, Dave Hunt wrote:
http://www.auro-technologies.com/uploads/Auro3D-Octopus-White-Paper-v2-7-2017.pdf
Will read. If ambisonic relevant, will put into Motherlode in time.
It concludes that although 24-bit operation is advantageous for audio
creation purposes it is inadvisable
On Sat, Oct 13, 2012 at 05:26:57PM -, Michael Chapman wrote:
Because the knobs on the amp's are at the other end of the
room (or if not there, it would mean bending one's back).
Modern PA gear is remote-controlled and monitored. And even if
not, that's no excuse :-)
Ciao,
--
FA
A
Most commonly, I've come across this in PA systems hired in by performers: the
most heinous being that of a concert for a friend of mine, where the balance
engineer (a studio engineer, not a live sound one, which didn't help) could
barely lift the faders without the system going into feedback.
Non-existent on the systems I'm talking about.
John
On 13 Oct 2012, at 20:16, Dan d...@db-av.co.uk wrote:
Level control will be done on the DSP managing the speakers.
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On Sat, Oct 13, 2012 at 05:26:57PM -, Michael Chapman wrote:
Because the knobs on the amp's are at the other end of the
room (or if not there, it would mean bending one's back).
Modern PA gear is remote-controlled and monitored. And even if
not, that's no excuse :-)
No, no, no
...there is written at page two sounds coming from everywhere around and
above the listener
That's the problem. We are surrounded, not include in the sound. Really
immersive solutions are existing today, per example search holophony in
Google.
Regards, Helmut
2010/11/26 Eero Aro
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